Sony DPS-V55M Manuel utilisateur

3-000-000-11(1)

Multi-Effect

Processor

DPS-V55M

Operating Instructions

Mode d’emploi

Bedienungsanleitung

2EN

WARNING

To prevent fire or shock

hazard, do not expose the

unit to rain or moisture.

WARNING

To prevent shock hazard, do not insert the

plug cut off from the mains lead into a

socket outlet. This plug cannot be used and

should be destroyed.

Voor de klanten in Nederland

Bij dit produkt zijn batterijen

geleverd. Wanneer deze leeg

zijn, moet u ze niet weggooien

maar inleveren als KCA.

VARNING

Explosionsfara vid felaktigt batteribyte.

Använd samma batterityp eller en

ekvivalent typ som rekommenderas av

apparattillverkaren. Kassera använt batteri

enligt fabrikantens instruktion.

ADVARSEL!

Lithiumbatteri – Explosionsfare ved

fejlagtig handtering.Udskiftning må kun

ske med batteri af samme fabrikat og type.

Levér det brugte batteri tilbage til

leverandøren.

VAROITUS

Paristo voi räjähtää, jos se on virheellisesti

asennettu. Vaihda pariso ainoastaan

laitevalmistajan suosittelemaan tyyppiin.

Hävita käytetty paristo valmistajan

ohjeiden mukaisesti.

ADVARSEL

Eksplosjonsfare ved feilaktig skifte av

batteri. Benytt samme batteritype eller en

tilsvaende type anbefalt av

apparatfabrikanten. Brukte batterier

kasseres i henhold til fabrikantens

instruksjoner.

3EN

Getting Started

Main Features 4

How to Use This Manual 4

Functional Hierarchy 5

Names and Functions of Parts 6

Understanding the Effect Types and Program Structures 8

Hooking Up 9

Basic Operations

Choosing a Program 10

Reading the Display 11

Outputting Without Effects (BYPASS) 11

Choosing a Program by Effect Type 12

Editing a Program

Choosing the Effects 13

Choosing a Structure 14

Changing Effect Parameters 14

Using the TAP Function 15

Saving Processed Effects 16

System Operations

MIDI Settings 17

Other Settings 18

Additional Information

Restoring the Original Factory Settings 19

Replacing the Memory Back-up Battery 19

Troubleshooting 19

Precautions 20

Specifications 20

Blank Chart (Inside Back Cover)

MIDI Implementation Chart (Back Cover)

Table of Contents

Welcome!

Thank you for purchasing the Sony Multi-

Effect Processor. Before operating the unit,

please read this manual thoroughly and

retain it for future reference.

4EN

Getting Started

Main Features

The DPS-V55 is a four channels multi–effect processor.

Four channel construction

The DPS-V55 is outfitted with four inputs (and outputs) and can

route the input signals in a variety of different ways depending on

the chosen effect algorithms and program structures.

Flexible effect algorithms and program structures

The DPS-V55 incorporates a total of 45 different effect algorithms

divided into three different types: 4ch, 2ch (stereo), and Mono-

Pair. Each effect contains several adjustable parameters and can be

easily modified. In addition 2ch and/or Mono-Pair effects can be

used in combination within a program, and the program structure

can be switched between serial and parallel, allowing you to take

full advantage of the four channel construction.

User-friendly operating environment

A primary concern when creating the DPS–V55, was to provide an

intuitive operating system for creative sound control. All effect

parameters can be accessed directly using the EDIT PARAMETER

buttons.

Large memory banks

In addition to the 200 different preset programs (numbers

001~200) created by musicians and engineers from around the

world (preset memory), there is also room for you to store up to

200 of your own original programs in the user memory (numbers

201~400). We've also included a search function so you can recall

the programs you need without having to remember their

program numbers.

Search function

The search function lets you locate programs you want by

specifying the type of effects they contain. (See page 12.)

TAP function

The TAP function lets you adjust certain parameters simply by

tapping on the ENTER (TAP) button. (See page 15.)

MIDI compatibility

The MIDI interface lets you conduct program change and data

save operations. (See page 17.)

How to Use This Manual

These operating instructions describe setup and operating

procedures for the DPS-V55 multi–effect processor.

Before using this unit we do recommend taking a glance at the

“Functional Hierarchy” chart on page 5 and reading

“Understanding Effect Algorithms and Program Structures” on

page 8 to familiarize yourself with the unit.

“Hooking Up” shows you how to make different kinds of

connections between this unit and instruments, mixers, and/or

components.

The remaining chapters show you how to operate the unit. Refer

to each as necessary.

For specific information regarding the individual effects and

parameters, refer to the separate “Effect Parameter Guide.” For

information regarding the preset memory, refer to the separate

“Preset Memory Catalog.”

• The following icon is used in this manual:

Indicates hints and tips for making the task easier.

5EN

Functional Hierarchy

PLAY

Effect On/OffEDIT

Master Level

FxA On/Off

FxB On/Off

Parameter 1

*

Parameter n

Master Level (0 ~ 100)

Fx A

Parameter 1

*

Parameter n

Fx B

FxTYPE Effect A Type Number

Effect B Type Number

Fx Type

Effect Type Number

Execute (push ENTER)

Structure Type

Program Number

Program number

Tap Function

Bypass or Muting

TAP

BYPASS

Channel (1 ~ 16)

SYSTEM

Out/Thru Mode (Out/Thru)

MIDI

Program Change Table (Prog #, #)

OMNI Mode (On/Off)

Bulk Trans (From, To)

Tap Mode (x / / x / / x1 / x2)

Bypass Mode (Bypass/Muting)

Set Up

1412

6EN

Getting Started

Names and Functions of Parts

1U(Power switch)

Press this switch to turn the power on and off. Turning

on the power on recalls the last used memorized effect

and activates play mode automatically.

2 Effect algorithm list

Numbers and names of the 45 available effect

algorithms. 01~09 are 4ch algorithms, 10~36 are 2ch

algorithms, and 37~45 are Mono-Pair algorithms. (See

“Understanding Effect Algorithms and Program

Structures” on page 8 for details).

3 Input level indicators

Light green, orange, or red to indicate strength of the

signal input to the respective channel (1~4).

Green = –30 to -6 dB; Orange = –6 to –2 dB; Red = clip

(greater than –2 dB).

4 Display

Displays various information such as program

numbers, program names, effect numbers, effect

names, structures, parameter values, etc.

5 Fx TYPE (SEARCH) button

Use to select an effect type or program structure.

Also use to search for program by effect type (see page

12).

6 BYPASS button

Press to turn the selected program on or off. (Can also

be set to mute the output of the processor, see page 18.)

7 SAVE button

Use this button to save a customized program.

8 SYSTEM button

Use this button to access the MIDI and system setup

parameters.

9 Rotary encoder

Use to select program numbers and make adjustments

to parameter settings.

10 MIC IN jack

Use to connect a microphone with either an XLR or

phone type connector.

Microphone assign switch

Use select which channel the signal input to MIC IN

jack will be assigned to.

CH-1: to channel 1 (signals input to the INPUT 1 jack

on the rear panel are muted);

CH-1+2: to channels 1 and 2 (signals input to the

INPUT 1 and 2 jacks on the rear panel are muted);

REAR: input from the MIC IN jack is muted and only

the sound input to the rear inputs (1~4) is processed.

MIC GAIN level adjustment knobs

Turn the knob to the left or right to adjust the input

level of the signal input to the MIC IN jack (up to 40

dB).

11 INPUT LEVEL adjustment knobs

Turn the knob to the left or right to adjust the input

level of the respective channel (1~4). The input level

can be increased up to 12 dB above unity* without

clipping.

* When the input and output levels are the same. (On this

unit, unity is achieved when the mark on the INPUT

LEVEL knob is pointing straight up.)

12 EDIT PARAMETER (SKIP) buttons

Use to select the parameter you want to adjust when

customizing an effect.

Press both buttons at the same time to skip to another

parameter group, see page 14.

13 EXIT button

Press to return to the play mode.

14 ENTER (TAP) button

Use to confirm SAVE operations (etc.).

Also use to set time-variable parameters.

Front panel

7EN

Names and Functions of Parts

Rear panel

1 LCD CONTRAST knob

Use to adjust the contrast of the display on the front

panel.

2 MIDI OUT/THRU terminal

For sending and/or relaying MIDI command signals

from the processor to other components. To switch

between OUT and THRU, see pages 17~18.

3 MIDI IN terminal

Input for MIDI command signals. Use a commercially

available MIDI cable to connect this terminal to another

component's MIDI OUT (or THRU) terminal.

4 OUTPUT jacks (1~4)

Standard output jacks for channels 1, 2, 3, and 4.

Connect to and amplifier or mixer (etc.).

Jacks are divided into two groups:

GROUP A (1 (L) and 2 (R))

GROUP B (3 (L) and 4 (R))

Output level selector

Use to set the output level of the OUTPUT jacks to

match the input level of the connected equipment.

You can select a +4 dBu or –10 dBu output level.

This setting effects all jacks (1, 2, 3, and 4).

5 INPUT jacks (1~4)

Standard input jacks for channels 1, 2, 3, and 4.

Connect to mixer, CD player, or keyboard (etc.).

Jacks are divided into two groups:

GROUP A (1 (L/MONO) and 2 (R))

GROUP B (3 (L/MONO) and 4 (R))

When inputting a monaural signal, use the 1 or 3

(MONO) jacks. The signal is sent to both of the

channels in the respective group.

Input level selector

Use to set the input level of the INPUT jacks to match

the output level of the connected equipment.

You can select a +4 dBu or –10 dBu input level.

This setting effects all jacks (1, 2, 3, and 4).

6 AC power cord

Connect to an AC power outlet.

8EN

Effect algorithms

This unit contains three types of effect algorithms: 4ch, 2ch,

and Mono-Pair.

The 4 channel effects (algorithms # 01~09) are designed to

handle four channels simultaneously. These are also the

highest quality effects. Consequently, programs containing

these effects can not contain any other effects.

2ch effects (algorithms # 10~36) and Mono-Pair effects

(algorithms # 37~45), on the other hand, are designed to

handle two channels simultaneously and can be used in

various combinations within a program. Each program can

contain two 2ch effects, two Mono-pair effects, or one 2ch

effect and one Mono-Pair effect.

The 2 ch effects are “traditional” stereo effects.

Mono-Pair effects are combinations of two parallel mono

effects (one for each channel).

Program structures

Each program can contain up two effects (FxA and FxB)

depending on the type of effect selected.

If a 2ch or Mono-Pair effects are selected, the program

contains two effects (one, or both can be turned off if

necessary). When a program contains two effects, the way

the unit routes the signals through the effects is controlled

by the program structure. There are two possible program

structures: parallel (/) and serial (m).

Parallel (/) program

FxA and FxB are completely independent.

Serial (m) program

The sound from FxA is fed into FxB for further

processing before being output.

If a 4ch effect is selected, the program contains only one

effect (the other effect is automatically disabled).

Example of program containing a 4ch effect

FxA only

Understanding EffectAlgorithms and Program Structures

Getting Started

Mono-Pair

4ch

2ch

FxA

(09~40)

FxB

(09~40)

FxB

FxA

(01~08)

FxA

1 + 3

2 + 4

FxB

1, 3

2, 4

(10~45) (10~45)

9EN

• Before connecting this unit to another device, be sure to unplug the AC power cord from the power outlet.

• Turn off the power switch on this unit and all components to be connected, such as keyboards and active speakers

(speakers with built in amplifiers).

• After all the connections, double check that the connections are correct before plugging the AC power cord back into the

power outlet.

• If the connected components output large signals that cause distortion, adjust the INPUT LEVEL knobs on this unit to lower

the input level, or lower the output level of the connected component.

Example 1: Hooking up to instruments

Hooking Up

Example 3: Hooking up to a mixer (cutting the direct sound) (Stereo send, Stereo Return)

When using the processor in a send-return loop

• When using effect that have an effect level parameter, we recommend setting the direct sound to “0” so that only the sound of the

effect will be output.

• We also recommend setting the BYPASS function to MUTE (as shown on page 18).

Example 1: Hooking up a mixer (Mono send, Stereo return)

Electric Guitar

Guitar Pre-Amplifier

DPS-V55M OUT

Mixer (MDM-X4, etc..)

Speaker Speaker

MIDI IN

Keyboard

DPS-V55M

Effect Return

(Stereo x 2)

Effect Send

(Monox2)

OUTIN

Mixer (MDM-X4, etc..)

Speaker Speaker

Microphones

DAT Recorders

CD Players

Audio Mixing Console

etc

Power Amplifier

Main Monitor Speaker System

Effect Send

(Stereo x 2)

Effect Return

(Stereo x 2)

OUT

DPS-V55M

10EN

Choosing a Program

The processor comes with 200 different preset programs

(numbers 001~200) as well as room for 200 user programs

for storing the programs you create (numbers 201~400). Use

the following procedure to choose the program you desire.

1Press Uto turn on the power.

After a few seconds, the play mode screen appears.

2Turn INPUT LEVEL (1~4) to adjust the input

levels.

If an input level indicator lights red (clip), the input

level for that channel is set too high. Be sure to set the

input level correctly since it has a direct relationship to

the quality of the effects (see page 6 for details).

Basic Operations

Level indicators Display Rotary encoder

3Turn the rotary encoder to select a

program (001~400).

The program numbers (and corresponding names)

appear in the display as you turn the jog dial.

Before you turn on the connected components

Be sure to turn the volume level down to avoid an unexpected

output of massive volume.

You can also search programs by effect type

See page 12 for details.

001 Super Reverb

FxA:11/ FxB:12

INPUT LEVEL123 4

INPUT LEVEL (1~4)

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