Numark NV Manuel utilisateur

User Guide

English

Introduction

Box Contents

Power Cable

USB Cable

Software Download Card

Quickstart Guide

Safety & Warranty Manual

Support

For the latest information about this product (system requirements, compatibility information,

etc.) and product registration, visit numark.com.

For additional product support, visit numark.com/support.

Quick Start

1. Install the Software

Download and install the latest version of Serato DJ from serato.com.

2. Connect and Start DJing!

Follow this sequence of steps whenever you use NV:

1. Make sure all devices are off and all faders and gain knobs are set to "zero."

2. Connect input sources (microphones, CD players, etc.) to the NV.

3. Connect output devices (power amplifiers, sub-mixer, recorders, etc.) to the NV.

4. Plug all devices into power sources, and turn on devices in proper order:

•When starting a session, turn on (1) input sources, (2) NV, (3) output devices.

•When ending a session, turn off (1) output devices, (2) NV, (3) input sources.

5. Connect the NV to your computer with the USB cable (included) and to your headphones.

6. Open Serato DJ and go! For more information on how to use Serato DJ with NV, visit

serato.com/dj/support and select Numark NV.

Features

Top Panel

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General Controls

1. Shift: Press and hold this button to access secondary functions (in red lettering) of other

controls on NV.

2. Touch Mode: Press this button to toggle through the Touch Modes, which let you

access the touch-capacitive functions of NV's FX 1 Knob, FX 2 Knob, and FX 3 Knob

and the EQ Knobs (Channel Treble, Channel Mid, and Channel Bass). These functions

are momentary, not "latching."

3. Deck: Selects which Layer in the software is controlled by that hardware Deck. Deck A

can control Layer 1 or 3; Deck B can control Layer 2 or 4.

Mixer Controls

4. Gain Trim: Adjusts the pre-fader, pre-EQ audio level of the corresponding channel in the

software.

5. LED Meters: Monitors the audio levels of the corresponding channel.

6. Channel Treble: Adjusts the high (treble) frequencies. When Touch Mode is activated,

touching this knob will mute the corresponding channel's high frequencies (an "EQ kill").

7. Channel Mid: Adjusts the mid-range frequencies. When Touch Mode is activated,

touching this knob will mute the corresponding channel's mid-range frequencies (an "EQ

kill").

8. Channel Bass: Adjusts the low (bass) frequencies. When Touch Mode is activated,

touching this knob will mute the corresponding channel's low frequencies (an "EQ kill").

9. Channel Fader: Adjusts the audio level on the corresponding channel in the software.

10. PFL: Press this button to send this channel's pre-fader signal to the Cue Channel for

monitoring. When engaged, the button will be lit. By pressing one PFL button at a time,

you will cue that channel alone (and deactivate PFL monitoring for the other channels). To

cue to multiple channels simultaneously, press the PFL buttons for those channels at the

same time.

11. Crossfader Assign: Routes the audio playing on the corresponding channel to either

side of the crossfader (Aor B), or bypasses the crossfader and sends the audio directly

to the Program Mix (center, Off).

12. Crossfader Slope: Adjusts the slope of the crossfader curve. Set the switch to the left for

a smooth fade (mixing) or to the right for a sharp cut (scratching).

13. Fader Start: Enables or disables "fader start" on the corresponding side of the

crossfader. When fader start is enabled on one side, moving the crossfader toward that

side will cause the Deck to start playing.

14. Crossfader: Blends audio between the channels assigned to the left and right side of the

crossfader.

15. Master Volume: Adjusts the output volume of the Program Mix.

16. Booth Volume: Adjusts the output volume of the Booth Output mix.

17. Mic/Aux On/Off: When set to Mic, the Mic Input is active, and its audio signal is routed

directly to the Program Mix. When set to Off, the Mic Input and Aux Input are disabled.

When set to Aux, the Aux Input is active, and its audio signal is routed directly to the

Program Mix.

18. Mic/Aux Gain: Adjusts the gain of the Mic Input and Aux Input.

19. Mic Tone: Adjusts the brightness or darkness of the microphone input signal.

Playback Controls

20. Platter: Controls the playhead in the software.

21. Play / Pause: This button pauses or resumes playback.

Press and hold Shift and then press this button to "stutter-play" the track from the last

set Cue Point.

22. Cue: When the Deck is paused, you can set a Temporary Cue Point by moving the

platter to place the playhead at the desired location and then pressing the Cue Button.

During playback, you can press the Cue Button to return the track to this Temporary Cue

Point. (If you did not set a Temporary Cue Point, then it will return to the beginning of the

track.)

If the Deck is paused, you can press and hold the Cue Button to play the track from the

Temporary Cue Point. Releasing the Cue Button will return the track to the Temporary

Cue Point and pause it. To continue playback without returning to the Temporary Cue

Point, press and hold the Cue Button, then press and hold the Play Button, and then

release both buttons.

Press and hold Shift and then press this button to return to the beginning of the track.

23. Sync: Press this button to automatically match the corresponding Deck's tempo with the

opposite Deck's tempo and phase. Press and hold Shift and press this button to

deactivate Sync.

24. Bleep / Reverse: Reverses audio playback of the track on the corresponding deck.

Bleep: The playback of the track will be reversed. Press this button again to resume

normal playback from where it would have been if you had never engaged the Bleep

function (i.e., as if the track had been playing forward the whole time).

Reverse: The playback of the track will be reversed. Press and hold Shift and press this

button again to resume normal playback from wherever the playhead stops.

25. Scratch: Press this button to activate or deactivate Scratch Mode. In this mode, you can

touch the center part of the platter will scratch like a turntable when you spin it. If

Scratch Mode is off, the center part of the platter will pitch-bend when you spin it.

Pad Mode Controls

26. Pads: These pads have different functions on each Deck depending on the current Pad

Mode. They are velocity-sensitive (in certain modes only), durable, and easy to play. In

this section, when referring to specific pads, it will refer to the numbers as shown here.

27. Parameter < / > : Use these buttons for various functions in each Pad Mode. Press and

hold Shift and use these buttons to access secondary parameters.

28. Cues: This Pad Mode button switches the pads between two modes: Hot Cue Mode and

Hot Cue Auto-Loop Mode. When the button is unlit, the first press will always select Hot

Cue Mode.

•Hot Cue Mode: Each pad assigns a Hot Cue Point or returns the track to that Hot

Cue Point. When a pad is unlit, you can assign a Hot Cue Point by pressing it at the

desired point in your track. Once it is assigned, the pad will light. Press and hold

Shift and then press a pad to delete its assigned Hot Cue Point.

•Hot Cue Auto-Loop Mode: Each pad assigns a Hot Cue Point or returns the track

to that Hot Cue Point, but in both cases, it also creates an Auto-Loop at that point.

The Auto-Loop's length is set in the software, but you can decrease or increase it

with the Parameter < or Parameter > button.

Important: If you have purchased the Serato Flip Expansion Pack, the Parameter < and

Parameter > buttons have additional functions in Hot Cue Mode and Hot Cue Auto-Loop

Mode that let you create and control Flips. See Flip Controls to learn more.

Hot Cue 1

Hot Cue 2

Hot Cue 3

Hot Cue 4

Hot Cue 5

Hot Cue 6

Hot Cue 7

Hot Cue 8

Pad 1

Pad 2

Pad 3

Pad 4

Pad 5

Pad 6

Pad 7

Pad 8

29. Auto / Roll: This Pad Mode button puts the pads in two modes: Auto-Loop Mode and

Loop Roll Mode. When the button is unlit, the first press will always select Auto-Loop

Mode.

Note: The pad layouts here match the software's default Auto-Loop time division layout.

If you shift the range of time divisions displayed in the software, the pad layout will

change to match it.

•Auto-Loop Mode: Each pad triggers or releases an Auto-Loop of a different length.

Press and hold Shift and then press the Parameter < or Parameter > button to

shift the Auto-Loop backward or forward.

•Loop Roll Mode: Each pad triggers a momentary Loop Roll. Press the Parameter <

or Parameter > button to change the Loop Roll's time division.

30. Loop: This Pad Mode button switches the pads between two banks of saved loops and

loop controls. When the button is unlit, the first press will always select the first bank.

•Saved Loop Mode: Pads 1-4 (the top row) return the track to one of your saved

loops. You create and save a loop using Pads 5-8 (the bottom row). The pad layouts

for the two banks are identical.

oTo create a loop, press Pad 5 to set the Loop In Point, and then press Pad 6

to set the Loop Out Point and trigger the loop.

oTo save a loop, while a loop is active, press any one of Pads 1-4 (the top row)

that does not have a loop assigned to it. You can do this regardless of how the

loop was created (Saved Loop Mode, Auto-Loop Mode, Loop Roll Mode, etc.).

oTo trigger a saved loop, press any one of Pads 1-4 (the top row) that has a

loop saved to it. Press Pad 7 to activate or deactivate the loop. Press Pad 8 to

return the track to the last triggered loop and reactivate it ("reloop").

oTo delete a saved loop, press and hold Shift and then press the

corresponding pad (of Pads 1-4).

oTo halve or double the length of a loop, press the Parameter < or

Parameter > button.

oTo shift a loop backward or forward, press and hold Shift and then press the

Parameter < or Parameter > button.

Loop 1

Loop 2

Loop 3

Loop 4

Set Loop In

Set Loop Out

Loop On/Off

Reloop

1/8-beat

1/4-beat

1/2-beat

1-beat

2-beat

4-beat

8-beat

16-beat

31. Sampler: This Pad Mode button switches the pads between two modes: Sample Player

Mode and Sample Velocity Trigger Mode. When the button is unlit, the first press will

always select Sample Player Mode.

•Sample Player Mode: Pads 1-6 each trigger a sample, which you can assign in the

software (the volume level is also set in the software). Unlit pads have no sample

assigned to them. To stop playback of a sample, press and hold Shift and then

press the corresponding pad (of Pads 1-3 or Pads 4-6).

•Sample Velocity Trigger Mode: The pads behave identically to the pads in Sample

Player Mode, except they are velocity-sensitive, so triggered samples will play back

at a volume level proportional to how heavily you pressed the pads. This mode can

give your performance more of a "human feel."

32. Slicer: This Pad Mode button switches the pads between two modes: Slicer Mode and

Slicer Loop Mode. When the button is unlit, the first press will always select Slicer Mode.

Important: Your track must have a set Beat Grid for Slicer Mode or Slicer Loop Mode to

work.

•Slicer Mode: The eight pads represent eight sequential beats—"Slices"—in the

Beat Grid. The currently playing Slice is represented by the currently lit pad; the light

will "move through the pads" as it progresses through each eight-Slice phrase.

Press a pad to play that Slice—hold it down if you want to keep looping it. When

you release the pad, the track will resume normal playback from where it would have

been if you had never pressed it (i.e., as if the track had been playing forward the

whole time).

Press the Parameter < or Parameter > button to decrease or increase the Slice

quantization. Press and hold Shift and then press the Parameter < or Parameter >

button to decrease or increase the Slice Domain size.

•Slicer Loop Mode: The pads behave identically to the pads in Slicer Mode, except

the eight-Slice phrase will loop rather than moving forward continuously through the

track.

Sample 1

Sample 2

Sample 3

Play Mode

Sample 4

Sample 5

Sample 6

Player

Repeat

Slice 1

Slice 2

Slice 3

Slice 4

Slice 5

Slice 6

Slice 7

Slice 8

Flip Controls

If you have purchased the Serato Flip Expansion Pack, you can create and control your Flips

using these commands:

•In Hot Cue Mode or Hot Cue Auto-Loop Mode (press Cues to enter either mode):

oTo record-arm or -disarm Flip recording, press the Parameter < button.

oTo activate or deactivate Flip looping, press and hold Shift and then press the

Parameter < button.

oTo immediately start playing the last-played (or currently playing) Flip, press the

Parameter > button. If you do this while recording a Flip, the recording will stop and

that Flip will start playing.

oTo activate or deactivate the current Flip, press and hold Shift and then press the

Parameter > button. If the playhead is not yet in the region of the Flip, the Flip will

start playing once the playhead reaches it.

•In Flip Mode (press and hold Shift and press Cues to enter this mode):

oIn this mode: unlit pads have no Flip assigned to them; solidly lit pads have a Flip

assigned but are not playing; flashing pads have a Flip assigned and are currently

playing.

oTo assign a Flip to a pad, press and hold Pad 8 and press Pad 1, 2, 3, 5, 6or 7.

oTo play an assigned Flip, press Pad 1, 2, 3, 5, 6or 7(if it has a Flip assigned to it).

oTo immediately stop playback of a Flip, press and hold Shift and then press the

corresponding pad.

oTo automatically "snap" the length of a Flip so it aligns with the Beatgrid (Loop

Snap), press and hold Pad 4 and then press a pad with a Flip assigned to it.

Important: Your track must have a set Beatgrid for the Loop Snap function to work.

Flip 1

Flip 2

Flip 3

Loop Snap

Flip 4

Flip 5

Flip 6

Assign Flip

Track Controls

33. Slip / Clear: When using the software's Beat Grid, press and hold this button and move

the platter to "slip" (i.e., shift or slide) the entire Beat Grid to the left or right.

Press and hold Shift and then press this button to delete the entire Beat Grid.

Important: Your track must have a set Beat Grid for the Slip / Clear button to work.

34. Adjust / Set: Press and hold this button and move the platter to "warp" the entire Beat

Grid.

Press and hold Shift and then press this button to set a Beat Marker at the playhead's

current location.

Important: Your track must have a set Beat Grid for the Adjust feature to work. Also,

using the Adjust feature will change the track's BPM.

35. Slip Mode: Press this button to enable or disable Slip Mode. In Slip Mode, you can jump

to Hot Cue Points, trigger Loop Rolls, or use the platters, while the track's timeline

continues. In other words, when you stop the action, the track will resume normal

playback from where it would have been if you had never done anything (i.e., as if the

track had been playing forward the whole time).

Pitch Controls

36. Tap: Tap this button at the same tempo as the track to help the software detect a more

accurate BPM reading.

37. Range / Keylock: Press this to adjust the range of the Pitch Fader to ±8%, ±16%, and

±50%.

Press and hold Shift and then press this button to activate or deactivate Keylock: the key

of the song will lock to whatever position the pitch fader is at when Keylock is activated.

This feature allows you to change the speed of the song without changing the key.

38. Takeover LEDs: When you select the other Deck with the Deck Select switch, the

position of the NV's Pitch Fader may not match the Pitch setting for that Deck in the

software. Slowly move the Pitch Fader in the direction indicated by the Takeover LED

arrow until it turns off. At this point, the Pitch Fader matches the Pitch setting in the

software and can control it again.

39. Pitch Fader: Controls the track's playback speed. An LED next to the fader will light up

when set at 0%.

40. Pitch Bend ( + / – ): Press or hold down either of these buttons to temporarily adjust the

track's playback speed. When released, the track playback will return to the speed

designated by the Pitch Fader.

41. Beatkeeper: This meter is an aid for matching the tempo of both decks. When the white

center LED is lit, the BPMs are matched. Otherwise, the meter will tend towards the

faster deck. The further from center, the greater the difference between the two BPMs.

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