Zoom B2 FOUR Manuel utilisateur

Effect Types and Parameters

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Contents

DYNAMICS • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 3

FILTER • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 4

DRIVE • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 6

PREAMP• • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 8

MODULATION • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 10

PITCH SHIFT• • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •12

SYNTH • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •13

DELAY • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •

REVERB• • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 15

SFX• • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 16

PEDAL • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •

BASS AMP • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 18

Additional tables • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •21

Effect explanation overview

DELAY This long delay has a maximum length of 4000 ms.

TIME Sets the delay time. 1 – 4000

MODE Sets the delay time range.

When metronome is chosen, the delay time is synchronized to the tempo.

SHORT,

LONG,

REPEAT Adjusts the number of repeats. 0 – 100

MIX Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100

PEDAL

VOLUME The volume curve of the volume pedal can be set.

VOL Adjusts the volume. 0 – 100 P

MIN Adjusts the volume when the pedal is at minimum position. 0 – 100

MAX Adjusts the volume when the pedal is at maximum position. 0 – 100

CURVE Sets the volume curve. A, B

Effect type Effect explanation Parameter range

Parameter explanationParameterEffect Screen

Tempo synchronization possible icon

Pedal control possible icon

2 3

Effect Types and Parameters

[ DYNAMICS ]

DYNAMIC

COMPRESSOR

This is a simulation of the MXR Dyna Comp.

Added parameters allow you to adjust the tone and the compressor attack speed.

SENSE Adjusts the sensitivity of the effect. 0 – 10

ATTACK Sets compressor attack speed to FAST or SLOW. SLOW, FAST

TONE Adjusts the tone. 0 – 100

VOL Adjusts the volume. 0 – 100

BLACK

OPTICAL

COMPRESSOR

This is a simulation of the Demeter COMP-1 Compulator.

Added parameters allow you to adjust the tone.

COMP Adjusts the depth of the compression. 0 – 100

LO Adjusts volume of low frequencies. 0 – 100

HI Adjusts volume of high frequencies. 0 – 100

VOL Adjusts the volume. 0 – 100

OPTICAL

COMPRESSOR

This is an optical compressor.

DRIVE Adjusts the depth of the compression. 0 – 10

LO Adjusts volume of low frequencies. 0 – 100

HI Adjusts volume of high frequencies. 0 – 100

VOL Adjusts the volume. 0 – 100

DUAL

COMPRESSOR

This is a compressor which allows separate settings for the low frequency and high

frequency range.

FREQ Adjusts the crossover point between the high frequency and low frequency range. 300 Hz –

1.5 kHz

LOCOMP Adjusts the compression depth in the low frequency range. 0 – 50

HICOMP Adjusts the compression depth in the high frequency range. 0 – 50

VOL Adjusts the volume. 0 – 100

MULTIBAND

COMPRESSOR

This is a simulation of the MultiComp (MODE:MB).

COMP Adjusts the depth of the compression. 0 – 100

LOTHR Adjusts the threshold that triggers the low-frequency effect. 0 – 100

HITHR Adjusts the threshold that triggers the high-frequency effect. 0 – 100

VOL Adjusts the volume. 0 – 100

GLAM

COMPRESSOR

This compressor becomes a glamorous tone as increasing the Shape parameter.

Also, you can mix the original sound.

COMP Adjusts the depth of the compression. 0 – 100

SHAPE Emphasizes high and low frequencies. 0 – 10

VOL Adjusts the volume. 0 – 100

DRY Adjusts the volume of the unaffected sound. 0 – 100

160

COMPRESSOR

This compressor is in the style of the dbx 160A.

THRSHLD Adjusts the threshold that determines when the effect is activated. -60 – 0

RATIO Adjusts the compression ratio. 1.0 – 10.0

KNEE Sets the type of knee. SOFT, HARD

VOL Adjusts the volume. 0 – 100

4 5

Effect Types and Parameters

[ DYNAMICS ]

1176 LIMITER This is a simulation of the UREI 1176LN.

INPUT Adjusts the input level. 0 – 80

RATIO Adjusts the compression ratio. 4:1, 8:1, 12:1,

20:1

RELEASE This is a limiter that suppresses signal peaks above a certain reference level. 10 – 70

OUTPUT Adjusts the output level. 0 – 80

ZOOM

NOISE

REDUCTION

ZOOM's unique noise reduction cuts noise during pauses in playing without affecting

the tone.

DETECT Sets control signal detection level. GTRIN,

EFXIN

DEPTH Sets the depth of noise reduction. 0 – 100

THRSHLD Adjusts the effect sensitivity. 0 – 100

DECAY Adjust the envelope release. 0 – 100

SLOW

ATTACK This effect slows the attack of each note, resulting in a violin-like performance.

TIME Adjusts the attack time. 1 – 50

CURVE Set the curve of volume change during attack. 0 – 10

TONE Adjusts the tone. 0 – 100

VOL Adjusts the volume. 0 – 100

[ FILTER ]

BASS AUTO

WAH You can adjust the mix of this bass guitar auto-wah with the original signal.

SENSE Adjusts the sensitivity of the effect. -10 – -1, 1 – 10

RESO Sets effect resonance. 0 – 10

DRY Adjusts the volume of the unaffected sound. 0 – 100

VOL Adjusts the volume. 0 – 100

ENVELOPE

FILTER This models the MXR envelope filter.

THRSHLD Adjusts the effect sensitivity. 0 – 100

ATTACK Adjusts the attack speed. 0 – 100

MODE Sets direction of movement of the filter. UP, DOWN

VOL Adjusts the volume. 0 – 100

AUTO FILTER This is a resonance filter with a sharp envelope.

MODE Sets direction of movement of the filter. UP, DOWN

SENSE Adjusts the sensitivity of the effect. 1 – 10

PEAK Adjusts the Q value of the filter. 0 – 10

DRY Adjusts the volume of the unaffected sound. 0 – 100

ZTRON

FILTER This is like a Q-Tron Envelope Filter in LP mode.

SENSE Adjusts the sensitivity of the effect. -10 – -1, 1 – 10

RESO Sets effect resonance. 0 – 10

DRY Adjusts the volume of the unaffected sound. 0 – 100

VOL Adjusts the volume. 0 – 100

4 5

Effect Types and Parameters

[ FILTER ]

BASS CRY

FILTER This talking modulator is suitable for the bass frequency range.

RANGE Adjusts the frequency range processed by the effect. 1 – 10

RESO Sets effect resonance. 0 – 10

SENSE Adjusts the sensitivity of the effect. -10 – -1, 1 – 10

BALANCE Adjusts the balance between original and effect sounds. 0 – 100

ENVELOPE

GENERATOR

FILTER

This filter effect is controlled using the foot switch.

FREQ1 Sets the frequency when the foot switch is off. 0 – 100

FREQ2 Sets the frequency when the foot switch is on. 0 – 100

RESO Sets effect resonance. 0 – 100

TYPE Sets filter type. HPF2 –

LPF4

SPEED Sets the speed of the modulation. 0 – 100

BALANCE Adjusts the balance between original and effect sounds. 0 – 100

VOL Adjusts the volume. 0 – 100

SEQUENCE

FILTER The sequence filter has the flavor of a Z.Vex Seek-Wah.

STEP Adjusts number of sequence steps. 2 – 8

PATTERN Sets effect pattern. 1 – 8

SPEED Sets the speed of the modulation. 1 – 50

RESO Sets effect resonance. 0 – 10

BASS

GRAPHIC EQ This 7-band graphic equalizer is suitable for the bass frequency range.

50Hz Boosts or cuts the low (50 Hz) frequency band. -12.0 – 12.0

120Hz Boosts or cuts the low (120 Hz) frequency band. -12.0 – 12.0

400Hz Boosts or cuts the low (400 Hz) frequency band. -12.0 – 12.0

500Hz Boosts or cuts the low (500 Hz) frequency band. -12.0 – 12.0

800Hz Boosts or cuts the low (800 Hz) frequency band. -12.0 – 12.0

4.5kHz Boosts or cuts the low (4.5 kHz) frequency band. -12.0 – 12.0

10kHz Boosts or cuts the low (10 kHz) frequency band. -12.0 – 12.0

VOL Adjusts the volume. 0 – 100

STEREO

BASS

GRAPHIC EQ

This stereo graphic equalizer has 7 bands that suit bass guitar frequencies.

50Hz Boosts or cuts the low (50 Hz) frequency band. -12.0 – 12.0

120Hz Boosts or cuts the low (120 Hz) frequency band. -12.0 – 12.0

400Hz Boosts or cuts the low (400 Hz) frequency band. -12.0 – 12.0

500Hz Boosts or cuts the low (500 Hz) frequency band. -12.0 – 12.0

800Hz Boosts or cuts the low (800 Hz) frequency band. -12.0 – 12.0

4.5kHz Boosts or cuts the low (4.5 kHz) frequency band. -12.0 – 12.0

10kHz Boosts or cuts the low (10 kHz) frequency band. -12.0 – 12.0

VOL Adjusts the volume. 0 – 100

6 7

Effect Types and Parameters

[ FILTER ]

BASS

PARAMETRIC

This 1-band parametric equalizer is suitable for the bass frequency range.

FREQ Sets the frequency of the equalizer. 20 Hz –

20 kHz

QAdjusts equalizer Q. 0.5 – 16.0

GAIN Adjusts the gain. -20.0 – 20.0

VOL Adjusts the volume. 0 – 100

LOW EQ Designed for low frequencies, this equalizer allows you to select the type.

TYPE Sets filter type. SHELF, HPF

FREQ Sets the frequency of the filter.

20 Hz – 640 Hz

GAIN Adjusts the gain.

This setting is disabled when the Type parameter is set to HPF. -12.0 – 12.0

VOL Adjusts the volume. 0 – 100

HIGH EQ Designed for high frequencies, this equalizer allows you to select the type.

TYPE Sets filter type. SHELF, LPF

FREQ Sets the frequency of the filter. 500 Hz –

20 kHz

GAIN Adjusts the gain.

This setting is disabled when the Type parameter is set to LPF. -12.0 – 12.0

VOL Adjusts the volume. 0 – 100

SPLITTER This effect divides the signal into two bands (high/low) and lets you freely adjust the

mix ratio of the two bands.

FREQ Adjusts the crossover point between the high frequency and low frequency band. 80 Hz –

2.5 kHz

LO Adjusts the mix ratio of the low frequency band. 0 – 100

HI Adjusts the mix ratio of the high frequency band. 0 – 100

VOL Adjusts the volume. 0 – 100

EXCITER This exciter enables flexible control.

BASS Adjusts the amount of low-frequency phase correction. 0 – 100

TREBLE Adjusts the amount of high-frequency phase correction. 0 – 100

VOL Adjusts the volume. 0 – 100

ON/OFF Sets the foot switch function. LATCH,

UNLATCH

[ DRIVE ]

EP DRIVE This models the Maestro Echoplex preamp.

GAIN Adjusts the gain. 0 – 100

BASS Adjusts volume of low frequencies. -10 – 10

TREBLE Adjusts volume of high frequencies. -10 – 10

VOL Adjusts the volume. 0 – 100

RC DRIVE This booster covers sounds ranging from clean boosts to light drives.

GAIN Adjusts the gain. 0 – 100

BASS Adjusts volume of low frequencies. 0 – 100

TREBLE Adjusts volume of high frequencies. 0 – 100

VOL Adjusts the volume. 0 – 100

6 7

Effect Types and Parameters

[ DRIVE ]

BASSTS

DRIVE

Simulation of the Ibanez TS808. An added parameter allows you to adjust the balance

of original sound and distortion.

GAIN Adjusts the gain. 0 – 100

TONE Adjusts the tone. 0 – 100

BALANCE Adjusts the balance between original and effect sounds. 0 – 100

VOL Adjusts the volume. 0 – 100

BASS OVER

DRIVE Simulates the ODB-3 overdrive bass machine from BOSS.

GAIN Adjusts the gain. 0 – 100

TONE Adjusts the tone. 0 – 100

BALANCE Adjusts the balance between original and effect sounds. 0 – 100

VOL Adjusts the volume. 0 – 100

BLUEBERRY

DRIVE

This is a simulation of the MAD PROFESSOR Blueberry Bass Overdrive. An added

parameter allows you to adjust the balance of original sound and distortion.

GAIN Adjusts the gain. 0 – 100

TONE Adjusts the tone. 0 – 100

BLEND Adjusts the balance between original and effect sounds. 0 – 100

VOL Adjusts the volume. 0 – 100

DARK

OVERDRIVE This is a simulation of the Darkglass Electronics Microtubes B3K.

GAIN Adjusts the gain. 0 – 100

ATTACK Adjusts volume of high frequencies. CUT, FLAT,

BOOST

BLEND Adjusts the balance between original and effect sounds. 0 – 100

VOL Adjusts the volume. 0 – 100

SQUEAK

DISTORTION

This models a ProCo RAT.

A parameter has been added that allows you to adjust the mix level of the original sound.

GAIN Adjusts the gain. 0 – 100

FILTER Adjusts the tone. 0 – 100

VOL Adjusts the volume. 0 – 100

DRY Adjusts the volume of the unaffected sound. 0 – 100

VOODOO-B

DISTORTION

This is a simulation of the ROGER MAYER VOODOO-BASS. An added parameter

allows you to adjust the balance of original sound and distortion.

GAIN Adjusts the gain. 0 – 100

TONE Adjusts the tone. 0 – 100

BLEND Adjusts the balance between original and effect sounds. 0 – 100

VOL Adjusts the volume. 0 – 100

BASS

OCTAVE

FUZZ

This fuzz effect adds an octave above.

BOOST Adjusts the gain. 0 – 100

TONE Adjusts the tone. 0 – 100

FUZZ This adjusts the amount of fuzz in the mix. 0 – 100

DRY Adjusts the volume of the unaffected sound. 0 – 100

NEWYORK

MUFF FUZZ

This models an Electro-Harmonix Big Muff Pi. An added parameter allows you to

adjust the balance of original sound and distortion.

SUSTAIN Adjusts the gain. 0 – 100

TONE Adjusts the tone. 0 – 100

BALANCE Adjusts the balance between original and effect sounds. 0 – 100

VOL Adjusts the volume. 0 – 100

8 9

Effect Types and Parameters

[ DRIVE ]

BASS FUZZ

SMILE

This models a FUZZ FACE. An added parameter allows you to adjust the balance of

original sound and distortion.

GAIN Adjusts the gain. 0 – 100

TONE Adjusts the tone. 0 – 100

BALANCE Adjusts the balance between original and effect sounds. 0 – 100

VOL Adjusts the volume. 0 – 100

BASS METAL

DRIVE

This models a BOSS Metal Zone. An added parameter allows you to adjust the

balance of original sound and distortion.

GAIN Adjusts the gain. 0 – 100

TONE Adjusts the tone. 0 – 100

BALANCE Adjusts the balance between original and effect sounds. 0 – 100

VOL Adjusts the volume. 0 – 100

TS+BOOST

DRIVE This effect combinesTS Drive and Booster.

GAIN Adjusts gain of TS Drive. 0 – 100

TONE Adjusts tone of TS Drive. 0 – 100

VOL Adjusts volume of TS Drive. 0 – 100

COMP Sets the clipping type of TS Drive. 0 – 2

BOOST Adjusts gain of Booster. 0 – 100

BASS Adjusts low frequencies volume of booster. 0 – 100

TREBLE Adjusts high frequencies volume of booster. 0 – 100

ORDER Set the connection order of TS Drive and Booster. BOOST-OD,

OD-BOOST

[ PREAMP ]

BASS

DRIVER

PREAMP

This is a simulation of the SansAmp BASS DRIVER DI.

BASS Adjusts volume of low frequencies. 0 – 100

TREBLE Adjusts volume of high frequencies. 0 – 100

PRESENC Adjusts volume of super-high frequencies. 0 – 100

BLEND Adjusts the balance between the original sound and the effected sound. 0 – 100

GAIN Adjusts the gain. 0 – 100

VOL Adjusts the volume. 0 – 100

MID-FREQ Adjusts the center frequency of the mid-range.

500 Hz, 1.0 kHz

MID Adjusts the volume of middle frequencies. 0 – 100

D.I PLUS

PREAMP

This is a simulation of the MXR Bass D.I.+, which has both clean and distortion

channels.

BASS Adjusts volume of low frequencies. 0 – 100

MID Adjusts the volume of middle frequencies. 0 – 100

TREBLE Adjusts volume of high frequencies. 0 – 100

COLOR This turns the preset EQ ON or OFF for the clean channel. OFF, ON

CHANNEL Switches between clean and distortion channels. CLEAN, DIST

BLEND Adjusts the balance between the original sound and the effected sound for the distortion

channel. 0 – 100

GAIN Adjusts the gain of the distortion channel. 0 – 100

VOL Adjusts the volume. 0 – 100

8 9

Effect Types and Parameters

[ PREAMP ]

DARK

PREAMP This is a simulation of the Darkglass Electronics Microtubes B7K.

BASS Adjusts volume of low frequencies. 0 – 100

LO-MID Adjusts the volume of lower middle frequencies. 0 – 100

HI-MID Adjusts the volume of higher middle frequencies. 0 – 100

TREBLE Adjusts volume of high frequencies. 0 – 100

BLEND Adjusts the balance between the original sound and the effected sound. 0 – 100

GAIN Adjusts the gain. 0 – 100

VOL Adjusts the volume. 0 – 100

BOOST This sets the frequency bands boosted. OFF, LO, HI

LO+HI

CLEAR

DRIVER

PREAMP

This original preamp model with distinct distortion uses linear phase EQ.

When mixed with the original sound, a clear distortion without phase interference can

be achieved.

BASS Adjusts volume of low frequencies. 0 – 100

MID-FREQ Adjusts the center frequency of the mid-range. 100 Hz –

1.0 kHz

MID Adjusts the volume of middle frequencies. 0 – 100

TREBLE Adjusts volume of high frequencies. 0 – 100

PRESENC Adjusts volume of super-high frequencies. 0 – 100

BLEND Adjusts the balance between the original sound and the effected sound. 0 – 100

GAIN Adjusts the gain. 0 – 100

VOL Adjusts the volume. 0 – 100

1073

PREAMP This sound models a vintage mic preamp characterized by its transformers.

GAIN Adjusts the gain. 20 – 50

BASS-F Adjusts the center frequency of the low-range. 55 Hz, 220 Hz

BASS Adjusts the volume of low frequencies. -50 – 50

MID-F Adjusts the center frequency of the mid-range. 350 Hz –

3.2 kHz

MID Adjusts the volume of middle frequencies. -50 – 50

TRBL-F Adjusts the center frequency of the high-range. 10 kHz, 16 kHz

TREBLE Adjusts the volume of high frequencies. -50 – 50

VOL Adjusts the volume. 0 – 100

SOLID

PREAMP

This models a solid-state mic preamp made by a console manufacturer. Control of

harmonics is a feature.

GAIN Adjusts the gain. 0 – 100

HARMNIC Use to adjust the amount of harmonics. 0 – 100

LOTYPE Sets filter type of the low-range. SHELF, PEQ

LO-FREQ Adjusts the center frequency of the low-range. 40 Hz –

600 Hz

LO Adjusts the volume of low frequencies. -50 – 50

HI-FREQ Adjusts the center frequency of the high-range. 1.5 kHz –

22.0 kHz

HI Adjusts the volume of high frequencies. -50 – 50

VOL Adjusts the volume. 0 – 100

DI-5

PREAMP This simulates the AVALON DESIGN U5 preamp.

GAIN Adjusts the gain. 0 – 100

TONE Adjusts the tone. OFF, 1 – 6

HICUT Cuts high frequencies when ON. OFF, ON

VOL Adjusts the volume. 0 – 100

10 11

Effect Types and Parameters

[ PREAMP ]

SB PREAMP 1

This is a preamp model with a 3-band equalizer.

BASS Adjusts volume of low frequencies. 0 – 10

MID Adjusts volume of middle frequencies. -10 – 10

TREBLE Adjusts volume of high frequencies. 0 – 10

VOL Adjusts the volume. 0 – 100

BBB

PREAMP This is a simulation of the Xotic Bass BB Preamp.

GAIN Adjusts the gain. 0 – 100

BASS Adjusts volume of low frequencies. -10 – 10

TREBLE Adjusts volume of high frequencies. -10 – 10

VOL Adjusts the volume. 0 – 100

SUPER LOW

PREAMP

This original amp model achieves extremely low frequencies.

GAIN Adjusts the gain. Changes the ENHNC effect. 0 – 100

ENHANCE Emphasizes low frequencies. 0 – 100

SUB Adjust the volume of one octave down. 0 – 100

LO Adjusts volume of low frequencies. 0 – 100

MID Adjusts the volume of middle frequencies. 0 – 100

HI Adjusts volume of high frequencies. 0 – 100

BALANCE Adjusts the balance between the original sound and the effected sound. 0 – 100

VOL Adjusts the volume. 0 – 100

DJENT

PREAMP

This original amp model combines a distortion-free low end with an extremely distorted

high end.This is perfect for Djent sounds using basses with 5 or more strings.

BASS Adjusts volume of low frequencies. 0 – 100

LO-MID Adjusts the volume of lower middle frequencies. 0 – 100

HI-MID Adjusts the volume of higher middle frequencies. 0 – 100

TREBLE Adjusts volume of high frequencies. 0 – 100

HIBOOST Turns boost ON/OFF in the high frequencies. OFF, ON

LOCUT Sets the cut-off frequency in the low range. OFF,

20 Hz – 120 Hz

GAIN Adjusts the gain. 0 – 100

VOL Adjusts the volume. 0 – 100

[ MODULATION ]

CLONE

CHORUS This analog chorus sound models the Electro-Harmonix SmallClone.

DEPTH Sets the depth of the modulation. 1, 2

RATE Sets the speed of the modulation. 0 – 100

TONE Adjusts the tone. 0 – 100

MIX Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100

CHORUS

ONE This models the sound of a BOSS CH-1 SUPER CHORUS.

DEPTH Sets the depth of the modulation. 0 – 100

RATE Sets the speed of the modulation. 0 – 100

TONE Adjusts the tone. 0 – 100

MIX Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100

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