Chroma Color Split CHCS2 Manuel utilisateur

Chroma-Q™

Color Split™

User Manual

Version 1.3 September 2007

Software Version 4.0

PN: 609-0500

Color Split User Manual 1 V1.3 September 2007

Disclaimer

The information contained herein is offered in good faith and is believed to be accurate.

However, because conditions and methods of use of our products are beyond our control, this

information should not be used in substitution for customer's tests to ensure that Chroma-Q

products are safe, effective, and fully satisfactory for the intended end use. Suggestions of use

shall not be taken as inducements to infringe any patent. Chroma-Q sole warranty is that the

product will meet the sales specifications in effect at the time of shipment. Your exclusive

remedy for breach of such warranty is limited to refund of purchase price or replacement of any

product shown to be other than as warranted.

Chroma-Q reserves the right to change or make alteration to devices and their functionality

without notice due to our on going research and development.

The Chroma-Q Color Split has been designed specifically for the professional entertainment

lighting industry. Regular maintenance should be performed to ensure that the products

perform well in the entertainment environment.

If you experience any difficulties with any Chroma-Q products please contact your selling

dealer. If your selling dealer is unable to help please contact support@chroma-q.com. If the

selling dealer is unable to satisfy your servicing needs, please contact the following, for full

factory service:

Outside North America: North America:

Tel: +44 (0)1494 446000 Tel: 416-255-9494

Fax: +44 (0)1494 461024 Fax: 416-255-3514

[email protected] supp[email protected]

For further information please visit the Chroma-Q website at www.chroma-q.com.

Chroma-Q is a trademark, for more information on this visit www.chroma-q.com/trademarks.

The rights and ownership of all trademarks are recognised.

Color Split User Manual 2 V1.3 September 2007

Table of Contents

1. Product Overview ……………………..………………..…………….………........... 3

2. Operation ……………...…………………………………..…………………….…….. 3

2.1 Unpacking the unit ………………………………..………..………………… 3

2.2 Control and power cables ………………………..………..………………… 4

2.3 Diffusion Film ………………………………………………………………….. 5

2.4 Fixing ………………………………………..…………………………………. 5

2.5 Operating the unit ………………………………………..………………….. 6

2.6 Modes of operation ………………………………………………………….. 7

2.7 Technical specifications ………………………………………………….… 10

2.8 Maintenance …………………………………………………………………. 10

2.9 Accessories ………………………………………………………………….. 11

3. Drawings …………………………………………………………………………….. 11

3.1 Outside dimensions ………………….…………………………………………….. 11

Color Split User Manual 3 V1.3 September 2007

1. Product overview

The Chroma-Q Color Split lighting fixture is designed specifically for professional entertainment

lighting. The fixture’s modular design shall be suitable for creating a wide range of fixture

configurations, including battens, blinders, footlights, side fills, cyclorama floods, truss toners,

discreet set piece lighting and interior architectural lighting.

Each Color Split fixture features 32 high power LEDs split into two cells which produce intense,

powerful light and vibrant colours across the across the spectrum. A 5 degree diffusion film is

integrated into one cell and a 20 degree diffusion film is integrated into the other cell.

A range of optical accessories are available to increase the flexibility of the fixture. Various

diffusers can be utilised to adjust projected beam angles and create stunning visual effects.

Designed to be intelligent both inside and out, the modular blocks incorporate the latest Hue,

Saturation and Intensity (HSI), RGB(A) with Magic amber, RGBA control modes. Variable Effects

Engine is integrated in the software which gives the lighting designer full control over colour

and effects combinations.

The products lightweight yet robust, heavy gauge aluminium extruded construction houses a

discreet cable management system and additional protection is built around the LED lenses for

a truly road proof fixture.

The Color Split has a built-in power supply with power input and through via PowerCon. The

unit can be controlled remotely through ANSI E1.11 USITT DMX 512-A.

2. Operation

2.1 Unpacking the Unit

2.2 Control and Power Cables

2.3 Diffusion Film

2.4 Fixing

2.5 Operating the Unit

2.6 Modes of Operation

2.7 Technical Specifications

2.8 Maintenance

2.9 Accessories

2.1 Unpacking the unit

The Color Split package includes 1 unit Color Split fixture, 1 unit yoke, 2 pieces M10 x 16 knobs,

2 pieces fibre flat washers and 1 piece M10 flat washer.

Color Split User Manual 4 V1.3 September 2007

2.2 Control and Power Cables

The Color Split utilises a PowerCon cable system for power input and through and the XLR 5-

pin cable system for ANSI E1.11 USITT DMX 512-A data signal input and through. The XLR 5-

pin cables are wired pin to pin in the format shown in the table below. The chassis are ground

bonded.

XLR 5-pin cable:

Pin # Function Minimum Cable size

1 Ground (-ve) Screen

2 Control data minus (-) 0.35mm²(22 AWG)

3 Control data plus (+) 0.35mm²(22 AWG)

4 Spare data minus 0.35mm²(22 AWG)

5 Spare data plus 0.35mm²(22 AWG)

Power cable:

International

Colour Code

North American

Colour Code

Connections

Green and Yellow Green Earth (E) Ground (Green)

Blue White Neutral (N) Neutral (Silver)

Brown Black Live (L) Hot (Gold)

Important Notice: The use of an opto-splitter for DMX signal distribution is highly

recommended when several fixture units are not plugged into the same power source.

It is recommended that a maximum of 10 Color Split fixtures can be linked together utilising the

power input and through connections; data input and through connections as shown in the

illustration below.

Important Notice: The use of an opto-splitter for DMX signal distribution is highly

recommended when several fixture units are not plugged into the same power source.

Data Through

Power Through

Data Input

Power Input

Color Split User Manual 5 V1.3 September 2007

2.3 Diffusion Film

The Color Split has a 5 degree diffusion film integrated into one cell and a 20 degree diffusion

film integrated into the other cell.

Printed at the bottom plate are “chevrons” that indicate the side with the 20 degree diffusion

film.

2.4 Fixing

The Color Split is supplied with a detachable yoke for a single fixture which can be used for

floor mounting, direct wall mounting and truss mounting.

The Color Split features an integral connection system to enable up to 3 units locked together

as a batten or strip. Integral M10 clinch nuts are built into each end of the fixture which can be

used to attach the fixture to a standard hook clamp or the wide range of Color Split mounting

accessories.

Note:

•For the M10 nuts, ensure that the bolt is not too long to avoid damage.

•Secure each fixture with the safety bond. Provision for a fixing hold is built into the end

plate of each fixture for secondary fixings.

•Ensure adequate ventilation to the rear of all Color Split fixtures. Avoid placing the fixtures

directly on the floor pointing upwards which leaves very little space for ventilation.

Integrated Connection System

One end plate of the Color Split fixture features two protruding locating pins and a catch plate,

and the other end plate of each fixture has two keyhole slots and a butterfly latch.

1. To connect two fixtures together, firstly mate the four protruding pins from one fixture

into the keyhole slots of the other fixture.

2. Then slide the fixtures together so that they are aligned correctly, taking care to get past

the extended catch plate.

Note: This will be stiff on new fixtures and a twisting action may ease assembly.

20° Diffusion Film on this side

5° Diffusion Film on this side

Color Split User Manual 6 V1.3 September 2007

3. Finally, use the butterfly latch to secure the fixtures together tightly (maximum of 3 units

together).

Yoke Kit

The Color Split fixture is supplied with a detachable yoke kit for a single fixture with fibre

washers and thumb wheels. An M10 flat washer is provided as a spacer for the side with

protruding pins. The yoke kit can be used for floor mounting, direct wall mounting and truss

mounting when used with hook clamps or half couplers.

Note: See Drawing on page 12.

2.5 Operating the Unit

The Color Split is controlled via a built-in addressable ANSI E1.11 USITT DMX 512-A power

supply. Control functions are accessed through the LCD display at the rear plate with 3 push-

button switches.

Push button operation:

Control Function

Red Button Mode access, enter and record

Black Button Down - Decreases (-) the mode level or value

Blue Button Up - Increases (+) the mode level or value

3 digit display Displays mode, monitor or blank display

Display operation:

Power-Up Display

On power-up, the display shows the software version ‘u04’ and the DMX address.

Monitor Display

If control buttons are left undisturbed for 5-7 seconds, the display will revert to ‘Monitor Mode’

The first vertical bar indicates that there is DC power unit.

The second vertical bar indicates that there is Data (DMX).

The horizontal bars indicate the Data Signal Level of first

DMX channel:

0 - 24% No bars

25 – 49% 1 Bar

50 – 74% 2 Bars

75 – 100% 3 Bars

Display Mode

The display can be set to auto-blackout 5 seconds after it goes to ‘Monitor Mode’. Press ENTER

(red) and UP (blue) or DOWN (black) buttons to select ‘dP’ mode, then select ‘dp1’ to turn ON

the auto-blackout or ‘dP0’ to turn OFF the auto-blackout.

Default Settings:

'Factory' default settings

Reset

Press and hold for 1 second, the UP (blue) and DOWN (black) buttons to reset the unit to the

factory default settings. The display will show ‘rSt’ when UP and DOWN buttons are pressed

and after 1 second it changes to ‘don’.

Color Split User Manual 7 V1.3 September 2007

The Factory default settings put the unit in its normal operating mode.

DMX Address = 001

Display = dP0

Mode = oP1

Effects = F05, c26

'User' default settings

Each time the RED record button is pressed, the unit will save that change and these 'user

defaults' will take precedence on the next power cycle.

2.6 Modes of operation

The Color Split fixture features 32 high power LEDs divided into 2 separate cells of 16 LEDs

each. The LEDs in both cells can be controlled together as one (single control) and individually

as two separate cells (dual control).

Note: *Magic Amber is the term used for the unit's ability to be controlled with 3 channels and

include Amber when mixing the colours.

a. Control Modes

Mode 1 ‘oP1’: Single control (for 2 cells x 16 LEDs) in 3 channel RGB(A) (with *Magic Amber) is

the traditional way of controlling intensity channels of the fixture. Each of the 3 control channels

directly affects the intensity of the corresponding LED – Red, Green and Blue (with Magic

amber). Colour is mixed by adjusting the levels of the three primary colours. White is achieved

with all channels at full.

Mode 2 ‘oP2’: Single control (for 2 cells x 16 LEDs) in 4 channel RGBA: gives 4 control channels

directly affecting the intensity of the corresponding LED – Red, Green, Blue and Amber. Colour

is mixed by adjusting the levels of each of the four colours. White is achieved with all channels

at full.

Mode 3 ‘oP3’: Single control (for 2 cells x 16 LEDs) in 3 channel HSI (Hue, Saturation and

Intensity) and 2 channels for Effects: gives 2 colour channels for hue and saturation, 1 separate

intensity channel, 1 channel for colour roll speed and 1 channel for colour range. A separate

definable intensity channel is particularly useful when creating intensity chases or when the

grand master is used. The hue channel has 255 different colours available and the saturation

channel specifies the saturation level of that colour. The saturation channel is fully saturated at

full. White is achieved with the intensity channel to full and the saturation channel at zero.

Colour Roll Speed: 0% - Off; 100% - Fastest

Colour Range: 0% - Full Colour Spectrum; 67% - 1/3 Colour Spectrum

Mode 4 ‘oP4’: Single control (for 2 cells x 16 LEDs) in 3 channel RGB(A) (with *Magic Amber), 1

channel for Master Intensity and 1 channels for Effects: gives 3 control channels directly

affecting the intensity of the corresponding LED – Red, Green, Blue (with Magic Amber), 1

channel for intensity effects and 1 channel for master intensity control.

The first channel sets intensity effect and speed:

0-24% fade on/fade off

25-49% fade on/snap off

50-74% snap on/fade off

75-100% strobe

Mode 5 ‘oP5’: Dual control (for 2 cells x 16 LEDs) in 6 channel RGB(A) (with *Magic Amber):

gives 2 sets of the 3 control channels for each cell directly affecting the intensity of the

corresponding LEDs – Red, Green and Blue (with Magic amber). Colour is mixed by adjusting

the levels of the three primary colours. White is achieved with all channels at full.

Mode 6 ‘oP6’: Dual control (for 2 cells x 16 LEDs) in 8 channel RGBA: gives 2 sets of 4 control

channels for each cell directly affecting the intensity of the corresponding LED – Red, Green,

Blue and Amber. Colour is mixed by adjusting the levels of each of the four colours. White is

achieved with all channels at full.

Color Split User Manual 8 V1.3 September 2007

Mode 7 ‘oP7’: Dual control (for 2 cells x 16 LEDs) in 6 channel HSI and 2 channel for Effects:

gives 2 sets of 2 colour channels for hue and saturation, 2 sets of separate intensity channels, 1

channel for colour roll speed and 1 channel for colour range.

Colour Roll Speed: 0% - Off; 100% - Fastest

Colour Range: 0% - Full Colour Spectrum; 67% - 1/3 Colour Spectrum

In this mode, various split colour wave effects can be created within a selected range of colours.

Set DMX-Ch2 @ any value greater than 0, and set DMX-Ch3 @ 0 or greater than DMX-Ch6 to

create two cells rolling in the opposite direction and therefore creating colour waves in the

assigned range of colours.

Example:

To create a blue to green wave effect: set DMX-Ch2 @ 67%, DMX-Ch3 @ 0%, and DMX-Ch6 @

33%, set desired speed on DMX-Ch1 and set DMX-Ch4, Ch5, Ch6, Ch7,Ch8 @ 100%.

Mode 8 ‘oP8’: Dual control (for 2 cells x 16 LEDs) in 6 channel RGB(A) (with ∗Magic Amber), 2

channel for Master Intensity and 1 channels for effects: gives 2 sets of 3 control channels

directly affecting the intensity of the corresponding LED – Red, Green, Blue (with Magic amber),

1 channel for intensity effects and 2 channels for master intensity control.

The first channel sets intensity effect and speed:

0-24% fade on/fade off

25-49% fade on/snap off

50-74% snap on/fade off

75-100% strobe and speed

Mode 9 ‘oP9’: Stand-alone provides ‘F00 –F99’ steps for variable selection of pre-programmed

effects. The ‘F’ setting is accessible only in ‘oP9’.

‘F00-F09’ 10 speeds full colour roll

‘F10-F19’ 10 speeds cold colour roll

‘F20-F29’ 10 speeds warm colour roll

‘F30-F39’ 10 speeds magenta colour roll

‘F40-F45’ 6 fixed split colours

‘F46-F69’ 24 fixed solid colours, 4 levels of saturation for each colour: blue, cyan, green,

yellow, red and magenta

‘F70-F79’ 10 fixed white colours: 2600K, 3200K, 3600K, 4100K, 5000K, 5600K, 6500K, 7000K,

7500K, 8000K

‘F80-F84’ 5 speeds fade on/fade off

‘F85-F89’ 5 speeds fade on/snap off

‘F90-F94’ 5 speeds snap on/fade off

‘F95-F99’ 5 speeds strobe

Colour Selection of intensity effects ‘c00 to c29’ is accessed when value is between F80 – F99.

Note: In this mode, the DMX level indicator stays off.

Demo Mode ‘oP-’: is a pre-programmed sequence of the following (5 seconds for each

interval):

Start with 3 solid colours: cyan, yellow and magenta;

3 split colours are added;

Partial colour rolls start from the split colours;

Full colour roll;

Cold colour roll;

Warm colour roll;

Fade on/fade off;

Fade on/snap off;

Medium strobe;

Fast strobe.

Note: In this mode, the DMX level indicator stays off.

Color Split User Manual 9 V1.3 September 2007

b. Control Menu

Note: Press the ENTER (red) and UP (blue) or DOWN (black) button to move between modes

and press ENTER to record any changes made.

Mode Display Name Cell

Control DMX Ch Channels

1 oP1 RGBhA Single 3 Channel 1 = Red

Channel 2 = Green

Channel 3 = Blue

2 oP2 RGBA Single 4 Channel 1 = Red

Channel 2 = Green

Channel 3 = Blue

Channel 4 = Amber

3 oP3 HSIfx Single 5 Channel 1 = Colour Roll Speed

Channel 2 = Colour Range

Channel 3 = Hue

Channel 4 = Saturation

Channel 5 = Intensity

4 oP4 RGBhAI Single 5 Channel 1 = Intensity Effects and Speed

Channel 2 = Red

Channel 3 = Green

Channel 4 = Blue

Channel 5 = Master Intensity

5 oP5 RGBhA Dual 6 Channel 1 = Red 1

Channel 2 = Green 1

Channel 3 = Blue 1

Channel 4 = Red 2

Channel 5 = Green 2

Channel 6 = Blue 2

6 oP6 RGBA Dual 8 Channel 1 = Red 1

Channel 2 = Green 1

Channel 3 = Blue 1

Channel 4 = Amber 1

Channel 5 = Red 2

Channel 6 = Green 2

Channel 7 = Blue 2

Channel 8 = Amber 2

7 oP7 HSIfx Dual 8 Channel 1 = Colour Roll Speed

Channel 2 = Colour Range

Channel 3 = Hue 1

Channel 4 = Saturation 1

Channel 5 = Intensity 1

Channel 6 = Hue 2

Channel 7 = Saturation 2

Channel 8 = Intensity 2

8 oP8 RGBhAI Dual 9 Channel 1 = Intensity Effects and Speed

Channel 2 = Red 1

Channel 3 = Green 1

Channel 4 = Blue 1

Channel 5 = Master Intensity 1

Channel 6 = Red 2

Channel 7 = Green 2

Channel 8 = Blue 2

Channel 9 = Master Intensity 2

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