Zoom R16 Manuel utilisateur
AUDIO INTERFACE MANUAL
© 2016 ZOOM CORPORATION
Reproduction of this manual, in whole or in part, by any means, is prohibited.
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Audio interface manual
Table of Contents
Table of Contents········································································································ 1
Audio interface and control surface ··········································································· 2
R16 audio interface system environment ·································································· 4
Connecting and disconnecting in audio interface mode ··········································· 5
Control surface functions
Using the control surface functions ···································································································7
Fader section operation·····················································································································9
Setting up function keys ·················································································································· 11
Control Surface Functions Quick Reference Sheet ················································· 12
Using Cubase LE template files················································································ 13
Create a new project························································································································13
The mixer in audio interface mode
Volume, reverb send and pan ··········································································································14
Stereo Link·······································································································································14
DIRECT/DAW BALANCE··················································································································14
Tuner ················································································································································15
Effects in audio interface mode
Insert effect······································································································································16
Send return effect (reverb) ···············································································································16
Working with patches
Patch operations······························································································································ 17
Patch initialization (factory reset)······································································································17
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Audio interface manual
Audio interface and control surface
Functions of the audio interface and control surface
This section explains how to set up and use the functions of the R16 audio interface and
control surface with DAW software installed on your computer.
Control surface functions
The on-board control surface functions can
be used to control DAW software on your
computer via USB. Transport operations,
including playback, recording and stopping,
and physical control of the DAW faders
are possible. Furthermore, various other
DAW software functions can be mapped
to the F1~F5 keys. (The available functions
depend on the DAW software used.)
DAW software
Cubase LE, etc.
Windows/Mac
USB Cable
R16
[PHONES] jack
Playback device like
headphones or an
audio system
[OUTPUT] jacks
Stereo system,
speakers with built-in
amplifiers, etc.
[INPUT 1-8] jacks
Guitars and other
musical instruments,
internal stereo mic
Audio driver
ププププププププ
Audio interface
The various input and output jacks of the
R16 can be used as a Hi-Speed USB (USB
2.0) audio interface with support for 8 ins
and 2 outs and input and output quality up
to 24-bit/96kHz. Effects can also be used
when the sampling rate is 44.1 kHz, and
the unit can be powered by the computer’s
USB bus.
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Audio interface manual
Multifunction tuner
In addition to standard chromatic tuning,
the multifunction tuner also has on-board
support for 7-string guitar, 5-string bass
and various drop tunings.
Comprehensive built-in mixer
Using the R16’s mixer, you can make a
mix for monitoring live and playback. When
simultaneously recording guitar and vocals,
for example, you can independently adjust
volume balance, panning and reverb levels.
Versatile effect functions
The insert eect can be applied to specic
channel paths and the send/return effect
works via the mixer send/return. The two
kinds of built-in eects can be applied when
recording, of course, but they can also be
applied to aect only the monitoring output.
For example, when recording vocals, you
can apply reverb to the monitor signal to
make singing easier, but record a dry signal.
Supports input from a variety
of sources, including guitars,
mics and line level instruments.
The 8 onboard jacks, which accept XLR
and standard phone plugs, include one
high-impedance input and two with 48V
phantom power. From high-impedance
guitars and basses to dynamic and
condenser microphones and line-level
devices like synthesizers, many sources are
supported. In addition, the built-in high-
performance condenser microphones are
convenient for recording acoustic guitar and
vocals.
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Audio interface manual
R16 audio interface system environment
To use DAW software with this unit, you need to install it and make settings in it for the R16. This is an expla-
nation for doing so with Cubase LE.
Please refer to the Cubase LE Startup Guide for
detailed instructions for installing the R16 audio
driver and Cubase LE.
R16 audio interface system
requirements
Cubase LE installation guide
Windows
Windows®7 (32-bit, 64-bit) or later
32-bit: Intel®Pentium®4 1.8 GHz or faster
64-bit: Intel®Pentium®Dual Core 2.7 GHz or faster
32-bit: RAM 1 GB or faster
64-bit: RAM 2 GB or faster
Intel Mac
OS X 10.9 or later
Intel®Core Duo 1.83 GHz or faster
RAM 1 GB or faster
Both
USB 2.0 compatible port
* USB hubs are not supported.
About the screen images
The screen images are of the Windows version.
About trademarks
· The SD symbol and SDHC symbol are trademarks.
· Windows®/ Windows 7® are trademarks or registered trademarks of Microsoft®.
· Macintosh® and Mac OS® are trademarks or registered trademarks of Apple Inc.
· Steinberg and Cubase are trademarks or registered trademarks of Steinberg Media Technologies GmbH Inc.
· Intel® and Pentium® are trademarks or registered trademarks of Intel Corporation.
· MACKIE Control is a trademark or registered trademark of LOUD Technologies.
· All other trademarks, product names, and company names mentioned in this documentation are the property
of their respective owners.
· All trademarks and registered trademarks mentioned in this manual are for identication purposes only and are
not intended to infringe on the copyrighted properties of their respective owners.
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Audio interface manual
Connecting and disconnecting in audio interface mode
Reference: “Cubase LE Startup Guide”
Install/setup details
This is a brief overview of connecting and disconnecting when a computer is hooked to the R16
by USB cable. For details, please refer to the separately attached “Cubase LE Startup Guide”.
Connecting the R16 to the
computer for the rst time
Connect the R16 to the computer.
R16 setup and connection
Setup DAW software
Device setup
Install Cubase LE DAW software
on the computer
1 1 Press [USB].
USB
>AUDIO INTERFACE
Change
menu
Press [Enter].
Select >AUDIO INTERFACE .
Download the latest ZOOM R16 /
R24 audio driver from the ZOOM
website (see below).
22
SETTING?
[CONTINUE] RESET
Change
menu
Press [Enter].
Select “Continue.”
4
AUDIO INTERFACE
Enter?
Press [Enter].
Verify.
Install the audio driver on the
computer.
3
5
4
3
R16 setup and connection
Follow these procedures from the second time connecting
NOTE
The ZOOM R16/R24 audio driver is essential
for using the R16 as an audio interface for DAW
software such as Cubase LE.
When downloading, follow the included instruction
guide to install correctly.
Please download the latest R16 audio
driver from Zoom Corporation’s website
at (http://www.zoom.co.jp).
NOTE
• Set the recordingquantization(bitdepth)of
Cubase LE or the DAW software that you are
using to 24-bit in order to achieve the best audio
qualitywhenrecording.(Seethesoftwaremanual
for how to make this setting.)
Control surface setup (Mackie Control) P.7
☞Reference: "Cubase LE Startup Guide"
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Audio interface manual
· The audio interface and control surface functions
of the R16 can be used by drawing power
through the USB bus. Power from batteries or
the adapter is not necessary.
· We recommend always using the latest R16
system software. Operating the R16 with an older
system could result in it not being recognized by
your computer.
1Press [USB].
AUDIO INTERFACE
Terminate?
Press [Enter].
Terminate the connection.
2
Remove the USB cable.
3
The [DEVICE] USB indicator will light.
Sample Rate=44.1kHz
s:Solo
Connect the USB cable to the R16.
5
Connect the USB cable
to the computer.
6
AUDIO INTERFACE icon blinks
When connection is complete the AUDIO
INTERFACE icon appears.
Connection setting
complete
NOTE
Disconnecting
Data transferred with CONTINUE
· INSERT EFFECT settings
· SEND RETURN EFFECT settings
· Track parameter settings
· TUNER settings
RESET
Restores default settings for each item
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Audio interface manual
Using the control surface functions
When using the R16 connected by USB as an audio interface, the R16 keys and faders can
be used to control Cubase LE’s transport and mixer.
HINT
Assigning Keys
For a list of functions that can be assigned to
the knobs and keys of the R16, as well as other
transport/function keys that are supported by
Cubase LE, please consult the “Control Surface
Mode Functions Quick Reference Guide” of this
manual.
About the control surface Control surface settings
In control surface mode the keys and knobs on
the R16 can be assigned to particular Cubase
LE functions.
7Launch Cubase LE.
Transport section p.8
About banks p.9
Fader section p.9
Reference: Control Surface Functions Quick Reference Guide
p.12
8Select “Device Setup” from the
Cubase LE “Device” menu.
9On the top left of the device
setup window there are [+] [-]
[|<] buttons. Click the [+] and
then choose “Mackie Control.”
10 Set MIDI input and output.
MIDI Input: Zoom R16_R24
MIDI Output: Zoom R16_R24
See R16 setup and connection
steps 1~6 on P.5~6.
HINT
The display of MENU etc. may be different
depending on the version of Cubase LE.
Please refer to your Cubase LE manual.
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Audio interface manual
Transport section
By setting up the control surface, the R16’s
transport section keys can be assigned to
individual functions in Cubase LE
［REW
］キー ［FF］キー ［STOP］キー ［PLAY］キー ［REC］キー
［F1］キー ［F5］キー［F2］キー ［F3］キー ［F4］キー
巻き戻し 早送り 停止 再生 録音
[F1] Key [F2] Key [F3] Key [F4] Key [F5] Key
[REW] Key [FF] Key [STOP] Key [PLAY] Key [REC] Key
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Audio interface manual
Fader section operation
By using the faders and status keys of the R16 fader section, you can control the volume and
muting,pauserecordingandswitchsoloonandointhecorrespondingCubaseLEtracks.
Operating the fader section
1Assign the desired Cubase LE
tracks (channels) to the fader
section.
About banks
After setting up control surface operation, the
main parameters of Cubase LE can be operated
using the R16’s fader and status keys.
A group of tracks operated by the faders and
status keys is called a "bank," and one bank
includes 8 tracks.
For example, if fader 1 is assigned to Cubase LE
track 1, tracks 1-8 can be operated as shown in
the following diagram.
As the diagram shows, pressing the [9~16tr
(Bank>)] key once switches the allocations as
shown below.
Control 12345678
Track Tr.9 Tr.10 Tr.11 Tr.12 Tr.13 Tr.14 Tr.15 Tr.16
[1-8Tr] Key (< BANK)
Tracks (channels) assigned to the fader section
are moved backward by eight tracks.
[9~16Tr] Key (BANK >)
Tracks (channels) assigned to the fader section
are moved forward by eight tracks.
2Use the faders to control the
volumes of the corresponding
tracks.
The faders control the volumes of their
respective tracks. Change the master
volume by moving the [Master] Fader.
Control 12345678
Track Tr.1 Tr.2 Tr.3 Tr.4 Tr.5 Tr.6 Tr.7 Tr.8
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