Sound Devices 664 Manuel

664

Portable Production Mixer and Recorder

User Guide and Technical Information

firmware rev. 1.06

Sound Devices, LLC

E7556 State Rd. 23 and 33 • Reedsburg, WI • USA

+1 (608) 524-0625 • fax: +1 (608) 524-0655

Toll-Free: (800) 505-0625

www.sounddevices.com

[email protected]

UDMA

664 User Guide and Technical Information

Front Panel Descriptions .......................1

Left Panel Connectors and Control ...............2

Right Panel Connectors and Controls.............3

Rear Panel Descriptions ........................4

Screen Overview ..............................5

Main Screen.......................................5

RTN Screen .......................................5

LCD Daylight Mode .................................6

Input Setup and Control ........................6

Input Settings Screen................................6

Phantom Power ....................................8

Gain/Trim and Fader Relationship ......................8

Input Trim (Analog)................................. 8

Input Trim (Digital) ................................. 8

Input Fader....................................... 9

High-Pass Filter ....................................9

Pan Control ......................................10

Input Linking......................................10

M/S Matrixing.................................... 10

Digital Inputs .....................................11

Limiters.....................................11

Metering ....................................12

Meter Ballistics....................................13

VU ............................................ 13

Peak + VU ...................................... 13

Peak Only ...................................... 13

Peak Hold ...................................... 13

Input Activity LED..................................13

Headphone Peak LED ..............................13

Headphone Monitoring ........................14

Headphone Gain ..................................14

Headphone Source Selection ........................14

Headphone Encoder Mode ......................... 14

Headphone Presets............................... 15

Headphone Tones .................................15

PFL (Channel Solo Monitor). . . . . . . . . . . . . . . . . . . . . . . . . . 16

RTN and COMM Monitoring..........................16

Output Setup and Control......................17

Master and Aux Outputs ............................17

XLR ........................................... 17

TA3 (Master L, R, X1, and X2)....................... 17

Hirose 10-pin .................................... 17

Direct Outputs ................................... 17

Tape Output ..................................... 17

Master and Aux Bus Level ...........................18

AES Digital Outputs ................................18

COM Setup ..................................18

COM Send Program................................19

Com Program Auto-Mute ............................19

Slate/Com Mic & Tone Oscillator ................19

Slate Microphone ..................................19

Internal Slate Mic................................. 20

External Slate Mic ................................ 20

Tone Oscillator ....................................20

Alternate Slate/Com Switch ..........................20

Digital Audio Recorder ........................21

Transport Control ..................................21

Recording Tracks ..................................21

Track Arming .................................... 22

Track-to-Media Routing ............................ 22

Track Naming .................................... 23

Sampling Rate ....................................24

Word Clock Synchronization ........................ 24

Bit Depth ........................................24

Bit Depth and Dynamic Range ...................... 24

Recording Media ..................................24

Time Code .......................................25

Time code modes ................................ 26

Time code Frame Rate ............................ 27

Jam Menu ...................................... 27

Time code Hold Off ............................... 27

F Sampling Rate Modes ........................... 28

Pre-Roll .........................................28

Synchronization ...................................29

File Management ..................................29

File List ........................................ 29

File Type........................................ 30

File Structure .................................... 31

Folder Options ................................... 31

Automatic File Splitting ............................ 32

Metadata Fields .................................. 32

Sound Reports................................... 32

Take Management .................................34

Take List........................................ 34

Take Number .................................... 35

Scene Name .................................... 35

Take Notes and Phrases ........................... 36

Playback.........................................37

Using a USB Keyboard ........................37

Mixer Linking ................................38

Linking the 664 With Another 664 or 552 Mixer ...........38

Linking to Other Mixers .............................38

Linking to a 302 or 442 ............................ 38

Linking to a MixPre-D or Original MixPre. . . . . . . . . . . . . . . 39

Powering....................................39

External Powering .................................39

Internal Battery Powering............................39

Voltage Metering ..................................40

Power Consumption ................................41

Storing and Recalling Settings .................41

Time and Date Settings........................42

Time Zone and Daylight Savings ......................42

Time and Date Format ..............................42

Setup Menu .................................43

Inputs ...........................................43

Outputs. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43

Limiters. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44

Recorder ........................................44

Comms/Returns ...................................45

Timecode/Sync ...................................45

File Storage ......................................46

System ..........................................47

Quick Setup ......................................49

Front Panel Button Shortcuts. . . . . . . . . . . . . . . . . . . 49

Connector Pin Assignments ...................50

Routing Diagram .............................53

Speciﬁcations ...............................55

Analog Inputs ....................................55

Digital Inputs .....................................55

Analog Outputs ...................................55

Digital Outputs/Recorder ............................56

Timecode and Sync ................................56

Power ...........................................57

Table of Contents

664 User Guide and Technical Information

v. 1.06 Features and specifications are subject to change. Visit www.sounddevices.com for the latest documentation.

means, electronic, mechanical, photocopying, recording, or otherwise, without the expressed written permission of SOUND DEVICES,

LLC. SOUND DEVICES is not responsible for any use of this information.

Microsoft Windows is a registered trademark of Microsoft Corporation. Macintosh is a registered trademark of Apple Computer. Other

product and company names mentioned herein may be the trademarks of their respective owners.

The sound waves logo is a registered trademark of Sound Devices, LLC.

Limitation of Liability

LIMITATION ON SOUND DEVICES’ LIABILITY. SOUND DEVICES, LLC SHALL NOT BE LIABLE TO THE PURCHASER OF THIS

PRODUCT OR THIRD PARTIES FOR DAMAGES, LOSSES, COSTS, OR EXPENSES INCURRED BY PURCHASER OR THIRD PAR-

TIES AS A RESULT OF: ACCIDENT, MISUSE, OR ABUSE OF THIS PRODUCT OR UNAUTHORIZED MODIFICATIONS, REPAIRS,

OR ALTERATIONS TO THIS PRODUCT, OR FAILURE TO STRICTLY COMPLY WITH SOUND DEVICES, LLC’S OPERATING AND

INSTALLATION INSTRUCTIONS. TO THE FULLEST EXTENT PERMITTED BY LAW, SOUND DEVICES SHALL HAVE NO LIABILITY

TO THE END USER OR ANY OTHER PERSON FOR COSTS, EXPENSES, DIRECT DAMAGES, INCIDENTAL DAMAGES, PUNITIVE

DAMAGES, SPECIAL DAMAGES, CONSEQUENTIAL DAMAGES OR OTHER DAMAGES OF ANY KIND OR NATURE WHATSOEVER

ARISING OUT OF OR RELATING TO THE PRODUCTS, THESE TERMS AND CONDITIONS OR THE PARTIES’ RELATIONSHIP,

INCLUDING, WITHOUT LIMITATION, DAMAGES RESULTING FROM OR RELATED TO THE DELETION OR OTHER LOSS OF AUDIO

OR VIDEO RECORDINGS OR DATA, REDUCED OR DIMINISHED AUDIO OR VIDEO QUALITY OR OTHER SIMILAR AUDIO OR

VIDEO DEFECTS ARISING FROM, RELATED TO OR OTHERWISE ATTRIBUTABLE TO THE PRODUCTS OR THE END USER’S

USE OR OPERATION THEREOF, REGARDLESS OF WHETHER SUCH DAMAGES ARE CLAIMED UNDER CONTRACT, TORT OR

ANY OTHER THEORY. “CONSEQUENTIAL DAMAGES” FOR WHICH SOUND DEVICES SHALL NOT BE LIABLE SHALL INCLUDE,

WITHOUT LIMITATION, LOST PROFITS, PENALTIES, DELAY DAMAGES, LIQUIDATED DAMAGES AND OTHER DAMAGES AND

LIABILITIES WHICH END USER SHALL BE OBLIGATED TO PAY OR WHICH END USER OR ANY OTHER PARTY MAY INCUR RE-

LATED TO OR ARISING OUT OF ITS CONTRACTS WITH ITS CUSTOMERS OR OTHER THIRD PARTIES. NOTWITHSTANDING AND

WITHOUT LIMITING THE FOREGOING, IN NO EVENT SHALL SOUND DEVICES BE LIABLE FOR ANY AMOUNT OF DAMAGES IN

EXCESS OF AMOUNTS PAID BY THE END USER FOR THE PRODUCTS AS TO WHICH ANY LIABILITY HAS BEEN DETERMINED

TO EXIST. SOUND DEVICES AND END USER EXPRESSLY AGREE THAT THE PRICE FOR THE PRODUCTS WAS DETERMINED

IN CONSIDERATION OF THE LIMITATION ON LIABILITY AND DAMAGES SET FORTH HEREIN AND SUCH LIMITATION HAS BEEN

SPECIFICALLY BARGAINED FOR AND CONSTITUTES AN AGREED ALLOCATION OF RISK WHICH SHALL SURVIVE THE DETER-

MINATION OF ANY COURT OF COMPETENT JURISDICTION THAT ANY REMEDY HEREIN FAILS OF ITS ESSENTIAL PURPOSE.

Environmental ....................................57

Dimensions and Weight ............................57

Accessories ................................58

Wave Agent .................................59

Declaration of Conformity......................60

Warranty and Technical Support ................61

664 User Guide and Technical Information

Front Panel Descriptions

2 193

4 75 86 9 10

15161718

1) Input Fader

Primary control for adjusting the level of an

input during operation. Ranges from o to +15

dB. Nominal seing is in the middle (0 dB).

2) Gain (Trim)

Coarse input gain control. Sets the initial input

sensitivity level so that the Input Fader can be

used for ne gain adjustments. Range is from

+22 dB to +72 dB. See Input Setup and Control.

3) Highpass Filter Control

Adjusts corner (-3 dB) frequency of high-pass

lter. Full counter-clockwise position (detent-

ed) deactivates the High-Pass Filter. Range is

80-240 Hz, 12 dB/oct to 6 dB/oct. See Input Setup

and Control.

4) PFL / Input Select Switch

Slide le: Pre-Fade Listen. Sends the input’s

pre-fade signal to HP monitor mono mix. The

664 supports simultaneous PFL of multiple

inputs. Does not aect Master Output signal.

Slide the switch le to activate, and again to

deactivate. For momentary action, hold the

switch le for one second or longer. The Input

LED ashes yellow when an input’s PFL is

active. Slide right: Input Seings. Enters the

Input Seings Screen where basic input setup

and input-to-output bus routing is performed.

See Input Setup and Control.

5) Input LED

Indicates input signal activity. Illuminates in

various colors and intensities to show signal

level and activity. Green = signal presence (pre-

fader), yellow = limiter activity (pre- and post-

fade), red = signal overload/clipping (pre- and

post-fade), ashing yellow = input PFL.

6) Input Pan

Controls the Le/Right balance of the input

signal to the Stereo Master Bus.

7) Transport Control

Controls the Integrated Digital Recorder. Slide

up to Record, press in to Pause/Stop, slide

down to Play, slide le to Rewind, slide right to

Fast Forward. See Digital Audio Recorder.

8) Meters Button

Displays the Main Screen which includes me-

tering, lename, time code and other important

information. Toggles to RTN Screen when

pressed from Main Screen. Returns to Main

Screen from any other Screen.

9) LCD

Displays contextual operating information and

user interface.

10) Internal Time code LED

When the 664 is powered down and time code

Mode is Freerun or 24-Hour Run, the Internal

Time code LED will ash blue to indicate that

time code is being maintained. The 664 will

hold accurate time code for 2 hours aer being

powered down.

11) Power Switch

Three-position slide switch, selects between AA

baery power or external DC sources, middle

position is o.

12) Power LED

Illuminates green to indicate the 664 is pow-

ered on.

13) Menu Button

Displays the Setup Menu.

664 User Guide and Technical Information

v. 1.06 Features and specifications are subject to change. Visit www.sounddevices.com for the latest documentation.

14) Headphone Encoder

Main and Input Seings Screen: Turn to adjust

headphone gain. In Main Screen: Press to select

headphone monitor source. In Menus: Turn

to navigate; Press to make selection. In Input

Seings Screen press to select input source.

Headphone gain and preset selection functions

can be reversed: see Headphone Monitoring

15) Headphone Clipping LED

Illuminates red to indicate headphone output is

approaching clipping level.

16) RTN Switch

Slide Le to activate RTN A, slide Right to acti-

vate RTN B. To access secondary function Press

and hold Select Encoder then slide le for COM

RTN and right for RTN C. Primary and Second-

ary functions of the RTN toggle switch can be

selected in the Setup Menu.

17) Slate / Tone Switch

Slide le to activate the Slate Microphone, slide

again to deactivate. For momentary action

hold for one second or longer. Slide right to

activate the Tone Oscillator. Tone will latch if

held for one second or longer; slide again to

deactivate. Secondary function: press and hold

Select Encoder then slide Mic switch to activate

COM. Primary and Secondary functions can be

switched in the Setup Menu.

18) Slate Mic LED

Illuminates green when Slate Mic or COM is

active.

19) Select Encoder

Multi-function encoder. Selects Tracks and

RTN’s on the Main and RTN Screen. On the

Main Screen, press the Select Encoder and the

Meters buon to arm/disarm record tracks.

With L, R, X1, X2, or any RTN selected, press

then turn to adjust level. Vertical Scroll in ma-

trix windows. Turn to adjust digital trim level

in Input Seings Window. Turn to scroll cursor

and press to insert a space character during

text entry. Acts as shi buon to access second-

ary functions.

Left Panel Connectors and Control

4 3 2

1) XLR Analog Inputs 1-6

Active-balanced analog microphone- or line-

level input for inputs 1-6 on XLR connector.

Input type is set within the Input Seings

Screen. Inputs 1 and 6 can also accept AES3 or

AES42 (Mode 1) signal. Pin-1 ground, pin-2 (+),

pin-3 (-).

2) Headphone Output

1/4-inch and 3.5 mm TRS stereo headphone

connectors. Can drive headphones from 8 to

1000 ohm impedances to very high levels. Tip =

le, ring = right, sleeve = ground.

664 User Guide and Technical Information

3) Slate Mic Input

TA3 input for connecting external slate micro-

phone. Select between internal or external slate

mic (with or without 12V phantom) from the

Setup Menu section COMMS/RETURNS. Pin-1

ground, pin-2 (+), pin-3 (-).

4) TA3 Direct Outputs 1-6 / Inputs 7-12

Balanced direct outputs on TA3 connectors. Di-

rect output signal is pre- or post-fader and level is

selected between Line, -10, and Mic levels in the

Setup Menu section OUTPUTS. Tone signal appears

at the direct outputs. With the CL-6 Input Expander

aached, these connections can be selected as analog

line inputs 7-12. Pin 1 = Ground; pin 2 = Hot (+); pin

3 = Cold (-) oat pin 3 to unbalance.

Right Panel Connectors and Controls

1 2 3 4 5 6 7

910111213

1) USB B Connector

Factory use and keyboard connection (with

adapter).

2) Time code I/O

Time code input and output on 5-pin LEMO®

connector.

3) 10-pin A and C

Each connection includes a pair of transformer-

isolated Outputs and a stereo unbalanced

Return input. Analog Output levels are selected

between Line, -10, and Mic levels in Setup

Menu section OUTPUTS. 10-pin A outputs can

be set to AES Outputs 5,6 and 7,8 in the Setup

Menu section OUTPUTS.

4) Tape Output

Unbalanced stereo, tape level output on TA3

(Pin 1 = Ground, pin 2 = Le, pin 3 = Right) and

3.5 mm (Sleeve = Ground, Tip = Le, Ring =

Right) connector.

5) X1 and X2 Outputs

Line, -10, or Mic level selected in the Setup

Menu section OUTPUTS. Pin 1 = Ground,

pin 2 = Hot (+), pin 3 = Cold (-) oat pin 3 to

unbalance.

6) TA3 Master Outputs

Line, -10, or Mic level selected in the Setup

Menu section OUTPUTS. Pin 1 = Ground,

pin 2 = Hot (+), pin 3 = Cold (-) oat pin 3 to

unbalance.

7) Link I/O

Used to link additional Sound Devices 664, 552,

302, 442, or MixPre mixers.

8) Battery Compartment

Holds ve AA (LR6) baeries for backup pow-

ering. NiMH rechargeable cells advised.

9) DC Input

Accepts DC voltages from 10–18 V for power-

ing. Pin 1 = Negative (–), pin 4 = Positive (+). Ext

DC is fully isolated (oating) from the rest of

the circuitry.

664 User Guide and Technical Information

v. 1.06 Features and specifications are subject to change. Visit www.sounddevices.com for the latest documentation.

10) XLR Master Outputs

Transformer-balanced analog outputs on stan-

dard 3-pin XLR connectors. Pin 1 = Ground;

pin 2 = Hot (+); pin 3 = Cold (-). Unbalance by

grounding pin 3 to pin 1. Can be set to send

AES3 digital signals (1,2 and 3,4 on L and R

respectively) in Setup Menu section OUTPUTS.

11) RTN B Input

Unbalanced stereo 3.5 mm female connector for

Return B audio input. Sleeve = Ground, Tip =

Le, Ring = Right.

12) CompactFlash Slot

Accepts approved CompactFlash cards with the

label-side toward the rear of the 664. Compat-

ible with Type I and Type II cards. High-speed

UDMA cards are recommended for higher

track count recording.

13) SD Card Slot

Accepts SD/SDHC/SDXC cards with the

notched corner oriented toward the top of the

664. High speed class 10 cards are recommend-

ed. Insert until it clicks securely in the slot. The

card should glide smoothly into the slot. Press

to eject.

Visit www.sounddevices.com/approved for an up-to-date list of tested and approved cards.

Rear Panel Descriptions

1 2

1) BNC Word Clock Input

Accepts word clock rates between 32 kHz and

48.048 kHz for synchronizing the internal re-

corder to external digital audio devices.

2) BNC Word Clock Output

Provides word clock signal to synchronize

external digital audio devices to the 664.

3) TA3 COM Send

Unbalanced, stereo, line-level output. Program

assigned to COM output from Setup Menu.

4) TA3 COM Return

Line-level input for return feed from on-set

communications sources.

664 User Guide and Technical Information

Screen Overview

Main Screen

The Main Screen displays important information at-a-glance. The Main Screen can be accessed quickly

from any other screen by pressing the Meters buon. Display of the sample rate information and time

code frame rate information can be “swapped” by holding the Meters buon and Sliding the RTN

Switch to the le.

Input tracks

Bus tracks

Armed track

Current take Media information

Power source level

Sample rate information RTN levels

Monitor (Headphone) information

SMPTE Timecode

Absolute recording time

Unarmed track

RTN Screen

When the Meters buon is pressed from the Main Screen, the RTN Screen is shown.

Return inputs

Bus tracks

RTN during gain adjustment

Return gain (during adjustment)

SMPTE Timecode

Timecode frame rate Time and dateAbsolute recording time

664 User Guide and Technical Information

v. 1.06 Features and specifications are subject to change. Visit www.sounddevices.com for the latest documentation.

LCD Daylight Mode

When engaged, LCD Daylight Mode changes the color scheme of the user interface to be more easily

viewable in environments with bright ambient light or direct sunlight. LCD Daylight Mode can be

engaged from the Setup Menu option SYSTEM > LCD Daylight Mode or toggled quickly by pressing

and holding the Headphone Encoder then pressing the Select Encoder.

Input Setup and Control

The 664 has six, full-featured audio inputs on XLR connectors (six additional inputs on TA3 connectors

with the optional CL-6 Input Expander aached). Each analog input has a wide gain range to accom-

modate nearly all signal types, from microphones to line-level sources. Inputs can be used as either

balanced or unbalanced connections. To unbalance, tie pin-3 to pin-1 of the XLR connector. There is no

change in gain between unbalanced and balanced connections into the 664.

Input Settings Screen

Each input’s seings are accessed through its Input Seings Screen. To access the Input Seings screen

for an input, slide the Input Selector Switch to the right. The LCD will display information pertaining

to the selected input and provide access to.

2) Input Meter

Input/Track Number

input/Track Name

6) Input Polarity

1) ISO Track Status

4) Aux Bus Assignment

3) Input Selection

Headphone Source / Level

5) LR Bus Assignment

Current Fader Gain

1) ISO Track Status

Displays the status of the Input’s dedicated Iso Track on the recorder. Each input is permanently

routed to its Iso track. To select whether an input is routed pre- or post-fade, press the Select Encoder,

turn it to make a selection, and press it again to conrm the selection.

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