Sonosax SX62R Manuel utilisateur

PROFESSIONNAL

MIXER / RECORDER

SONOSAX

SX62R

Quick Start Guide

(Firmware revision 4.1)

audio equipment manufacturer

SONOSAX SAS S.A.

Ch. de la Naz 38

1052 Le Mont s/Lausanne

SUISSE

Tel: +41 21 651 0101

Fax: +41 21 651 0109

Web: www.sonosax.ch

Email: [email protected]

August 2011

SONOSAX SX62R Quick Start Guide Page 2 of 34

TABLE OF CONTENT

1. POWERING THE SX62R ..................................................................................................................................... 3

1.1 SWITCHING ON................................................................................................................................................... 3

2. MAIN DISPLAYS ................................................................................................................................................. 4

2.1 INPUT CHANNELS VS RECORDER TRACKS................................................................................................... 4

2.2 INPUTS MODULOMETERS................................................................................................................................. 4

2.3 TRACKS MODULOMETERS............................................................................................................................... 5

2.4 RECORDER STATUS.......................................................................................................................................... 6

2.4.1 Toggle Switch ....................................................................................................................................................... 6

3. MAIN MENU......................................................................................................................................................... 7

4. ANALOGUE MIXER SECTION............................................................................................................................ 7

4.1 MIC/LINE INPUT .................................................................................................................................................. 7

4.2 MIC/LINE INPUT CONFIGURATIONS ................................................................................................................ 8

4.2.1 Input Controls ....................................................................................................................................................... 9

4.2.2 Limiter Threshold.................................................................................................................................................. 9

4.2.3 Input Assignment – Linking and Routing ............................................................................................................ 10

4.3 MASTER & MONITORING SECTION................................................................................................................ 11

4.4 OUTPUTS CONFIGURATIONS......................................................................................................................... 12

4.4.1 MIX Output configuration.................................................................................................................................... 12

4.4.2 BOOM Output configuration ............................................................................................................................... 13

4.4.3 AUX Output configuration ................................................................................................................................... 14

4.4.4 Reference Tone Generator................................................................................................................................. 15

5. RECORDER SECTION ...................................................................................................................................... 16

5.1 HEADPHONES MONITORING CONFIGURATION........................................................................................... 16

5.1.1 SOLO MONITORING MODE.............................................................................................................................. 16

5.2 TAG LAST TAKE............................................................................................................................................... 17

5.3 METADATA ....................................................................................................................................................... 18

5.3.1 PLAYER mode: .................................................................................................................................................. 19

5.4 BROWSE FILES MENUS .................................................................................................................................. 20

5.5 LAST TAKES MENU ......................................................................................................................................... 21

5.6 PLAYER MODE ................................................................................................................................................. 21

6. SETUP MENU .................................................................................................................................................... 22

6.1 CONFIGURING THE RECORDER .................................................................................................................... 22

6.1.1 Configuring the Tracks [REC TRACKS].............................................................................................................. 22

6.1.2 Track Routing ..................................................................................................................................................... 23

6.1.3 Track Naming ..................................................................................................................................................... 24

6.1.4 Example of a complete configuration.................................................................................................................. 24

6.1.5 Mirroring ............................................................................................................................................................. 24

6.1.6 Recording parameters [REC SETUP]................................................................................................................. 25

6.2 TIMECODE SETUP............................................................................................................................................ 26

6.3 USER SETTINGS............................................................................................................................................... 27

6.4 SYSTEM SETUP................................................................................................................................................ 28

6.5 TURNING OFF THE UNIT [POWER OFF] ........................................................................................................ 30

7. ADDENDUM....................................................................................................................................................... 31

7.1 REAR PANEL CONNECTORS.......................................................................................................................... 31

7.2 RIGHT SIDE PANEL CONNECTORS ............................................................................................................... 32

SONOSAX SX62R Quick Start Guide Page 3 of 34

1. POWERING THE SX62R

The SONOSAX SX62R can be powered either by:

- 4x internal rechargeable batteries ( 4x D Cells ); depending on the configuration and settings the running

time will be approx 4 to 5 hours with 10'000mAh NiMh cells.

- any regulated DC power supply from 6 to 18Volts, connected on the Hirose4: Pin 1 = Gnd / Pin 4 = +VDC

WARNING: Using dry cells such as alkaline batteries can lead to unexpected powering off or malfunctions

of the unit; use them with caution and only when no NiMh batteries are available;

replace alkaline batteries after 2 hours of use.

1.1 SWITCHING ON

Press [F2] and simultaneously push the toggle switch to [REC] to power on the SX62R. A boot up screen

appears as illustrated below.

If the working day has changed while powering

up the unit, the system asks to confirm the date

of the new working day. This allows keeping the

date of the current working days if the on going

production works is passing across midnight.

Press [OK] to confirm the new working day

Press [CANCEL] to keep the current working day

When one of the key is pressed, the unit will

continue the booting procedure; wait a few

seconds until the main screen appears

SONOSAX SX62R Quick Start Guide Page 4 of 34

2. MAIN DISPLAYS

2.1 INPUT CHANNELS VS RECORDER TRACKS

When the booting procedure is completed, the main screen displays the modulometers of the inputs channels

as well as main information's related to the set up of the mixer and most of the recording parameters.

The main screen displays either the modulometers of the Inputs channels or the modulometers of the

recorder's tracks (see examples below). Touching the blue region at the bottom of the screen toggles the

metering of the Inputs channels or the metering of the recorder's Tracks.

For sake of clarity in reading this manual, please note that:

- Inputs or channels: always refer to a physical input or output of the analogue mixer

- Tracks: always refer to a virtual track of the recorder

2.2 INPUTS MODULOMETERS

When the screen shows the INPUTS modulometers, numbers 1 to 6 represent the input channels of the mixer,

and 7 & 8 represent either the master Mix-L (7) and Mix-R (8) or the stereo [RETURN] inputs.

The first column - numbering from 1 to 8 - indicates the status of the input channels and of the master mix (or

the Return's inputs); the red square indicates the status of assigned and armed tracks.

- Number 1 to 6 represents the number of the input channels.

- A high-lighted number means that the input channel is powered [ON]; a dimmed number means that the

input channel is powered [OFF] (saving on batteries).

- Numbers 7 & 8 appearing over a Red square means that Stereo Master Outputs [Mix-L & Mix-R] are

assigned; either high-lighted (powered ON) or dimmed (powered OFF to save on batteries).

- Numbers 7 & 8 appearing over a Blue square means that the stereo [RETURN] inputs are assigned as

channels 7 & 8 instead of the master outputs.

- High-lighted Red square indicates that the recorder's track is assigned and armed, ready to record; dimmed

Red square means that no input is assigned and/or the track is not armed.

Input channels modulometers System Date & Time

Digital scale DBFS

1 to 4 brightened = input

channels are powered ON

High lighted Red squares = the

input are routed on armed tracks

5 & 6 are dimmed = input

channels are powered OFF

Yellow Dot indicates Limiter

activity. Thresholds is set in

the Input menu

Red Dot = Overload

7 & 8 = Mix busses L & R

7 & 8 brightened = output

channels are powered ON

Analogue scale PPM 0 PPM = nominal output level

Remaining capacity on HD Time Code value

Remaining capacity on CF Time Code Synchronisation

Battery or external level indicator

(in volts) Elapsed time

SX62R =

20110817=

01/1 =

001 =

SX0001 =

Project name

Working Day

Scene name

Take number

Filetag

Sampling Frequency

Resolution (Bits per sample)

Audio Sync mode

Audio File format

SONOSAX SX62R Quick Start Guide Page 5 of 34

Another example of configuration

Inputs modulometers

1 to 6 are brightened = input channels are powered ON

Red square dots dimmed = input channels are not

routed (will not be recorded)

Faders of input channels 5 & 6 are linked

7 & 8 brightened = L&R mix outputs powered ON

Red square: 7 & 8 = mix bus

Red square high-lighted = channels 7 & 8 routed on

armed tracks (will be recorded)

TOUCH THE LOWER REGION TO TOGGLE THE

METERING OF RECORDER'S TRACKS

2.3 TRACKS MODULOMETERS

Multiple inputs can be routed (mixed) on the same track; thus when the screen displays the modulometers of

the recorder's TRACKS, each track represents the sum of all assigned inputs on that particular track, in other

words it shows what is effectively recorded on the tracks.

If the Input channels and the Master are not assigned in a 1:1 routing, toggling the metering allows a rapid

comparison between the modulation level of the channels and the modulation level of the recorded tracks.

Recorder's track modulometers

Master Mix-L & Mix-R are recorded on tracks 1 & 2 on

the H.D. and on tracks A & B on the CF Card

TOUCH THE LOWER REGION TO TOGGLE THE

METERING OF INPUT CHANNELS

Recorder track modulometers

Typical 1:1 assignment of input channels onto recorder's

track. In this example, tracks A & B of the CF Card are

not assigned and not armed

TOUCH THE LOWER REGION TO DISPLAY THE

METERING OF THE INPUT CHANNELS

SONOSAX SX62R Quick Start Guide Page 6 of 34

2.4 RECORDER STATUS

The status of the recorder is always posted on the upper left corner of the screen, regardless of the displayed

menu:

Red dot Flashing: Record Ready

Red dot Steady: Recording in progress, the lower region of the screen toggles from blue to red

and a second red dot is posted on the upper area of the screen

Green triangle Steady: Playing a take

Green double bars: Player in Pause

Green square flashing: Player in Stop

2.4.1 Toggle Switch

PLAY REC

Play-Pause-Stop Start/Stop Recording / Add an Index

The toggle switch controls the main functions of the recorder according to its operating mode:

RECORDER operating mode

Toggle switch Short pressure Long pressure

RIGHT in any situation Start recording

RIGHT while recording Add an INDEX ** Stop recording

LEFT while in record ready Call the last take and start playing

LEFT while playing Pauses at current position Stop playing

** INDEX = New TAKE: pressing the toggle switch briefly to the right while recording will automatically create

a new TAKE and the Take number is automatically incremented by 1.

PLAYER operating mode

Toggle switch Short pressure Long pressure

LEFT while in Stop Play the selected Take from the

beginning of the Take

LEFT while in Pause Play the selected Take from the

current position

LEFT while Playing PAUSES at current position STOP playing

RIGHT Switches to Record mode and start

recording (scratch record)

SONOSAX SX62R Quick Start Guide Page 7 of 34

3. MAIN MENU

Pressing the main screen anywhere above the blue area will call the Main Set Up Menu. Pressing any key will

call a Sub-Menu

<= Indicated the status of the recorder

[INPUT] configure the input channels of the mixer

[OUTPUTS] configure the outputs of the mixer

[TAG LAST TAKE] tag as False start, Wild track,

No good or Circled

[METADATA] edit the Metadatas

[HEADPHONE] configure the Headphones

outputs

[BROWSE FILES] browse recorded takes in the

HD or CF card

[BACK] return to the main screen

[SETUP] configure all parameters of the recorder

[LAST TAKES] displays the last recorded takes

4. ANALOGUE MIXER SECTION

4.1 MIC/LINE INPUT

- Pre LF-Cut (135Hz at 6dB/octave)

(acting before the mic preamplifier)

- GAIN Trim +/- 20dB combined with the Gain preset

from -6dB up to 80dB of input Gain

- GAIN Preset

Mid 40dB (20 to 60dB) - Low12dB (-6 to 32dB)

High 60dB (40 to 80dB)

- Sweep LF Cut 20 to 350Hz at 12dB/octave

releasing the knob activates the PFL

(retractable potentiometer)

- PANORAMA configurable in the settings menu

- Rotating Fader from – infinite to +20dB

NOTE: secondary functions are controlled by a specific menu explained in following chapters, such as

power On/Off, 48Vphantom, polarity (phase) reversal, Limiter threshold, Stereo link, M/S decoding,

Fader linking, channel assignment and routing,

SONOSAX SX62R Quick Start Guide Page 8 of 34

4.2 MIC/LINE INPUT CONFIGURATIONS

From the main menu, enter the inputs configuration page by touching the [INPUTS] key. A new screen is

posted, displaying the actual configuration of the input channels as illustrated below.

Each input channels of the analogue mixer can be configured individually; active (enabled) functions are high-

lighted in blue.

Touching a region (in a square) calls a specific sub menu to configure the channel's parameters.

Power On / Off

48V Phantom

Phase reversal

Toggle Pre or Post

Fader routing to the

recorder

Limiters Threshold

Returns to previous

Fader (Volume Control)

Routing to the Mix Busses

Assignment to the mix busses

Direct access to channels 1 & 2 3 & 4 5 & 6

The above example shows a typical "mixer configuration" where the final mixing is done on location and the

input channels are recorded "Pre Fader" for back-up purposes:

- Input channels 1 to 5 are powered On; input channel 6 is powered Off to save on batteries

- Input channels 3 to 5 have the 48V phantom are turned On

- The Polarity of Input channels 5 is reversed.

- The Threshold level of each Limiter is indicated individually.

- All input channels are sent PRE Fader to the recorder [REC]

- Input channels 1 & 2 are assigned to the Mix Bus [MIX] through the [PAN] pot.

- Input channel 3 is assigned to the Left mix bus; channel 4 to the Right mix bus, [PAN] is disabled

- Faders of channels 3 & 4 are linked as stereo pair, Fader 4 controlling channels 3 & 4

- Input channels 5 is assigned in the centre [C]; equally to the Left and Right mix busses, the [PAN] is disabled

The following example shows a typical "Recorder setting with rough mix"; the channels are sent Post Fader to

the Recorder, the Faders are used to control the recording level to optimize the S/N ratio and the resolution

over the entire dynamics range on the recorded tracks. In this case the analogue mix is recorded as a rough

mix only for editing purposes.

Input channels 1 to 6 are powered ON

48V Phantom is enabled on each input

No polarity reversal is active

The Limiter Threshold is set to -3dBFS to make use of

the full dynamic range. They protect the A/D Converter

leaving only 3dB of Headroom

Channels 1&2 are individually controlled by their own

fader

Channels 3&4 are linked as stereo pair , controlled by

fader 4

Channels 5& 6 are a M/S pair, controlled by fader 6, the

M/S signal is decoded

All channels are assigned on the mix busses

SONOSAX SX62R Quick Start Guide Page 9 of 34

4.2.1 Input Controls

Touching any squared region on the Input Configuration Screen will call a sub-menu to set the parameters.

Active (or enabled parameters) are high lighted in blue.

Access to parameters of channels 1 & 2 3 & 4 5 & 6

Power the channel ON or

OFF to save on batteries

Toggle between Normal

Phase and Phase Reversal

Toggle the 48V Phantom

ON or OFF

Return to

Active pair

of channels

Jump to

channel's

pair 3 & 4

Jump to

channel's pair

5 & 6

4.2.2 Limiter Threshold

The Threshold of the Limiters can be individually adjusted on each input channel between 0dBFS to -29dBFS.

Touch a region to access the settings of the corresponding pairs.

1 & 2 3 & 4 5 & 6

Increase the Threshold in

step of 1 dB

Decrease the Threshold in

step of 1 dB

Indicates the Threshold

level below 0dBFS

SONOSAX SX62R Quick Start Guide Page 10 of 34

4.2.3 Input Assignment – Linking and Routing

Each input channels can be individually routed and assigned to the stereo mix bus. Input channels can be

configured either as a single MONO channel, as STEREO pair or an M/S pair.

- A [MONO] channel can be freely routed to the mix busses either to the Left [L] bus or to the Right [R] bus

only, or to the center [C] at the same level on the left and right busses, or through the panoramic [PAN] for a

progressive adjustment from Left to Right.

- A stereo pair [ST], such as a stereo microphone, must be always connected as a pair to the input channels

1-2 or 3-4 or 5- 6. Selecting [ST] automatically disables the routing selector [L-C-R-PAN] and route the Odd

channel to the Left mix bus and the Even channel to the Right mix bus. The Fader of the Odd channel is

automatically "Linked" to the Fader of the Even channel. A stereo pair can not be linked to channel 6

- An M/S microphone can be connected onto any pair of input channels 1-2 or 3-4 or 5- 6. Connect the M

channel on the Odd input and the S channel on the Even input. Selecting [M/S] decodes the modulation which

is sent to the mix bus with a 50/50 ratio. The Odd channel is automatically linked to the Even channel. Linking

to channel 6 can not be activated. Varying the spread of the MS pair can be done by slightly adjusting the

input Gain of the S channel. Select [ST] instead of [MS] to send a non decoded modulation to the mix bus.

Select between MONO, ST

or MS mode

If MONO is selected, the

channel can be Linked to

the fader of channel 6

Assign the channel to the

mix bus

If MONO is selected, the

toggle switch selects the

PAN – L – R or C routing

Return to the

Main Menu

Active pair

of channel

Jump to

channels 3-4

Jump to

channels 5-6

In this example [ST] is

selected

If [ST] or [MS] is selected,

the fader can not be linked

to fader nr 6

Assign the channel to the

mix bus

If [ST] or [MS] is selected

the routing PAN – L – R or

C is disabled

NOTE: LINK 6 is used for multi-channel systems such as Soundfield microphones, double M-S system or

any Surround microphone system. It links the Faders only, not the Gain trim

Table des matières

Manuels Mixer populaires d'autres marques

Bosch

Bosch GRW 9 Manuel utilisateur

MULTIQUIP

MULTIQUIP Whiteman WM45E Mode d’emploi

KitchenAid

KitchenAid KSM7581BZ0 Guide rapide

Jay-Lor

Jay-Lor 5050 Manuel utilisateur

Sunbeam

Sunbeam FPSBSM210X Manuel utilisateur

MULTIQUIP

MULTIQUIP Whiteman MC94S Mode d’emploi

Thinky

Thinky ARE-250 Manuel utilisateur

Midas

Midas XL4 Manuel utilisateur

bianco

bianco PURO 4 Manuel utilisateur

Paso

Paso DAG9200 Manuel utilisateur

Sima

Sima SFX-9A Manuel utilisateur

better chef

better chef IM-815WC Instructions d'installation

ALLEN & HEATH

ALLEN & HEATH GR1 Manuel utilisateur

Lacor

Lacor 69083 Fiche technique

M-Audio

M-Audio Midiman SAM Manuel utilisateur

Buffalo

Buffalo CP921 Manuel utilisateur

Pentair

Pentair HYPRO Cleanload 3376-0870 Instructions de fonctionnement

Cuisinart

Cuisinart SM50WHE Manuel utilisateur