Shure BETA53 Manuel utilisateur

BETA53 BETA54

Headworn Vocal Microphones

The Shure subminiature, electret condenser headworn microphones, BETA53 and BETA54, user guide.

Version: 4 (2019-K)

Shure Incorporated

2/17

Table of Contents

BETA53 BETA54Headworn Vocal Microphones 3

General Description 3

BETA53 Features 3

BETA54 Features 3

Available Models 3

Adjusting the Headband and Microphone 5

Windscreens 6

Protective Caps 7

Positioning the Microphone 8

Reversing the Boom 9

Specifications 9

Accessories 15

Replacement Parts 15

Certifications 16

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BETA53 BETA54

Headworn Vocal Microphones

General Description

Shure models BETA53 and BETA54 are subminiature, electret condenser headworn microphones. They provide uncompro

mised sound quality and reliability with minimal visibility in applications such as broadcast, theater, and touring. Despite their

small size, each microphone’s condenser element delivers full, clear, and natural reproduction of speech and vocals. The mi

crophone features a durable, lowprofile wire frame headband which is fully adjustable for stability and comfort. A plastic carry

ing case protects the microphone and its accessories.

BETA53 Features

Omnidirectional polar pattern for minimal handling noise and flexible microphone placement

Extended, flat frequency response provides accurate speech and vocal reproduction

Two interchangeable protective caps for response shaping

Foam windscreens minimize breath noise and “popping”

Available with an in-line preamp or with a TA4F connector for wireless applications

Choice of black or tan finish to suit your performance environment

BETA54 Features

Supercardioid polar pattern provides maximum gain-before-feedback and ambient rejection

Extended frequency response tailored for vocal performances

Able to handle extremely high sound pressure levels (SPL)

Snap-fit foam windscreens stay in place during intensive movement

Available with an in-line preamp or with a TA4F connector for wireless applications

Choice of black or tan finish to suit your performance environment

Available Models

Beta53 Models

Omnidirectional

For broadcast and stage

Black finish

Detachable in-line preamp for wired applications

Requires phantom power

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Wireless Models

These models are for use with Shure wireless microphone systems. TA4F connector attaches to wireless bodypacks (in-line

preamp not included).

WBH53B (black)

WBH53T (tan)

Accessories

All models include:

Microphone and headband 1 each

Foam windscreens 2

Standard protective cap 2

Filtered protective cap 2

Swiveling lapel clip 1

Boom holder 2

Logo pad 1

Plastic carrying case 1

Beta54 Models

Supercardioid

For stage and vocal performance

Black finish

Detachable in-line preamp for wired applications

Requires phantom power

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Wireless Models

These models are for use with Shure wireless microphone systems. TA4F connector attaches to wireless bodypacks (in-line

preamp not included).

WBH54B (black)

WBH54T (tan)

Accessories

All models include:

Microphone and headband 1 each

Snap-fit foam windscreens 2

Standard protective cap 2

Swiveling lapel clip 1

Boom holder 2

Logo pad 1

Plastic carrying case 1

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Adjusting the Headband and Microphone

➀Adjust headband width

➁Adjust boom height

➂Adjust boom length

➃Do not attempt to bend the microphone boom!

➄"Roll" the boom for subtle adjustments of microphone position

Windscreens

Care and Maintenance

Foam windscreens may be cleaned with soap and water.

For the best sound quality, replace damaged or clogged protective caps and windscreens.

Windscreen

Grip the internal frame of the windscreen firmly when connecting or removing. Do not pull on the foam itself.

To connect, push the windscreen until it snaps into place over the cartridge.

To remove, pull the windscreen directly off of the cartridge.

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Protective Caps

Standard protective cap:

Gold mesh

No attenuation

Filtered protective cap:

Silver mesh

Attenuates high frequencies

Always use the BETA54 with the standard protective cap only. Using the microphone with no cap, or with the filtered cap, will

degrade sound quality and alter the microphone's polar pattern.

Shure Incorporated

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Positioning the Microphone

BETA53/54

Position the omnidirectional BETA53 or directional BETA54 microphone near the corner of the mouth

If necessary, roll the boom to avoid contact with skin and facial hair

Shure Incorporated

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Reversing the Boom

The microphone boom may be reinstalled to position it on the left or right side of the head.

Carefully detach the boom holder ①, logo pad ②, and microphone cable ③from the headband.

Reattach the boom holder to the opposite side of the wire frame ④.

Reattach the logo pad ⑤and microphone cable ⑥.

Specifications

BETA 53 / WBH53 / RPM627

Type

Electret Condenser

Frequency Response

20 to 20,000 Hz

Polar Pattern

Omnidirectional

Output Impedance (RPM627)

160 Ω

Sensitivity

at 1kHz,open circuit voltage

BETA 53 -54.0 dBV/Pa(3.16 mV)

WBH53 -54.0 dBV/Pa(2.0 mV)

Maximum SPL

1 kHz at 1% THD

BETA 53 139.4 dB

WBH53 150.5 dB

Signal-To-Noise Ratio

55.0 dB

[1]

[2]

[3]

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Dynamic Range

at 1kHz

BETA 53 96.9 dB

WBH53 108 dB

Self Noise

equivalent SPL, A-weighted, typical

42.5 dB

Power Requirements

BETA 53 11–52 V DC phantom power , 2 mA

WBH53 +5 V DC

Polarity

BETA 53 Positive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3

WBH53 Positive pressure on diaphragm produces positive voltage on pin 3 with respect to pin 1

Weight

BETA 53 135 g(4.75 oz.)

WBH53 35 g(1.25 oz.)

Cable

1.5Meters (5Feet)

1 Pa=94 dB SPL

THD of microphone preamplifier when applied input signal level is equivalent to cartridge output at specified SPL

S/N ratio is the difference between 94 dB SPL and equivalent SPL of self-noise, A-weighted

BETA 54 / WBH54 / RPM627

Type

Electret Condenser

Frequency Response

50 to 20,000 Hz

Polar Pattern

Supercardioid

Output Impedance (RPM627)

160 Ω

Sensitivity

at 1kHz,open circuit voltage

BETA 54 -56.0 dBV/Pa(2.51 mV)

[4]

[1]

[2]

[3]

[1]

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