Kyocera KM-C2230 Manuel utilisateur
Creative lmage Book
Please read the Creative lmage Book before
using the copier.
Keep it close to the copier for easy reference.
KM-C2230
1
Available Features
This chapter contains many useful copy samples that will give you a better
understanding of the wide range of applications for the various functions available with
this full-color copier. These functions are explained in an easy-to-understand way using
the many copy samples.
For details on the operating procedures for these functions, refer to the User’s Guide.
Available Features
*Since the print samples provided are photographs, they may slightly differ in color with actual color copies.
2
Contents
ontents
ontents
“Contrast”
Parameter
“Sharpness”
Parameter
“Hue”
Parameter
“Brightness”
Parameter
“Saturation”
Parameter
“Red”
Parameter
“Blue”
Parameter
“Color Balance”
Parameter
“Copy Density”
Parameter
Adjusts the vividness
Adjusts the level of red
Adjusts the level of blue
Adjusts the concentration of
cyan, magenta, yellow and black
Adjusts the copy density
Adjusts the difference between
highlights and shadows
Adjusts the sharpness of text
Adjusts the level of green
Adjusts the tint of fresh color Adjusts the color
. . . . . . p.14
. . . . . . . p.6 . . . . . . p.13
. . . . . . p.15
. . . . . . . p.9 . . . . . . p.16
General Information
About Color . . . . . . p.12
. . . . . . p.17
“Color Image Adjust” Function
. . . . . p.4,5
“Portrait”
Parameter
. . . p.10,11
(CMYBK color adjustment)
Adjusts the brightness
“Green”
Parameter . . . . . . . p.7
. . . . . . . p.8
3
Contents
Contents
Copies using only black and one selected
color
“2 Color”Setting
Function. . . . . p.19
“Creation”Functions
“Single Color”
Function
Copies using only one selected color (monotone)
Copies with the selected background color
“Color Separation”
Function
Copies while separating the four CMYK colors
“Neg. Pos. Reverse”
Function
Copies with the light-colored areas and the
dark-colored areas of the image inversed
Prints multiple copies of the document, reduced
to postcard size, on a single sheet of paper
Prints a mirror image of the original
Splits an enlargement of the document and
copies each part onto a separate page
“Postcard”
Function
“Mirror Image”
Function
“Multi-Page
Enlargement.”
Function
“Background Color”
Function
. . . . . p.18
. . . . . p.20
. . . . . p.21
. . . . . p.22
. . p.23
. . . . . p.23
. . p.24
4
General Information
About Color
Everybody has an idea of what hue an object has, for example, an apple is
red, a lemon is yellow, and the sky is blue. Hue is the tint by which the color of
an object is classified as red, yellow, blue, etc.
Brightness is the degree of lightness in a color,
as compared with another color, which makes it
a light color or a dark color. For example, when
comparing the yellow of a lemon and the yellow
of a grapefruit, it is obvious that the yellow of
the lemon is brighter. But what about when
comparing the yellow of a lemon and the red of
a bean? Obviously, the yellow of the lemon is
brighter. Brightness is this degree of lightness
that enables comparison regardless of the hue.
What makes the difference between the
yellow of a lemon and the yellow a pear? By
saying that the lemon is a more vivid yellow
and the pear is a duller yellow, the difference
between the two colors is stated in terms
of saturation, as opposed to brightness. As
opposed to hue and brightness, saturation is
the characteristic that indicates the degree of
vividness.
What is
saturation?
What is hue?
General Information About Color
General Information About Color
Darker
What is
brightness?
Lighter
More vivid
Duller
5
General Information
About Color
“Color Image Adjust” Function
Figure 2
White
White
Brightness
Brightness
Black
Black
White
Brightness
Saturation
Hue
Black
Hue, brightness and saturation are the elements that we call the “three attributes of color”. We can
think of their affects using the solid object shown in figure 1, where the outer edge is the hue, the
vertical axis is the brightness, and the horizontal axis from the center is the saturation.
Assigning colors to the solid object, representing the three attributes of color, shown in figure 1
produces the color model shown in figure 2. Although the level of saturation differs for each hue
and degree of brightness, creating a complex color model, we can get a better understanding of
the conditions under which the hue, brightness and saturation vary.
Color model
Figure 1
Relationship between hue, brightness and saturation (color model)
6
p.7-32
“Red”Parameter
This parameter can be used to adjust the degree of red in the image to one
of seven levels.
Sample images
“Red”Parameter
“Red”Parameter
+3
Original
–3
7
“Green”Parameter
p.7-33
Sample images
This parameter can be used to adjust the degree of green in the image to
one of seven levels.
“Color Image Adjust”Function
“Green”Parameter
“Green”Parameter
Original
+3
–3
8
“Blue”Parameter
p.7-34
Sample images
Original
This parameter can be used to adjust the degree of blue in the image to
one of seven levels.
+3
–3
“Blue”Parameter
“Blue”Parameter
9
“Portrait” Parameter
p.7-37
+3
–3
“Portrait” Parameter
“Portrait” Parameter
Original
Sample images
“Color Image Adjust” Function
This parameter can be used to adjust the tint of flesh color to one of seven
levels.
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