Audio Engineering Associates R92 Manuel utilisateur

Studio Ribbon

Microphone

Fourth in the family of AEA’s line of Big RibbonTM

microphones, the AEA R92 was optimized spe-

cifically for close work. With excellent wind-blast

protection, the R92 is ideal for guitar, vocals,

horns, percussion and strings at distances up to 3

inches.

Over the past few years, AEA’s acclaimed R84

ribbon microphone has become a new studio

standard. Now AEA has again expanded the sonic

possibilities of ribbon mics with the R92 Ribbon

Microphone.

Further reductions in the bass proximity effect and

excellent wind blast protection make it suitable for

close micing (3-12 inches) of guitar amps, vocals,

 Native-mode single-diaphragm figure-eight

 Wide-band response from 20Hz to 20KHz

 High null-axis rejection

 Handles 135dB SPL above 1 kHz

 Solid bass and extended treble response

 Fast, accurate transient reproduction

 Low self noise

 Excellent off-axis frequency response

Audio Engineering Associates

R92

percussion, and more. In addition, the smooth high frequency response of the R88 transducer has been

further extended in the R92, making the R92 a unique voice in the world of ribbon mics.

AEA has designed the R92 to have different tones on the front and rear pickup lobes of the microphone.

The front lobe of the R92 is the “crisp” side, offering exceptionally clean and realistic high end detail. The

rear lobe is the “smooth” side, which has a bit of classic ribbon high end rolloff that can help to handle

harsh transients in a very refined and flattering way. Just like its bigger brothers in AEA’s Big RibbonTM

microphone series, the bass reproduction of the R92 is very solid and extended to the lowest audible bass

frequencies.

The R92 is designed with an integral elastic shock mount, featuring a unique mounting system that allows

excellent flexibility of mic positioning. The mic ships with a two meter cable and a durable plastic carrying

case.

Specifications:

 Polar Pattern: Native bidirectional (figure-eight)

 Frequency Response: 20 Hz to 18 kHz (+/- 3 dB)

 Maximum SPL: >135 dB SPL peak

 Output Sensitivity: > -55 dBv/Pa

 Output Impedance: 270 ohms nominal

 Recommended Load: 1.2 K ohm or greater

 Powering: Not required or recommended

 Polarity: Pin 2 high

 Connector: XLR-3M wired to a 2 meter captive cable

 Includes durable plastic case with foam interior

 Operating manual for proper care and usage.

Transducer element

 Ribbon Thickness: 1.8 microns ( .0000018 meter ) of

pure aluminum

 Ribbon Width: 4.7 mm

 Ribbon Length: 59.7 mm

Limited Warranty:

 One year parts and labor, shipping not included.

Weight: 2 pounds with cable and storage case

Length: 7.5”

Depth: 2.5”

Width: 2.9” with stand adapter

7.5"

2.9" 2.5"

AEA R92 On-Axis Frequency Response (1m)

For more information contact:

Other AEA recording tools:

R44 Studio Ribbon Microphone

R84 Stereo Ribbon Microphone

R88 Stereo Ribbon Microphone

The Ribbon Pre

Stereo Microphone Positioners

Collapsible Tall Stands for on-location

Heavy-duty Microphone Stands and Booms

Decca Trees and Surround Microphone Arrays

The New Stereo Soundbook, Third Edition.

Plenty of information, no math required. www.stereosoundbook.com

Manufactured by Audio Engineering Associates:

1029 N. Allen Ave. Pasadena, California 91104, USA

Tel: +626-798-9128 Fax: +626-798-2378 www.ribbonmics.com

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