Yamaha C-80 Manuel utilisateur

Autres manuels pour C-80

2

Table des matières

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2B

ey

A!

:

NDIAGE

EPA

Toe

RDUM

eene

e

WARNING

a.

[ROUBLESHOQTING

eiii

io

e

eee

diee

a

Te

prevent

fire

or

shock.

SPECIF

CATIONS:

iS

eee

oe

VETE

COENA

NEUE

COPPA

NR

SI

DIE

a

Burger

ue

Noah

Pula

d

BiBédetursateatvctniasedktsesasiesuesesavadaneerechsaasqetacassuesgutecantaeruvtzrraexe

2

cd

AE

ES

SORT

EDEN

CAUTION

(PREPARED

IN

ACCORDANCE

WITH

UL

STANDARD

1270)

“|

Read

Instructions

—

All

the

safety

and

operating

instructions

should

be'read

before

the

appliance

is

operated.

-

Retain

Instructions

—

The

safety

and

operating

.

instructions

should

be

retained

for

future

reference,

=

Heed

Warnings

—

Ali

warnings

on

the

appliance

and

in

the

operating

instructions

should

be

adhered

to.

A,

Follow

Instructions

—

All

operating

and

other

instruc-

tiors

should

be

followed.

=

Water

and

Moisture

—

The

appliance

should

not

be

uset

near

water

—

for

example,

near

a

bathtub,

washbowl,

kitcnen

sink,

laundry

tub,

in

a

wet

basement,

or

near

swiraming

pool,

ett...

ng

m

C3

Carts

and

Stands

—

The

appliance

should

be

used

only

with

a

cart

or

stand

that

is

recommended

by

the

manufac-

turer,

EERE

RS

ES

Wall

or

Ceiling

Mounting

-—

The

appliance

shouid

be

mounted

to

a

wall

or

ceiling

only

as

recommended

by

the

manufacturer,

bora

Ventilation

—

The

appliance

should

be

situated

so

that

its

location

or

position

does

not

interfere.

with

its

proper

ventilation,

For

example,

the

appliance

should

not

be

-

situated

on

a

bed,

sofa,

rug,

or

similar

surface

that

may

block

the

ventilation

openings;

or

placed

in

a

built-in

installa-

tion,

such

as

a

bookcase

or

cabinet

that

may

impede

the

flow

of

air

through

the

ventilation

openings.

=

Heat

—

The

appliance

should

be

situated

away

from

heat

sources

such

as

radiators,

stoves,

or

other

appliances

that

produce

heat.

.

ed

to

a

power

supply

only

of

the

type

described

in

the

operating

instructions

or

as

marked

on

the

appliance,

1

d

Power-Cord

Protection

—

Power-supply

cords

should

be

routed

so

that

they

are

not

likely

to

be

walked

on

or

pinched

by

items

placed

upon

or

against

them,

paying

particular

attention

to

cords

at

plugs,

convenience

`

receptacles,

and

the

point

where

they

exit

from

the:

appliance.

t

cy

4

E

Cleaning

—

The

appliance

should

be

cleaned

oniy

as

recommended

by

the

manufacturer,

pe

|

|

1

3

Nonuse

Periods

—

The

power

cord

of

the

appliance

should

be

unplugged

from

the

outiet

when

left

unused

for

a

tong

period

of

time.

|

e]

zl

Object

and

Liquid

Entry

—

Care

should

be

taken

so

that

objects

do

not

fall

into

and

liquids

not

spilled

into

the

inside

of

the

appliance,

.

"|

D

Damage

Requiring

Service

—

The

appliance

should

be

serviced

by

qualified

service

personnel

when:

A.

The

power-supply

cord

or

the

plug

has

been

damaged;

ar.

|

B.

Objects

have

fallen,

or

liquid

has

been

spilled

into

the

appliance;

or

l

l

C.

The

appliance

has

been

exposed

to

rain;

or

D.

The

appliance

does

not

appear

to

operate

normally

or

-

exhibits

a

marked

change

in

performance;

or

E.

The

appliance

has

been

dropped,

or

the

cabinet

damag-

ed.

A

E

|

Servicing

—

The

user

should

not

attempt

to

service

the

appliance

beyond

those

means

described

in

the

operat-

ing

instructions.

Al

other

servicing

should

be

referred

to

qualified

service

personnel,

2

i

PREES

REINER

RISK

OF

ELECTRIC

SHOCK

HO

NOT

OPEN

CAUTION:

TO

REDUCE

THE

RISK

OF

ELECTRIC

USER-

SERVICEABLE

PARTS

INSIDE.

REFER

SERVICING

TO

QUALIFIED

SERVICE

PERSONNEL.

-

s

Exp.anation

of

Graphic

Symbols

The

lightning

flash

with

arrowhead

symbol,

within

an

equilateral

triangle,

is

intended

to

alert

you

to

the

*

presence

of

uninsulated

“dangerous

PE

LORS

voltage”

within

the

product's

|

enclosure

that

may

be

of

sufficient

magnitude

to

constitute

a

risk

of

elec-

tric

shock

to

persons.

The

exclamation

point

within

an

equilateral

triangle

is

intended

to

alert

you

to

the

presence

of

important

operating

and

maintenance

(servicing)

instructions

in

the

literature

accompa-

nying

the

appliance.

SHOCK,

DO

NOT

REMOVE

COVER

(OR

RACK).

NO

a

To

ensure

the

finest

performance,

please

read

this

manual

carefully.

Keep

it

in

a

safe

piace

for

future

reference.

2

install

your

C-80

in

a

cool,

dry,

clean

place—away

from

windows,

heat

sources,

and

too

much

vibration,

dust,

moisture

or

cold.

Avoid

sources

of

hum

(transformers,

motors).

Ta

prevent

fire

or

electrical

shack,

da

not

expose

to

rain

and

water.

Never

open

the

cabinet.

If

a

foreign

object

drops

into

the

set,

contact

your

dealer.

é.

Do

not

use

force

on

switches,

knobs

or

cords.

When

moving

the

set,

first

gentiy

disconnect

the

power

plug

anc

the

cords

connecting

to

other

equipment.

Never

yank

the

cords.

5

Always

set

the

volume

control

to

‘oo’

while

lowering

the

tonearm

to

play

a

record,

turn

the

volume

up

with

the

stylus

in

the

groove,

l

Do

not

attempt

to

clean

the

C-80

with

chemical

solvents;

this

might

damage

the

finish.

Use

a

clean,

dry

cloih.

7

Be

sure

to

read

the

"troubleshooting"

section

on

common

operating

errors

before

concluding

that

your

C-80

is

faulty.

pane!

if

that

equipment

requires

more

power

than

the

outlets

are

rated

to

provide.

2

End

He

sure

to

connect

the

left

(L)

and

right

(R)

channels

consistently

from

component

to

component.

Switched

power

supply.

Total

maximum

Tape

deck

1

Unswitched

power

supply.

Maximum

=

800

Wh

a)

LINE

OUT/PLAY

pramena

The

invert

terminals

allow

operation

of

one

power

amp

for

each

channel-=or

EAT

ie

apes

son

MÀ

i

EE

|

rephasing

for

fuller

bass

reproduction.

|

|

S

8

E

z

4

a

PR

—

||

|

Ground

wire

E

i

a

j

?

N

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——

€—

—

>

A

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i

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RES

ER

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ERES

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Snel

;

E

Pa

—

—

PARE

——

PRE

OUT

T

a

mu

Noes

"|

ATTENTION

sRISGRE

NE

CHAE

RLECTRIOUE

KE

PAS

GUY

RIA,

WARNINING

ra

prevent

rine

on

sack

HAZARA,

Dd

NOT

EXPOSE

THIS

APPLIANCE

TO

RAIN

BF

MOIETURE,

CAUTION

—-—

usc

onywa

THe

PREISATER

LOAD,

ATTENTION

:EMPLOYER

UNIGUEMENT

AYRE

LA

CHARGE

INTIQUIE,

OE

PE

TONO

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E

RASC

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EAS

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UD

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ERE

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arene

PEND

REE

eb

RPE

SSSR

BES

SS

AIS

E

pies

t

second

turntable

if

it

uses

an

MM

i

cartridge.

OUT

INST

et

ONS

EC

SEIT

E

i

o

O

ISIS

SRT

AA

BEER

OESTE

d

^

RINDE

REE

rent

Power

amp.

Compact

Disc

Player

pe

—

—us

PIEMONTE

SEIEN

UT

RAAE

ME

|

q

URR

WEIST

af

E

;

EISNER

AVERSA

ESAS

REESE

Tape

deck

2

Lch

Speaker

Rch

Speaker

ES

ECON

NECTING

A

TURNTABLE

The

C

C-80

accepts

two

turntables.

The

PHONO

1

turntable

can

carry

either

an

MM

or

an

MC

cartridge;

the

PHONO

2

turntable

-

is

MM

only.

The

front

oanel's

PHONO

rotary

switch

selects

the

turniasie.

The

lefimost

position

selects

PHONO

2,

which

requires

an

MM

cartridge

of

47k

ohms

220

pf

impedance.

The

(Ne

positions

to

the

right

are

all

for

PHONO

1:

a

choice

of

3

MM

and

2

MC

settings

is

offered.

On

the

rear

panel

next

to

the

turntable

jacks

is

the

Phono

Gain

Switch—a

small

red

button.

Use

this

switch

to

refine

volume

control

with

high

output

level

¢

cartridges,

Press

the

button

in

to

lower

the

output

signa!

by

10

decibels;

press

again

to

release

the

button

and

return

the

out

iB

signal

to

normal

Plug

each

turntable's

output

cords

into

the

appropriate

PHONO

jacks.

Connect

the

turntabie

s

ground

wire

to

the

Gnd

terminal.

(This

normally

produces

minimum

hum,

but

in

some

cases

disconnecting

the

ground

wire

gives

better

results.)

|

Phono

Gain

i

Üulaetmim

7799

i

owiten

Pra

E

CONNECTING

A

TUNER

Connect

cords

from

the

tuners

OUTPUT

jacks

to

the

TUNER

jacks

of

the

amplifier.

B

CONNECTING

A

TAPE

DEC

K

Two

tape

decks

can

be

connected

to

this

ampifier's

two

sets

of

jacks

‘TAPE

1

and

TAPE

2).

Connect

the

TAPE

PB

jacks

to

the

tape

ceck's

LINE

OUT

jacks,

and

the

B

QUT

jacks

to

the

deck's

LINE

IN

jacks.

Digital

Audio

Disc)

TERMINALS

tinals

connect

a

digital

audio

cc

oe

disc

pleyer

to

the

control

amplifier.

Connect

L

and

R

consistently

between

conirol

amplifier

and

disc

player.

HAUX

TERMINALS

|

These

terminals

can

connect

a

third

tape

deck

(playback

only),

a

second

tuner,

or

other

sources.

A

turntable

cannot

be

connected

io

ihe

AUX

terminals:

no

RIAA

equalization

is

provided.

E

AC

OUTLETS

|

For

your

convenience,

the

General

Model

provides

6

AC

OUTLETS

(5

switched

and

1

unswitched)

on

the

rea

r

panel.

The

maximum

power

geo

accepted

is:

5

SWITCHED

outlets

=

200

watts

1

UNSWITCHED

outlet

=

800

watts

HCONNECTING

THE

doi

AMP

Connect

cords

from

the

PRE

OUT

s

of

the

C-BO

to

the

INPUT

—

jacks

of

your

power

amnlitier.

mco

NNECTINC

i

THE

POWER

ANP

When

using

a

oo

power

amplifier

for

each

channel,

make

the

alternate

hookup

in

Fig.

1.

This

allows

vou

to

run

ordinary

stereo

amplifiers

(those

without

inverting

pre

outs)

monauraliy.

Power

amplifiers’

supply

capacity

limits

their

bass

response.

When

a

strong

bass

note

enters

both

channels

of

the

power

amp,

total

demand

for

power

is

high.

The

PRE

OUT

INVERT

jacks

can

solve

this

Med

The

hookup

shown

in

Fig.

2.

operates

the

power

amp's

left

and

right

channels

out

of

phase,

greatly

reducing

the

demand

on

the

power

supply

and

in

many

cases

dramatically

improving

bass

reproduction.

Be

sure

lo

reverse

connections

to

one

speaker

as

shown,

to

bring

output

back

into

phase,

ce

&

ve

BÉ

1

Pre

Qut

terminals

c

PRE

QUT

emy

Dos

ORMAL

INV

(SRE

1

s

2l

f

ate

Vi

$

AO)

|

Ap

as

Luces

wee

Stereo

Power

Amp.

|

Speaker

Stereo

Fower

Amp.

Leh

Speaker

AAA

AAA

RRERRIRERI

Q

POWER

SWITCH

Push

to

turn

power

on

or

off.

Befare

turning

on

PONE

set

the

VOLUME

control

all

the

way

down.

PARAMETRIC

EQUALIZER

€)

EQUALIZER

-=

LOW

BAND

The

LOW

band

of

the

Parametric

Equalizer

may

be

used

to

boost

or

cut

any

frequency

in

the

range

of

31.5

Hz

to

800

Hz

by

a

se

ectable

amount.

A

range

of

frequencies

is

affected,

centered

on

the

frequency

selected

with

the

FREQUENCY

control,

The

width

of

the

frequency

range

to

be

adjusted

is

set

with

the

BANDWIDTH

control.

The

amount

of

boost

or

cut

is

set

with

the

LEVEL

control

(—

12

dB

to

+12

dB).

ue

iia

LEVEL

De

BANIJUVICRIH

Hein

LOMAS

Can:

-@

EQUALIZER

—

HIGH

BAND

The

HIGH

band

of

the

Parametric

Equalizer

may

be

used

to

boost

or

cut

any

frequency

in

the

range

of

0.8

kHz

to

20

kHz

by

a

selectable

amount.

A

range

of

frequencies

i

is

affected,

centered

on

ihe

frequency

selected

with

the

FREQUENCY

control,

The

width

of

the

frequency

range

to

be

adjusted

is

set

with.

the

l

Pepa

H

control.

The

amount

of

boost

or

cul

is

set

with

the

EVEL

control

(—

12.dB

to

+

12

dB).

MODE

SWITCH

Switches

between

stereo

and

mono

modes.

ARA

AA

NA

RR

E

TEJE

lape

input

:

DAD

a

PRONG

|

TARE

4

7

E

i

A

CANIS!

ip

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I

A

al

———

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o

enn

narra

k

liest

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EREIRERE

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ARENA

RETEST

TERS

PISA

RSG

SATS

state

Rabatte

©

SUBSONIC

FILTER

This

switch

cuts

out

ultra-low-frequency

signals

warped

records

ampli

caused

ny

or

turntable

rumbie.

Subsonic

interference

drains

Her

power

and

can

even

harm

speakers

if

not

alte

REC

OUT

SELECTOR

This

switch

selects

the

source

for

recording.

Monitoring

the

recording

source

is

optional:

the

input

selector

switches

can

be

set

to

the

same

or

a

different

source

from

that

being

recorded.

If

.

your

tape

deck

has

three-head

monitoring

capability,

you

can

monitor

the

just-recorded

signa!

by

pressing

the

corresponding

selector

switch.

nuated,

D

CONTINUOUSLY

VARIABLE

LOUDNESS

VOLUME

CONTROL

AN

CONTROL

|

Adjusts

overall

sound

volume.

Calibrated

in

decibels.

This

control

allows

vou

to

retain

full

tonal

range

at

low

volume

m

levels.

Your

ear

loses

sensitivity

to

high

and

low

frequency

(D

BALANCE

CONTROL

e

independent

Recording

and

Listening

Examples

;

E

MM

UE

i

eee

:

M

;

i

FAA

Phono

Listening

toa

record

with

ihe

|

.

ranges

at

low

volume

settings.

Loudness

control

provides

a

Mis

contro:

adjusts

the

relative

volume

ot

the

let

and

right

^od

T:

r

i

a

i

i

;

>

:

z

it

e

e

M

ie

^

R

by

speakers

while

recording

an

AM

—

|

maximum

of

40

dB

attenuation,

employed

according

to

an

speakers,

enabling

you

to

compensate

for

imbalance

caused

by

——

a:

EE

or

FM

broadcast.

—

1

|

equaiization

curve

based

on

human

hear

ina.

Before

changing

ihe

asymmetry

in

speaker

locations,

furniture

arrangement,

or

in

ihe

Tuner

|

—

Tuner

Listening

to

an

FM

or

AM

|

volume

setting,

reset

the

Loudness

control

to

the

flat

position

source

program.

Pene

®

INPUT

SELECTOR

SWITCHES

broadcast

with

the

speakers

while

recording

it.

“Phono

Phono

.|Listening

to

a

record

with

the

We

MH

E

TT

These

switches

select

the

listening

source.

ina

;

Flat

position

:

|

speakers

while

recording

it,

;

|

Phono

|

Tuner

Listening

to

an

FM

or

AM

|

D

PHONES

JACK

One

headphone

jack

is

provided.

Plugging

in

the

headphones

mutes

the

audio

output

to

the

power

amp

for

private

listening.

broadcast

with

the

speakers

while

>

Tape

Dubbing

With

a

tape

deck

hooked

up

to

each

connector

(TAPE

1

and

TAPE

2),

set

the

REC

OUT

switch

to

TAPE

COPY

position

1

e

2

ot

2

»

1.

Set

the

source

deck

to

Play

and

the

receiving

deck

to

Babord

l

Set

Loudness

control

to

is

Turn

Loudness

control

to

A

the

Fiat

position

and

in-

the

left

to

reduce

the

.

crease

the

Volume

control

volume.

MATTACHING

THE

RACK

MOU

NTING

@

PHONO

TYPEIIMPEDANCE

SELECTOR

to

loudest

level

desired.

| |

m

ADAPTORS

(Optional)

This

rotary

switch

selects

the

turntable

and

impedance.

The

TR

—

———————————————————————''À''Iü

€t

=

f

1)

Remove

the

screws

on

tha

bottom

of

the

unit

as

shown

in

tha

leftmost

position

selects

PHONO

2,

which

requires

an

MM

e

T

:

P

;

—

diagram

and

take

off

the

covers

which

conceal

the

adaptor

cartricge.

The

five

positions

to

the

right

all

select

PHONO

1:

a

Continuously

Variable

Loudness

Control

Characteristics

mounting

holes.

The

covers

can

be

removed

by

sliding

them

5

l

mm

down

after

removing

the

screws.

NM

2)

Verify

that

the

resulting

mounting

centers

of

the

adaptors

will

HT]

LH

IM

match

the

width

of

your

rack,

then

attach

the

adaptors

firmly

with

screws.

choice

of

3

MM

and

2

MC

settings

is

offered.

Press

this

button

to

engage

Tone

Bypass,

which

routes

the

input

signal

so

that

it

is

unaffected

by

the

parametric

equalizer

cir-

cuitry.

Recommended

for

phono

input.

Q

AUDIO

MUTING

SWITCH

Press

to

lower

the

volume

20

dB

without

disturbing

the

Volume

Contrel

position

(for

taking

telephone

calls,

etc.).

Press

again

to

restore

normal

volume.

*

Using

these

adaptors

allows

the

unit

to

be

used

with

EIA

standard

racks.

Back

mount

adaptor

(right)

E"

esponse

(dB)

H

Rack

mount

adaptor

(left)

a

I

Ress

ii

43

10.

20

50

100

200

7CB0

1k

2k

5k

0k

20k

Frequency

(Hz

EE

PRACTICAL

APPLICATIONS

OF

THE

PARAMETRIC

EQUALIZER

The

C-80's

Parametric

Equalizer

offers

extensive

control

over

tone

quality.

It

can

be

used

to

adjust

for

room

acoustics,

speaker

placement,

or

personal

preferences.

A

LOW

band

and

a

HIGH

band

are

provided,

each

with

its

own

adjustable

center

frequency,

bandwidth,

and

level

(boost/cut).

|

1)

Compensating

for

Room

Acoustics

i

à

spectrum

analyzer

or

sound

leve!

meter

is

available,

you

will

be

able

to

accurately

flatten

your

listening

room's

acoustic.

response

using

the

Parametric

Equalizer

controls.

For

example,

if

a

response

dip

in

the

high

frequency

range

(often

due

to

sound

absorption

by

carpet,

drapes,

stuffed

furniture

or

even

people)

is

:

detected,

use

the

HIGH

Parametric

Equalizer

band

to

create

a

corresponding

response

peak

of

equal

but

opposite

BANDWIDTH

and

LEVEL.

22

T

appropriate

test

instruments

are

not

available,

however,

rough.

compensation

can

be

done

by

ear.

For

instance,

if

the

bass

-

range

sounds

too

“boomy”,

indicating

a

low

frequency

peak,

try

setting

the

LOW

range

BANDWIDTH

to

WIDE

and

the

LEVEL

control

to

maximum

cut,

then

sweep

the

FREQUENCY

control

through

the

bass

range

until

you

hear

the

boominess

disappear.

then,

finally,

readjust

the

BANDWIDTH

and

LEVEL

controis

for

the

most

natural

overall

sound.

A

MESES

M

E

mm

c

dedi

mem

Hz

SREGUESICY

kHz

>

5

a

i

de

MARA

WE

LEVEL

De

DANDNVDTH

2)

Eliminating

Noise

or

Hum

it

there

is

an

annoying

hum

or

noise

during

operation

of

your

system,

it

can

be

effectively

eliminated

using

the

Parametric

Equalizer.

In

the

case

of

a

high-frequency

whine,

for

example,

try

setting

the

HIGH

range

BANDWIDTH

to

the

maximum

NARROW

position

and

the

LEVEL

control

to

maximum

cut,

then

sweep

the

FREQUENCY

control

through

the

high

frequency

range

until

you

hear

the

interfering

frequency

noise

disappear.

Then,

fínally,

readjust

the

BANDWIDTH

and

LEVEL

controls

for

the

most

natural

overall

sound.

sued

+g

Response

(dB)

TES

za

iJ

NARROW

—

NARROW

WIDE

LEVEL

“Er

BANDIT

LEVEL

8

BARCAYID

i

.

te

dj

bee

|

LA

A

e

PA

mm

=

§

|

i

Hz.

FREQUENCY

kHz

$18

$

F

E

E

:

i

“1G

:

20.

SS

|

B

E

E

E

8

j

~

tae

m

es

Pe

ej

"

dl

E

inda

25

2

ü

¿0

28

Da

a

^42

PES

E

H

3)

Tailoring

the

Sound

n

The

Parametric

Equalizer

can

also

be

used

to

"shape"

the

sound

i

ta

emphasize

vocais,

balance

the

tonal

effect

between

varying

instruments,

or

create

any

type

of

sound

you

like.

Emphasizing

the

vocals,

or

mid-range

presence,

for

example,

can

be

done

by

setting

the

center

FREQUENCY

to

between

1

kHz

and

3

kHz,

setting

the

BANDWIDTH

controi

to

the

maximum

WIDE

position,

and

then

boosting

the

LEVEL

slightly.

Conversely,

vocals

or

midrange

presence

can

be

slightly

attenuated

by

cutting

the

LEVEL

slightly,

thereby

blending

vocals

into

the

background,

facilitating

conversation

over

the

music

or

enhancing

the

Level

Control

background

music

effect.

POP

EAS

LEVEL

B®

BANDWIDTH

¡A

E

o

C0

M

A

anne

|

SS

FREQUENCY.

kb

i

d

H

too

3i

BO

a

"

eN

|

as

ag.

"X

ug

O

ella

il

-

A

NENNEN

l

XO

Lg

25

a

|

|

BU

08

20

E

ES

Frequency

Control

it

x

eoo

eco

X

b

:

E.

Frequency

(Hz)

Bandwidth

Control

n

E

ASSES

Hie

)

md,

190

200

E

on

Frequency

(Hz)

Ie

pp

pre

pi

d

dre

eens

ee

Before

assuming

that

your

amplifier

is

faulty,

check

the

following

|

troubleshooting

1i

ist

which

details

the

corrective

action

you

can

take

yourself

without

having

to

call

a

service

engineer.

If

you

have

any

doubts

or

questions,

get

in

touch

with

dodi

nearest

Yamaha

dealer.

Power

is

not

supplied

even

when

the

Power

switch

is

turned

on.

No

sound

is

heard.

-

Plug

it

in

securely.

The

power

plug

is

not

securely

plugged

in.

Input

switches

set

incorrectly.

Set

input

switches

to

source

you

want

to

hear.

Check

and

secure

cannections.

Connect

them

securely.

The

power

amp

is

not

connected

correctly,

The

input

terminals

are

not

connected

Securely.

Regulate

balance

with

the

control

iocated

lV———————

epe

ae

|

One

che

anne!

sounds

stronger

than

the

other

|

The

balance

control

needs

adjustment.

.

|

below

the

knobs

for

loudness

and

volume.

The

Phono

rotary

switch

is

iS

8t

set

tod

an

A

MM

Set

the

switch

to

MC

position,

position,

Sound

from

MCc

cart

rtridge

is

is

5

Jow.

Connect

the

wire.

(Sometimes

better

results

can

be

obtained

without

the

wire.)

|

=r

eere

re

rererere

irere

e

me

ng re re

rea

smo

UPN

RL

AANA

UREA

NN

REAR

ARA

REAL

rar

Arcas

A

loud

humming

sound

is

heard

during

record

play.

|

Turntable's

ground

wire

is

not

connected

to

_

amplifier's

ground

terminal.

Set

Rec

Out

to

source

you

are

record

ing.

——

——Ü

|

Rec

Out

selector

set

improperly.

The

Audio

Mute

s

witch

is

on.

Volume

is

too

low

even

when

the

Volume

-

control

is

t

is

turned

up.

input

Sensitivity/Impedance

FOO

Mia

100

¿41100

ohms,

1

k-ohms

MM

dista

E

e

ae

2.5

mV/ 100

ohms,

47

k-ohms

(220,

330

pF)

.

DAD,

Aux,

Tape,

Tuner

suaeon

150

)

mV/47

k-

ohms

Output

Level/impedance

Pre

Out

.......

PUENTE

MR

ERO

DNE:

1.5

V/47

ohms

ger

CL

SR

SE

150

mV/600

ohms

THD

(20-20,000

Hz}

Phono

MC

to

Rec

Out,

3

V

cian

ada

0.001

%

Phono

MM

to

Rec

Out,

V...

iii

td

0.001%

DAD,

Aux,

Tape,

Tuner

to

Rec

Out,

3

V

oon

0.001%

Frequency

Response

DAD,

Aux,

Tape,

Tuner...

20

to

20,000

Hz

+

o.

—0.2

dB

RIAA

Deviation

Phono

MO,

MN,

ut

mischt

i

RP

AUS

20

to

20,000

Hz

x

0.2dB

Phono

MC,

MM

ooo.

O

10

to

100,000

Hz

«0.5

dB

Signal

to

Noise

Ratio

Phono

MC

(500

«V,

Input

Shorted)...

NETTE

91

dB

Phono

MM

(5.0

mV,

input

Shorted)...

une

95

dB

DAD,

Aux,

Tape,

Tuner

(150

mV,

Input

Shorted)

ccc.

106

dB

Power

Supply

........................sssss

fcri

ad

AC

120

VIGO

Hz

Power

Consumption

o...

esses

30

W

Dimensions

(Wo

H

x

D}

uuu.

IRAN

435

x

95

x

380

mm

(17-118

x

3-

3/4”

x

14-15/167)

Weight

M

EE

ENERO

8.8

kg

(14

lbs.

15

oz.)

Specifications

subject

to

change

without

notice,

El

i

ESE

FH

E

[

HER

CO.

LTD.

HAMAMATSU,

JAPAN

BWgY,G

Printed

in

Japan

&