The Fisher Custom Electra V E46 Guide d'installation

OPERATING INSTRUCTIONS AND WARRANTY

THE FISHER

Custom Electra V

MODEL 846

STEREOPHONIC RADIO-PHONOGRAPH

WORLD LEADER IN HIGH FIDELITY

lki

-E

\I/rrH your purchase of a FISHER instrument you have completed a chain

Y V of events that began many months &Bo, in our research laboratories. For

it is there that the basic concept of the equipment you have acquired came into

being-its appearance, its functions, its quality of performance.

But the end step-your purchasc-is merely a beginning. For you and your

family, it will provide ycars of musical pleasure. The FISHER is from its

inception designed to give long ancl trouble-free service. Some of the instru-

ments we made twenty-thrcc ycirrs irgo are still in use today!

It is our continuing desirc that your FISHER give you always the best per-

formance of which it is capablc. Il'you need our assistance at any time toward

that objective, please kcep irr nrirrcl that we are always at your service.

IN CLOSING-

Many hours have bccn spcnt by olrr crrgineers and technical writers to create

this instruction book I'r:r your guicluncc and enjoyment. If you want the most

out of your FISHEII, thcrc is only otlc way to obtain it. With the equipment

before you, please rcucl lhi,y booklcl crtrelully.It will be time well-spent.

+v^y lTsh..)u

Audio History

1956 First to incorporate Power Monitor in a home

amplifier.

1955 First All - Transistorized Preamplif ier - Equalizer.

1956 First dual dynamic limiters in an FM tuner for

home use.

1956 First FM-AM tuner with TWO meters.

1956 First complete graphic response curve indicator

for bass and treble.

1957 First Golden Cascode FM Tuner.

1957 First MicroRay Tuning lndicator.

1958 First Stereophonic Radio-Phonograph with Mag-

netic Stereo Cartridge.

1959 First high-quality Stereo Remote Control System.

1959 First complete Stereophonic FM - AM Receiver

(FM-AM tuner, audio control, 4O-watt amplifier.)

1960 First complete stereophonic FM-AM receiver with

60-watt power amplifier.

1960 First stereophonic receiver to use the new, revo-

lutionary Type-7591 power output tube. (Fea-

tured in the FISHER 800.)

1960 Smithsonian lnstitution, Washington, D.C., accepts

for its collection America's first commercially

manufactured high f idelity radio - phonograph,

made by Avery Fisher in 1937.

1960 First reverberation device, for use in high f idelity

equipment-The Fisher Dynamic Spacexpander.

1960 First FM tuner with MicroTune.

lOAn Firct FIVI trrnor urith ciy I F ctaoac

(TABLE OF CONTENTS ON ND$ PAGEI

THE FISHER CUSTOM ETECTRA V

MODET E46

l,g

Rodio-Phonogrqph

Advanced electronic engineering has been combined with old-world cabinet

craftsmanship to create the new FISHER Custom Electra- a musical instrument

that meets the most exacting criteria. Each unit in the Electra has been designed to

meet the laboratory standards that distinguish &ll FISHER components. The

unusually sensitive tuning sections can be used separately for the reception of mono'

phonic FM or AM broadcasts, or simultaneously to receive FM'AM stereophonic

broadcasts. The renowned Garrard Record Changer, containing a professional mag'

netic cartridge with a diamond stylus, will faithfully convey every musical nuance

of your most treasured stereophonic or monophonic record selections. Located on the

operating panel of the Electra are eight contiols which will enable you to select any

program source instantly, and adjust the volume and tonal characteristics of sound

to your most critical listening tastes. Special connections are provided for the

FISHER Spacexpand,er and the MPX-70 multiplex adaptor, and a new Automatic

Shutoff switch has been included which will turn off the entire Electra automatically,

after the last record has been played. Thirty-six watts of music power, free of all

audible distortion, is supplied by a dual-channel Power Amplifier which can repro'

duce the most complex q'mphonic passage as easily as the softest notes of an oboe.

Lastly, two acoustically-balanced speaker enclosures, each containing a three'way

speaker system, provide the full orchestral sweep that only stereophonic sound makes

poosible.

Flawless circuitry, the use of costly, durable materials, and unhurried manu'

facture - essential ingredients that are often lost in mass production - all of these

will contribute to years of trouble.free operation and your greater listening pleasure.

These are the qudities that have for over trro decades won for the FISHER a

world-wide reputation.

A NOIE ON STEREOPHONIC SOUND

The development of stereophonic sound has brought us close to achieving

"Concert Hall" realism in the home. This dual-channel s)'stem ofiers a distinct

advantage over monophonic (singfe-channel) systems by virtue of two important

Milestones In

1937 America's first high fidelity sound systems. Fea-

tured a beam-power amplifier, inverse feedback,

acoustic speaker compartments (inf inite baffle

and bass reflex) and magnetic cartridges.

1937 First exclusively hieh f idelity TRF tuner, featur-

ing broad-tuning 20,000 cycle f idelity.

1937 First two-unit high f idelity system with separate

speaker enclosure.

1938 First coaxial speaker system.

1939 First Dynamic Range Expander.

1939 First 3-Way Speaker in a high fidelity system.

1939 First Center-of-Channel Tuning lndicator.

1945 First Preamplifier-Equalizer with selective pho-

nograph equalization.

1948 First Dynamic Range Expander with feedback.

1949 First FM-AM Tuner with variable AFC.

1952 First SO-Watt, all-triode amplifier.

1952 First self-powered Master Audio Control.

1953 First self-powered, electronic sharp-cut-off f ilter

system for high fidelity use.

1953 First Universal Horn-Type Speaker Enclosure for

any room location and any speaker.

1953 First FM-AM Receiver with a Cascode Front End.

1954 First low-cost electronic Mixer-Fader.

1954 First moderately-priced, professional FM Tuner

with TWO meters.

1955 First Master Audio Control Chassis with five-

nnci*ian rvrivina {anili*iac

audio characteristics: the dimensions ol ilirectian and depth. Thex;e live sound

gualities are for the most part missing in monophonic systems because recordings

are msde and reproduced over a single channel. This is somewhat analogous to

listening to music with one ear. Stereophonic recording techniques, however, utilize

two separate banks of microphones which are positioned in the left and right

sections of the orchestra. In this arrangement, the microphones receive the musical

sounds in mueh the same manner as the two ears of a listener. The sound picked up

by each banlc of microphones is then fed to independent channels and recorded on

disks or tape, ortransmitted over separate channels oI a stereophonic broadcast.

To reproduce a stereophonic recording or broadcast in the home, two separate

sound channels are required. The stereophonic sound output of a record player,

tape recorder or tuner is fed to two separete amplifier channels, which in turn

drive two separate speaker systems. Thus, instruments located on the left and right

sides of the orchestra are heard predominantly in the left and right speakers,

respectively; while instruments located in the center appear to be heard mid-way

between the two speaker systems. The result is a startling sense oI presence hereto-

fore realized only at a live orchestral performance.

INSTATTING THE ETECTRA

The Electra operates on AC only. Connect the power cable extending from the

back of the cabinet.to a wall outlet supplying I05 to 120 volts AC, at 50 to 60 cycles.

Maximum power consumption is 165 watts. (Where line voltage is too high or too

low, a step-down or step-up transfonner will be necessary. For S0-cycle current, a

special adaptor pulley is required for the Record Changer turntable. In each case,

soe your FISHER dealer).

Note: We suggest you read the information in this booklet carefully. Proper

installation together witl a good knowledge of the controls are essential lor deriving

the fullest enioyment from your FISHER.

HOW TO USE

The operation oI all controls is explained in this section, Referring to Figure I

while reading will be helpful. If you wish to connect additional components to the

sound system ol the Electra, such as a Tape Recorder, for example, Iull information

is provided on page 5. Before attempting to operate tle Record Changer, read the

instruction booklet accompanying this unit.

fhe Record Chqnger . . .

During transit, the Record Changer ie held

in place with screws which are fastened to the

base beneath the metal rim. These screws are

identified by white tags and should be removed

first. When this is done, the Changer will ride

freely on springs which act as shock absorbers.

Depress each side of the Changer to determine

whether it rides freely on its spring mounts.

If it does not move downward and back under

hand pressure, consult your FISHER dealer.

To remove the V-Guard, simply grasp the

c(V') of the stylus assembly between the tips

of the thumb and forefinger; pull gently to

AC ond Volumo . . .

The AC Switch, which supplies power to the

Electra, is combined with the Volume Control.

Turning this switch slightly clockwise until it

clicks, turns on the porf,er and lights the dial

scale. Note : Make certain automatic sltutoff

switch is in the off position.

The Volume Control ie uged to adjust the

level of gound for both channelg. Turning this

control in a clockwige direction will increaee

the volume simultaneouely at both speaker sys-

tGm$

Note: Although only stereophonic programs

require the use of two speaker systems to

achieve the necesaary sound separation, the two

Epesker systems of the Electra are in operation

for monophonic programs as -well. This use of

both systems provides I superior monophonic

effecL

SelesrorSwlrcho.o

This eight-position switch selects the pro-

gram you wish to hear, whether a radio broad-

cast, a record selection' or some other program

source you may have connected to the sound

system of the Electra. The positions have the

following functions:

PHONO MONO: Use this position to play

remove the stylus assembly. To replace the

V-Guard, grasp the ..V') of the stylus assem-

bly with the stylus point down, and slip into

the cavity as far as it will go.

TheAntennqs..o

The Electra is equipped with two antennas,

one to receive FM broadcasts and one for AM

broadcasts. These should provide good recep-

tion in a1l cases except extreme fringe areas,

or where special local conditiong regult in high

signal loss. (Buildings constructed of gteel

girders, for example, can c&use a losg of signal

strength. ) If reception is weak or poor, see the

instructions on page 7 to rectify the condition.

THE CONTROTS

regular LP or 46 RPM records on the Record

Changer. The ctereophonic cartridge in the

Tone Arm will accommodate monophonic as

well as stereophonic records. fn addition, all

verticle rumble and noise characteristicg of LP

monophonic records will be completely elimi-

nated, resulting in superior monophonic sound.

NOTE: To play 78 RPM records, a special

cartridge is required. You can obtain one from

your FISHER dealer.

PHONO STEREO: Play all gtereophonic rec'

orde in thie poeition.

FM: This poaition selects the fM tuner for

reception of FM broadcasts.

AM: This position selects tho AM Tuncr for

reception of AM broadcasts.

FM-AM: In this position both Tunere ErG EG-

lected for the reception of a stereophonic

FM.AM broadcast. The F.M sound will be

heard on the left speaker eystem; the AM on

the right. (Consult your neurspsper for the

station to which each Tuner muet be set.)

AUX MONO: Use this position to select any

additional monophonic component you may

have connected to the Electra- a monophonic

tape recorder, record turntable, etc.

TABTE OF CONTENTS

INSTALTING THE ETECTRA

PAGE

HOW TO USE THE CONTROLS

THE FM AND AM ANTENNAS

SERVICE NOTES

I,IPX STEREO: This position is used for the

reception of FM multiplex stereo programs with

the addition of the FISHER MPX-70 adaptot.

A stereo tape recorder or other stereo sound

source may be played through the Electra if

multiplex reception is not desired.

Ffrl snd Afrl Tuning . o o

The FM Tuning knob selects stationg in the

87.5 to l0B megacycle band, while the AM

Tuning knob selects stations in the 535 to L620

kilocycle band. Turning either knob will move

the corresponding pointer along the dial scale

to the station you wish to hear. A logging

scale, numbering 0 to 100 is included on the

dial glass between the FM and AM scales. By

using this scale as a reference, you can tune

in your favorite stations more easily the

numerical order is linear, and the gradations

are egual.

Bqss qnd Treble Controts . , .

These controls permit you to adjust the tonal

qualities of sound to your personal listening

requirements. The Bass Control varies the in.

tensity of the low frequency bass tones, while

the Treble Control varies the intensity of the

high frequency treble tones. Each Control

varies the tones for both channels simultane.

ously. To increase or decrease bass or treble

intensity, turn these knobs toward MAX or

MIN, as desired.

To listen to program material exactly as it

originates from a broadcasting studio, set these

controls to NORMAL. Thie is "flat" position,

and is equivalent to RIAA equalization. If you

leave these eontrols at NORMAL while playing

an LP or stereophonic record, RIAA equaliza-

tion will be provided automatically. (A Tape

Recorder is provided with NARTB equaliza-

tion within its own circuitry. Leaving the Bass

and Treble Controls in NORMAL position

will maintain this egualization.) It should be

remembered, however, that these controls may

be set to any position dictated by personal

listening preferences.

BqlqnceControl ..o

This control enables you to obtain equal

sound levels from each speaker system. Bal.

anced separation is important when you are

listening to stereophonic program material,

since each section of an orchestra must be

heard in its true perspective; that is, neither

section should come through any louder than

it normally would in relation to the other.

With the Balance Control pointing to NOR-

MAL, the volume at the left and right speaker

systems should be the same. Howeverr ffiy slight

imbalance that may exist - due to record char.

acteristics, differences in room acoustica etc.-

can be corrected with thie control. Simply turn

the knob slightly townrd MAX A or MAX B

to increase the volumo st tho loft or right

speaker systems, as required. You can also use

this control when you are listening to' mono-

phonic program material, since both speaker

systems are also in use.. In this case, of course,

balanced sound output is not very critical.

It should be pointed out that the Balanco

Control is not a volume control; for, aE the

level of sound is increased on one speaker

system, it is decreased on the other, maintain.

ing approximately the same overall sound ort.

put. (NOTE: you can cut ofi the sound at

either loudspeaker system by moving the con.

trol to its extreme MAX A or II,IN( B position.)

Aulomqtic Shutofi...

In order to use the automatic shutoff feature,

the AC Power switch on the control panel must

first be tumed ON. Then by turning the Auto-

matic Shutoff switch to ON, the entire Electra

will be turned off after the last record has been

played, and will lle trrrned on again as soon as

the Changer is once morc put in operation. This

feature nray lle rlel'euted lry lrrnring the switch

to OFF. Be su,re to leate thi,s sraitr:h OFIt when,

not ustng the Record, Chung4cr', or t,he l)lectra

will be inoperatitte.

^.o,

CONNECTING ADDITIONAT COMPONENTS TO THE

SOUND SYSTEM OF THE ETECTRA

In addition to listening to radio broadcasts and playing the Record Changer,

you can connect other program sources to the sound system of. the Electra, These

can include the sound from your TV set, the FISHER Spacexpancler and MPX-70

multiplex adaptor, or a stereo tape recorder (if multiplex reception is not desired).

The information that follows describes how to connect additional equipment, and

also gives the necessary control settings for proper operation. The input and output

jacks to which connections are made are located on the Tuner and Amplifier chassis,

as illustrated in Figures 2 and 3.

Tope Recorder...

A monophonic tape recorder m&y he played

through the Electra by connecting tlre recorrler

output to the AUX MONO jack on tht: 'I'uner-

Control chassis..You can record a progronr fron'r

the Electra by connecting the tape recorrler

input jack to the Channel A or B RCRDR

OUTPUT jack on the same chassis.

A stereo tape recorder may be used if the

MPX-70 multiplex adaptor is not installed in

your Electra. In this case, connect the MPX

IN PU'f jacks on the Electra to the recorder

outputs, nnd the RCRDR OUTPUT jacks on

the Electra to the recorder inputs. Be sure you

do not reverse the channels when making these

connections. To plny lrack your tapes through

the sound system of the Electra, turn the

Selector switch to MPX STEREO.

Mulriplex Stereo...

FM multiplex is a new method of trnnsrnitting

stereo broadcasts over & single FM stutiorr. In

order to receive multiplex programs in stereo

sound, the FISHER MPX-70 must be added to

the Electru, Without the addition of the MPX-

70, yolt will Irenr rnultilllex I)r'ognrrns rnono.

pltonir:tlly, jrrst, us orclinury l'l\l lrrourlt.usls. 'l'o

instull tlrr: MI'X-70, sinrply [ollow [lrcsrr l'orrr.

steps:

I - Mount the MPX-70 with the four screws

provided.

2- Connect the MPX OUTPUT on tlrc 'I'uner-

Control ehassis of the Electra (sec l,'igure 2)

to the INPUT jack of the MPX-70 with the

three-foot cable supplied.

3 - Connect the Channel A and Channel B

OUTPUT jacks of the MPX.,70 to the corre-

sponding MPX INPUT jacks on the Tuner-

Control chassis of the Electra. Two cables are

supplied for this purpose.

4 - The power cable of the MPX-70 should be

connected to the specinl MPX CONNECTOR

jrrt:k orr lltc 'l'turr,r' <:lrlssis.

Figure l. Front Ponel Of The Elsclro.

RCRDR

OUTPUTS

TO TO

REV REV

OUT IN

.@tr

@rc tr@

o';.i, .Tii 6EQ7 68A6

CI\ r-

Eccg3 ourpur @

lol ,7o2s,* I fr--

t"l *r.r6(rro*rAJ,ll-

@trit qY @ Li tilrlrlrrll

Figure 2. Rsor Vlcw Of The Tuner-Conlrol Chossis.

VANN

Y \-V' \A/ 9OO

CH. B

'#@

'gIJ fte1 e

[o-- ol

I "l

lo o ol

tL":l

9'P,"*,%,@ ZQ\\

K}T)

\s!rl

,?iir"

AW# 1903

Figure 3. Top View Of The Powcr Amplifter Chossis.

TYSound..o

Because television receivers differ widely in

circuit design, it is advisable to consult your

serviceman before attempting to connect the

sound output of your TV set to the sound sys-

tem of the Electra. However, once the method

of connection had been determined, the cable

from the TV set should be connected to the

AUX MONO input jack on the side of the

Tuner chassis. Set the Selector Switeh to AUX

MONO and adjust the audio controls as

deeired.

WS-! Speokers o . .

Jacks are provided on the Amplifier chassis of

the Electra for the connection of two FISHER

WS-l Speakers as adjuncts to the two speaker

systems. With the addition of the WS-I system,

the stereophonic as well as monophonic sound

pattern can be &ugmented to a startling degree.

Simply connect the WS-I cables to the WS.l

jacks. Place the speaker connected to the A

jack on the left side of the room, and the

speaker connected to the B jack on the right

side of the room, (as viewed from the listening

area.)

Spocexponder . . .

Special Spacexpunder jacks are located on

the Tuner-(lontrol chassis for the connection of

this revolutionrry new reverberation device.

Remove the jrrrnper plugs before installing the

Spacexpuntlar and store in a safe place for

possible future lrse. Then make the following

connections:

1 - TO REV OUT A jack on the Electra to

the Channel A Output jack on the Spucexpander.

2- TO REV OUT B jack on the Electru to rhe

Channel B Output jack on the Spucexpunder.

3 - TO REV IN A jack on the lilectru to the

Channel A Input jack on the Spacexpand,er.

4 - TO REV IN B jack on the Electru to the

Channel B Input jack on the Spa cexpander.

NOTE: If the Spacexpander is uot connected

to these jacks, the jumper plugs nrust be in-

serted, or the Electra will be inopr:rative.

THE FM AND AM ANTENNAS

Separate FM and AM antennas are supplied with the Electra for the two types

of radio reception. These antennas should be adequate in all cases except extreme

fringe area conditions. If reception is weak, the connection of a roof antenna may

be necessary to increase the strength of the radio signals. The following information

refers to the Antenna Terminal strip at the rear of the Tuner chassis (see Figure 2).

FfifAntenJto...

A folded dipole antenna for FM reception

is stapled to the rear of the cabinet along the

etlges. The Ieads from this antenna are con-

nected to FM terminals 2 and B. To increase

signal strength, remove these two leadg and

connect the leads from a roof antenna in their

place (see Fig. 4) . Consult your serviceman

about a proper FM antenna for your areo.

Figure 4. Antennq connecliong (dlpole or

roof type) for normol or frirrge rlgncl oroor. Flgura 5,

for FM Antcnnq connocllons

rlrong rlgnol sr.q3.

]-FM-t rAM-t t-FM-r fAM-l

NOTE: In areas where reception is too

etrong, the signal may overload tho Tuner in'

put circuit. To cut down on excessive signal

strength, transfer the leads of the FM antenna

to FM Terminals I and 2. (See Fig. 5.)

AitAnfenno..o

The built-in Ferrite Loop Antenna that pro-

vides AM reception is connected to the AM

Tuner when the metal link connecte AM Ter-

minals 4 and 5.. If reception is weak on some

stations because of fringe area conditions, a

roof antenna will provide greater signal

Blqs Adiust Control . . .

The control on the Power Amplifier chagsis

marked OUTPUT TLIBE BIAS ADJUST is

used to maintain the proper operating voltage

on the power output tubeg. The procedure for

the adjustment of this control is contained in

the Service Manual for the Electra. This corl'

trol should be adjusted only by I qualified

service m8rl.

Cleoning the DIol Glogs . . o

The diat glass can be removed for cleaning

purposes by following these eimple steps:

I - Remove all of the control knobg from the

front panel by pulling them uP.

2 - Remove the screws from the wooden panel,

rhen lift ofi the panel.

3 -.- Loosen the screwe thst retsin the clips to

the dial glaes, ewing the clips aside, then lift

o{I the glass. ( When you replace the dial glass,

make certain it ig set in the samo porition it

strength. Dieconnect the link from Terminal 4

and connect the AM roof antenna to this termi'

nal, as shown in Fig. 6.

Flgure 6. AM Roof Aniennq connocliont

(llnk disconnected.l

SERVICE NOTES

occupied before removal.)

4 - Remove dust with a dry cloth. For more

thorough cleaniog, use a so&p and water solu'

tion only. If you use any stronger cleaning

agent, you may damage the markings on the

glass.

Al Your Scrvlce . . .

It ig our desire that THE FISHER operater

to your complete satisfaction. 'We solicit your

correopondence on sny special problems that

may arise. After you have had an opportunity

to familiarize yourself with THE FISHERT wG

would appreciate hearing from you coDCGrIl'

ing how it is meeting with your requirementE'

Your Flsher Dealer . . .

Be sure to eonsult your FISHER dealer

promptly if any defect is indicated. Your

FISHER dealer stands ready to assist you at

SnY lime.

r-FM-r rAM-t Ul41? O,nrn

THE FISHER equipment you purchased was carefully tested

and inspected before leaving our laboratories. If properly

installed and operated in accordance with the instructions

furnished, it should give you the flnest results of which it

is capable. This equipment is unconditionally guaranteed

against all defects in material and-wofkmanship for ninety

days from date of sale to the original purchaser. Any part

of the equipment which under normal installation and use,

discloses such a defect, will be adjusted or replaced by the

dealer from whom purchased. This guarantee is void if the

equipment has been altered, or if the purchaser has failed

to return the Warranty Card within l0 days.

FOR WARRANTY SERVICE, CONSUTT YOUR DEALER

F E -_ FEil--FEt il8il-I EEEINETTT GITTI

III

fhe Mnn Behind the Producl

AYERY FISHER

F ound,er and President,

F isher Ra,d.lo C or poratlon

,TIwENTy-THREE yEARs eco, Avery Fisher introduced America's first high

I fidelity radio-phonograph. That instrument attained instant recognition, for it

opened a new era in the faithful reproduction of records and broadcasts. Some of its

features were so basic that they are used in all high tidelity equipment to this day. One

of these models is now in the permanent collection of the Smithsonian Institution as an

example of the earliest high fldelity instruments commercially available in this country.

The engineering achievements of Avery Fisher and the world-wide reputation of his

products have been the subject of descriptive and biographical articles ir Fortune, Time,

Pageant, The New York Times, Lile, Coronct, II igh Fidelity, Esquire, The Atlantic, and ,

other publications. Benefit concerts for the National Symphony Orchestra in Washing-

ton and the Philadelphia Orchestra, demonstrating recording techniques, and the great

advances in the art of music reproduction, used FISHER high fldelity instruments both

for recording and playback, to the enthralled audiences. FISHER equipment formed

the key part of the high fidelity demonstration at the American National Exposition in

Moscow, July 1959. FISHER FM and FM-AM tuners are the most widely used by

broadcast stations for monitoring and relay work, and by research organizations*

under conditions where absolute reliability and maximum sensitivity are a 'must.'

The FISHER instrument you have just purchased was designed to give you many years

of pride and enjoyment. If you should desire information or assistance on the perform-

ance of your FISHER, please do not hesitate to write directly to Avery Fisher, President,

Fisher Radio Corporation, Long Island City l, New York.

rue aUJUEllnCnd U aUr!'CU[UUl 16 uuutqsss'rL

the Service Manual for the Electra. Thig cotl'

trol should be adjusted only by a qudified

service m8n.

Clesning the Dlql Gloss . . .

The dial glass can be removed for cleaning

purposes by following these eimple steps 3

I - Remove all of the control knobg from the

front panel by pulling tlem uP.

2 - Remove the screws from the wooden panel,

then lift ofi the panel.

3-Loosenthescrewethstretcintheclipoto Be aure to consult your FISHEB dealer

the dial glaes, swing the clipe aside, thc6 lilt promptly if any defect is indicated. Your

ofi the glass. (When you replace the dial glase, FISHER dealer stands ready to assist you at

make certain it ig set in the aamo porition it uy timc.

At Your Sorvlce o . .

It is our desire that THE FISHER opcretoc

to your complete satisfaction. We golicit your

correEpondence on any specisl problems that

may arise. After you have had 8n opportunity

to familiarize yourself with THE FISHERT w€

would appreciate hearing from you coDCorD'

ing how it is meeting with your requirements.

Your Flsher Deqler . . .

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