Sonic Nuance Electronics TDI Manuel utilisateur

Hear Everything, Always

TDI User Manual v3.0

January 2020

Introduction

Hello,

My name is Ted and I have designed, assembled, tested and hand signed your TDI

(tuner + DI). I thank you for your purchase and welcome you to the Sonic Nuance

Electronics family - people like you who crave to hear every thing, always!

The TDI integrates a chromatic tuner with a DI and transparent 1/4” bu!er. It has a

quiet mute feature as well as 48V XLR or DC-jack powering and super bright LEDs.

Audiophile-grade quality components are used (including costly wide dynamic range, low

noise op amps, low distortion mechanical relays, "lm capacitors and tightly matched

resistors) for the all analog signal path to provide uncompromising sound quality over a

wide dynamic range for years to come.

While the TDI is simple to use, reading this manual will help you get the most out of it

and help answer common questions. However, don't hesitate to contact me should you have

any questions or suggestions at sonicnuance.com.

History

I started Sonic Nuance Electronics in 2012 with the original TDI, thus it has a special place

in my heart.

After years of playing live gigs as an amateur bassist and acoustic guitarist, my dream was

to minimize the gear I needed to bring while still having pristine and reliable sound. The idea

was to combine the only pieces of equipment I consistently needed (a tuner, a DI and a patch

cable connecting them), and removing the need for a separate power source like a battery or

DC adapter. Being part of a portable church’s worship team that set up and tore down

equipment multiple times a week, I learned quickly what was needed as well as what lasted

and what didn’t. I have been using the TDI to this day, usually in a minimalist setup as shown

in Figure 1. Soundmen love it for the sound, simplicity and no need for a battery. Stage and

lighting designers love it because it is so small.

I do

Figure 1: Minimalist setup with mixing board powering

the TDI.

Front Panel

Figure 2 shows the TDI’s front panel, please take a moment to familiarize yourself with it.

XLR jack

This balanced

output allows the

TDI to be powered

by 48V phantom

power with a true

ground lift!

Phantom power

overrides DC IN

and does not

provide DC OUT.

OUT jack

Provides a

bu!ered output

of IN unless in

tuning mode

where it mutes.

Like the XLR

output this can

drive long lines.

LED display

Indicates mode of

operation ("P" is

play), tuning note

and accuracy level

(left is "at, right is

sharp, "ashing

motion is tune

properly).

IN jack

This unbalanced

high impedance

input accepts all

pickup types

including piezo.

Foot switch

This puts the TDI in TUNING mode

(which mutes OUT & XLR) or PLAY

mode. The switching scheme uses

EMRS (electro-mechanical relay soft)

switching for the ultimate in

reliability and sonic performance.

Ground button

Pressing this

button in ties pin1

of the XLR to the

TDI's ground.

Depressing lifts

the ground

DC OUT jack

This standard, center negative 2.1mm jack

is a copy of the input supply on DC IN jack

and provides an auxiliary output to free up

power supply outputs on "brick" power

supply units. Make sure total power

consumption doesn’t surpass power

supply’s rated output.

DC IN jack

Connect a standard, center negative

2.1mm terminal from an AC adapter. The

supply should be regulated and provide at

least 10mA. Voltage should be 9-18V.

Higher voltage gives more headroom.

Both DC jacks are polarity protected. Do

not exceed18V on DC IN.

Additional Notes on Front Panel

DC IN Jack: This jack is polarity and over-voltage protected. Use a center negative dc supply

(not included) with 9 to 18V voltage (18V is preferred as it gives additional headroom to

the signal path which further reduces unwanted distortion). The TDI uses very little current

(less than 10mA) so a standard 100mA power source will be plenty. If the TDI is XLR

powered, this jack does not function.

DC OUT Jack: This output is polarity protected so if you accidentally were to plug a power

supply here it won't damage the SBS under normal circumstances. This will be a copy of the

voltage provided on the DC IN jack. Make sure the power supply tied to DC IN has a current

capacity high enough to drive the TDI plus whatever is tied to DC OUT (maximum 300mA

out of DC OUT which is fuse protected).

IN Jack: If no input is provided, both 1/4" OUT and XLR are automatically muted. The input

impedance is typically 2Meg ohms.

XLR Jack: If powering the TDI via phantom power, make sure to provide 48V (P48) on this

jack. Lower voltages will not be able to power the unit consistently. The DC in and DC out

jacks are automatically disabled when XLR powering. Make sure to mute the channel the

XLR will be plugged into as the sudden current drain on the line will cause a loud "pop" just

Figure 2: TDI Front Panel

Additional Notes on Front Panel (Continued)

Foot switch: This will respond to toggling about once every three seconds. Faster toggle

rates will be !ltered out and ignored.

GND (push) switch: Unlike other products, the TDI uses a patented design allowing it to be

powered via the XLR jack even when the ground is lifted.

OUT jack: This is a bu"ered and transformer isolated copy of the signal on the IN Jack. It is

designed to provide superior performance to so called "true bypass" designs. This can drive

200 feet of cable with ease, and with transformer isolation, it helps remove the hum caused

by ground loops.

Powering the Unit

To avoid the transient audio "pop" when powering up or down the TDI, follow this rule:

make sure that what the TDI's XLR and 1/4" OUT jacks are connected to are muted or o! "rst.

For example, before powering on or o"the TDI when connected to the input of an

ampli!er, make sure the amp is muted or o" !rst. This way the turn on or o"transient

"pop" of the TDI (or any other equipment it is connected to for that matter) will be muted.

Similarly, if the TDI is to be powered via the XLR plug, make sure the channel the XLR is

connected to on the mixer is muted before connecting/disconnecting the XLR plug.

After powering up the TDI, it is recommended to wait 2-3 minutes before using the foot

switch. Due to the high input impedance of the bu"ers, it takes some time to allow internal

voltages to stabilize and make the switching as audibly quiet as possible.

Modes of Operation

The TDI can be in one of two modes: TUNING and PLAY modes. In TUNING mode, the

display shows the current note detected on the input jack (or C” if nothing is detected as

the tuning algorithm is cleared when !rst put in this mode or on power up. Once a note is

detected, the display will change accordingly and remain until another note is detected or

the mode is changed). Upon power up, the TDI will start in tuning mode for most situations.

In PLAY mode, the display indicates the letter P. The internal digital clock is slowed to a

minimum to avoid digital "hash" corrupting the analog signal. Getting rid of this hash is

especially important when using high gain ampli!ers. Also, unlike the competition, the

signal does not pass through a transistor switch which can cause unwanted distortion.

Tuning with the TDI

To engage the tuner, make sure the display does NOT show the letter P. When the tuner is

activated, both XLR and 1/4" OUT outputs are muted for silent tuning. (Note that this

could also be used to change instruments without bothering the soundman in live

situations.)

Pluck a single note at a time (you should mute the strings not being tuned) and the display

window will indicate the note that is being played. A dot in the lower right corner of the

display indicates the sharp (#) of the note. The display indicates the chromatic notes

detected in "mute mode" as shown in the table below:

Note A A# B C C# D D# E F F# G G#

Display AA.BCC.DD.EFF.GG.

Tune your string up or down until the center "in tune" LED is displayed or a sequence of

outer LEDs go toward it in a !ashing pattern indicating proper tuning stability is achieved.

Figure 3 shows the mapping between the LED tuning accuracy display and the level of

tuning.

The TDI's chromatic tuner is quite sensitive (at least +/- 1 cent) and has a large dynamic

range. You may "nd that plucking a string lightly with the volume knob at maximum gives

faster and/or more stable note detection. This is due to the fact that most instrument

strings pull sharp by up to 10 cents depending on how hard they are plucked and introduce

more overtones. Rather than completely eliminating this information, the TDI shows some

of it allowing the user to see the e#ect of attack and overtones on pitch. The harder the

string is plucked, the more sharp the initial attack will be and the more overtones there will

be. For this reason, either plucking the string lightly or waiting for the string amplitude to

decay may give more stable results.

If tuning is still di$cult, try one or more of the following:

1) tune using the 12th fret harmonic on a guitar/bass

2) pluck closer to the neck or use the tone knob to get fewer overtones

3) use the neck pickup vs the bridge pickup on multi pickup instruments to get fewer

overtones

4) tune going from !at to sharp while slowly turning the instrument's tuning machine

5) dampen all strings but the one you are focusing on

6) tune an acoustic-electric instrument when the soundboard isn't vibrating due to other

band instruments playing (i.e. drums, loud bass, etc)

Due to the accuracy of the TDI, you may also notice the following:

1) tuning while sitting with your instrument gives a di#erent result than when standing

(since the torque on the neck is slightly di#erent between sitting and standing).

2) as a note decays it may not stay at the same tuning level. This depends on many factors

regarding stability of the instrument's saddles, neck and body.

Figure 3: Accuracy Display

Note Progressively Flatter

Note Progressively Sharper

Note in tune

Flashing indicates tuning is stable

Accuracy Display Description

Usage Models

The TDI can be used in a variety of settings. This section shows some of them.

Figure 4: Piezo equipped banjo direct into the TDI.

Mixing board powering the TDI via 48V on XLR cable.

Figure 5: TDI Powered via 48V on XLR cable

simultaneously driving an amp. Outputs are ground

isolated.

amp send

Figure 6: TDI used in ampli!er's e"ects loop while

powered with DC adapter. XLR signal has ampli!er's

tone while being ground isolated. Both amp and XLR

are muted during tuning.

amp return

Figure 7: TDI DC powered and provides power

to a Sonic Nuance SBS stereo boost select

pedal. SBS has the same bu!er technology as

the TDI and can be driven by piezo pickups.

XLR gets either mandolin or ukulele signal

depending on SBS setting.

Additional Design Information

I spent a lot of time designing the signal path to make it as low noise, and transparent as possible

as I didn't want the TDI to color the signal in any way. In doing so I changed from a typical “hard"

mode switching scheme using latching foot switches which wear out to using electro mechanical

relays with foot switch actuators and “soft" switching. This was more expensive but more reliable and

consistently quiet during switching. The circuit uses a combination of high reliability and noise

immune discrete digital circuits combined with low signal mechanical relays with over 10 million cycle

lifetimes. The foot switch actuator used in the design translates up to 500 pounds to about 100

grams of force on the internal circuit board. This virtually eliminates wear and tear to the TDI's

internal circuits due to switching. I call this switching scheme EMRS (electro mechanical relay soft)

switching. I don't claim to have invented this approach, I just couldn't "nd an easier way to describe

it.

I also maximized the range of the XLR-derived power supply to allow the high end op amps to

maximize their dynamic range and minimize distortion. The circuit is able to be powered via a DC

adapter from 9V to 18V for extra headroom. Because the input impedance is quite high, piezo

pickups can drive the TDI directly. I also added a DC output so that this “accessory” pedal doesn’t use

up a precious DC power line on e!ects boards.

Finally, I ask that you not tighten any of the screws unless they are obviously loose. Thread

locking compound was used in many cases and over tightening could damage the unit. -Ted

Frequency Response (+/-0.5dB) 20~20kHz

Input Impedance 2Meg ohms

Output Impedance XLR & 1/4” 200 ohms

Maximum Input 10dBu @ 1kHz

XLR Output Bu!ered impedance balanced, low noise, high

slew rate, high dynamic range

1/4” Out Bu!ered, transformer isolated, low noise, high

slew rate, high dynamic range

Tuning Range E0-E5 (~20Hz to ~660Hz) (below low B of bass to

12th fret high E string of a standard tuned

guitar)

Tuner Accuracy +/- 1 cent minimum

Power Requirements XLR: 48V (P48) IN: 9-18V 100mA min

Maximum DC out current Limited by the smaller of the DC IN’s supply or

300mA

Mechanical Relay Lifetime 10,000,000 cycles min

Warranty Three years limited. See website for details

Speci!cations (Typical Values Unless Stated Otherwise)

California Proposition 65 Requirement

To meet the requirements of California Proposition 65, it is our responsibility to inform you

of the following: WARNING: This product contains chemicals known to the State of

California to cause cancer, birth defects or other reproductive harm. Please take proper

care when handling and consult local government regulations before discarding.

EMC Notice

This equipment has been tested and found to comply with the limits for a Class B digital device,

pursuant to part 15 of the FCC Rules. These limits are designed to provide reasonable protection

against harmful interference in a residential installation. This equipment generates, uses and can

radiate radio frequency energy and, if not installed and used in accordance with the instructions,

may cause harmful interference to radio communications. However, there is no guarantee that

interference will not occur in a particular installation. If this equipment does cause harmful

interference to radio or television reception, which can be determined by turning the equipment o!

and on, the user is encouraged to try to correct the interference by one or more of the following

measures:

— Reorient or relocate the receiving antenna.

— Increase the separation between the equipment and receiver.

— Connect the equipment into an outlet on a circuit di!erent from that to which the

receiver is connected.

— Consult the dealer or an experienced radio/TV technician for help.

Hear Everything, Always

www.sonicnuance.com

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