Sennheiser Evolution E 906 Manuel utilisateur

e 906

Instruction manual

e 906 | 2/8

Delivery includes

• e 906

• microphone clamp MZQ 100

• pouch

• quick guide

• safety guide

Product overview

FRONT

1. Sound inlet basket

2. 3-position slide switch for adjusting the presence ﬁlter

3. XLR-3 connector

4. Front

e 906 | 3/8

Installation

Attaching the microphone

Screw the microphone clamp to a stand.

Place the microphone with its back end into the microphone clamp.

Orient the microphone together with the microphone clamp.

Connecting the microphone

Connect the XLR-3 socket of the microphone cable (optional accessories) to the XLR-3 socket of

the microphone.

e 906 | 4/8

Operation

Positioning the microphone an a guitar amp

The front of the microphone must face the guitar ampliﬁer.

A B C

It is vital to observe the following notes:

Position Resulting sound Commentary

A many trebles

aggressive sound microphone directed towards the dome of the

loudspeaker

B less trebles, more lower

mids, smoother sound

balanced, natural sound

good starting position:

microphone directed towards the middle between

dome and edge of the loudspeaker

If necessary, turn the microphone by approx. 30°

towards the edge.

C less trebles, more lower

mids, smoother sound microphone directed towards the edge of the

loudspeaker

Positioning the microphone on a drum

The front of the microphone must face the drum.

D E

It is vital to observe the following notes:

Position Resulting sound Commentary

D more fundamental tone

little overtones position on the drum:

• 3–5 cm above the batter head

• directed towards the center of the batter head

The fundamental tone to overtones ratio can be

adjusted via the angle. The most balanced results are

obtained at an angle of 30–60°.

E less fundamental tone

many overtones

e 906 | 5/8

Operation

Positioning the monitor loudspeakers

To prevent feedback and crosstalk, postion your monitor loudspeakers in the angle area of the

highest cancellation of the microphone (approx. 120°).

120°

Adapting the sound characteristics

The e 906 features a switchable presence ﬁlter which allows to adapt the microphone to the diffe-

rent sound requirements and styles (see frequency response).

Use a pointed tool such as a small screwdriver to move the 3-position slide switch to the desired

position.

Position Setting Suitability

boosted presence range e.g. for aggressive metal rhythm guitars

normal presence range e.g. for classic rock

attenuated presence range e.g. for warm and smooth jazz and blues sounds

The mid frequency of the presence ﬁlter is 4.2 kHz.

e 906 | 6/8

Cleaning and maintaining the e 906

CAUTION

LIQUIDS CAN DAMAGE THE ELECTRONICS OF THE PRODUCT!

Liquids entering the housing of the product can cause a short-circuit and damage the electronics.

Keep all liquids away from the product.

Do not use any solvents or cleansing agents.

Disconnect the products from the power supply system and remove rechargeable batteries and

batteries before you begin cleaning.

Clean all products only with a soft, dry cloth.

Speciﬁcations

Transducer principle dynamic

Frequency response 40 - 18,000 Hz

Pick-up pattern super-cardioid

Sensitivity (free ﬁeld, no load) 2,2 mV/Pa

Nominal impedance (at 1 kHz) 350 Ω

Min. terminating impedance 1 kΩ

Connector XLR-3

Dimensions 55 x 34 x 134 mm

Weight 140 g

e 906 | 7/8

Speciﬁcations

Polar pattern

125 Hz

250 Hz

500 Hz

1,000 Hz

2,000 Hz

4,000 Hz

8,000 Hz

16,000 Hz

30°

0°

180°

150°

120°

60°

90°

30°

0°

180°

150°

120°

60°

90°

Frequency response

-40

-50

-60

-70

-80

-90

100

200

500

1,000

2,000

5,000

10,000

20,000

dBV

(0°, 1 m)

Connector assignment

+ +

XLR 6.3 mm

XLR

6.3 mm

XLR

UNBALANCED

BALANCED

e 906 | 8/8

Overview of applications

Primary application

Secondary application

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e 602 II

e 604

e 608

e 609 silver

e 614

e 835

e 845

e 865

e 901

e 902

e 904

e 906

e 908

e 914

e 935

e 945

e 965

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