Sennheiser Evolution E 835 Manuel utilisateur

865

Bedienungsanleitung

Instructions for use

Notice d‘emploi

Istruzioni per l‘uso

Instrucciones para el uso

865 865 S

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Bedienungsanleitung..............................................................3

Instructions for use...............................................................11

Notice d’emploi......................................................................19

Istruzioni per l’uso.................................................................27

Instrucciones para el uso......................................................35

Gebruiksaanwijzing...............................................................43

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865 / 865 S

The 865 is a fully professional vocal microphone

utilising the very best in condenser microphone

technology to achieve new standards of quality and

sound. An extended dynamic range and a super-smooth

frequency response deliver an outstanding signal quality

with excellent vocal projection and the lowest possible

distortion. The extended high-frequency response

combined with the super-cardioid pick-up pattern

enables the 865 to handle the highest vocal levels

without feedback.

The rugged metal construction protects the microphone

in the most rigorous conditions.

Due to its phantom powering capability, the 865 is

especially suitable for use with professional systems.

The 865 S variant features a silent

ON/OFF switch

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Features

yRugged metal body

yExtended dynamic response with pronounced

presence and vocal “punch”

yExcellent feedback rejection

yVery good suppression of handling noise

yVery high sound pressure handling capability

Delivery includes

y865 microphone

yMZQ 800 microphone clamp

yPouch

yInstructions for use

yWarranty Certificate

ON/OFF switch ( 856 S only)

Use the screw to lock the switch in the ON position. With

the switch set in the ON position, gently turn the screw

head 90° to lock the switch in position.

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Pin assignment of XLR-3 connector

Removing the sound inlet basket

12 3

XLR 6,3 mm

12 3

XLR

symmetrisch

XLR

balanced

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ositioning the microphone

If sibilance or “popping” occurs, position the microphone

not directly in front of the mouth but slightly to the side.

In order to prevent feedback, position monitor

loudspeakersso thatthey arelocatedin theanglearea of

the highest cancellation of the microphone.

In order to prevent interference due to crosstalk between

adjacentsoundsources,trytopositionthemicrophoneso

that the interfering sound source is located in the angle

area of the highest cancellation of the microphone

(approx. 135°; see polar diagram).

Position Resulting sound Commentary

High proximity effect

(much bass/

fundamental)

Powerful, direct sound

Very little crosstalk

from other sound

sources

Less proximity effect

(less bass/fundamental)

Some room ambience,

natural, balanced sound

More crosstalk from

other sound sources

Very little proximity

effect (little bass/

fundamental)

More room ambience,

indirect sound

Much crosstalk from

other sound sources

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Polar diagram

Frequency response curve

000

8000

6000

500

000

- 7

500

000

5000

0000

5 c

- 4

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Specifications

Transducer principle pre-polarised

condenser microphone

Frequency response 40.....20.000 Hz

Pick-up pattern super-cardioid

Sensitivity

(free field, no load at 1 kHz) 3 mV/Pa

Nominal impedance 200 Ω(balanced)

100 Ω(unbalanced)

Min. terminating impedance 1 kΩ

Max. sound pressure level

at 1 kHz 150 dB/SPL

Phantom powering 12–52 V / 3 mA

Connector XLR-3

Weight 311 g

Dimensions Ø 47 x L 193 mm

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Overview of microphone applications

Variant

Application

e602

e604

e606

e608

e614

e815

e825

e835

e840

e845

e865

Vocals xxxxxx

Choirs x

Studio,

acoustic instruments x

Orchestra x

Brass / Saxophone xx x

Acoustic guitar x

Acoustic bass x

Guitar amplifiers x

Bass amplifiers x

Leslie xxx

Piano, grand piano x

Kick drums x

Snare drums xxx

Rack toms xxx

Floor toms xxx

Congas xxx

Cymbals x

Percussion xxxx

Overheads x

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e 865_511658_0605_Sp6.book Seite 18 Donnerstag, 10. November 2005 3:22 15

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