Peavey ARTIST Manuel utilisateur

POWER

AMP:

OUTPUT

POWER

KHZ

120

VAC

Line

Rated

Power

120

RMS

rated

load

OHMS

Power

Load

RMS

THD

into

Ohms

120

RMS

<S>

THD

into

Ohms

120

RMS

THD

into

Ohms

PEAK

OUTPUT

RATED

LOAD

Amps

20V.

240

Watts

MUSIC

POWER

OUTPUT

RATED

LOAD:

150

RMS

THD

PRE-AMP:

INPUT

CHARACTERISTICS

(Tone

controls

full

cw.

Volume

12:00.

master*

full

cw)

Sensitivity

KHZ/input

impedance:

330

Ohms

Noise:

Open

Ckt..

Ohms.

Short

Ckl*

DISTORTION

KHZ:

Less

than

THD

Rated

Output

FREQUENCY

RESPONSE:

Down

KHZ

TONE

CONTROLS:

KHZ

MIDDLE

CONTROL:

300

REVERB

CONTROL:

Continuously

variable

with

footswitch

cut

olf

MASTER

GAIN:

Used

conjunction

with

input

volume

produce

overdrive

Signal-to-noise

ratio

below

rated

output

The

“ARTIST”

features

extremely

compact

enclosure

containing

either

12”

15°

super

heavy

duty

professional

grade

speaker

and

powered

TUBE

TYPE

120

watt

RMS

THD)

amplifier.

full

complement

Equalization

controls

featured

and

in¬

cludes

low,

middle

and

high

frequency

controls

for

total

tonal

balance

between

these

frequency

bands.

have

built

into

this

series

new

type

reverberation

cir¬

cuit

that

delivers

over

volts

RMS

the

built

reverberation

unit.

The

preamplifiers.,

equalization,

and

reverb

circuitry

complemented

MASTER

VOLUME

CONTROL

for

even

greater

control

sus¬

tain,

dynamics

and

sensitivity

for

recording

studio

applications.

Our

exclusive

“AUTOMIX”

ciruitry

built

into

this

series

for

even

greater

flexibilty

and

“on

stage"

versatility.

Your

new

Artist

features

two

channels,

"Bright"

and

“Normal”

with

four

inputs

that

function

along

with

the

Automix

footswitch

allow

you

play

through

either

channel,

both

channels

parallel,

both

channels

series.

Please

read

the

explanation

each

input

and

become

familiar

with

the

effects

possible

with

the

Automix

footswitch.

The

Bright

input

places

the

signal

from

your

instrument

into

the

bright

channel

only.

This

channel

provides

treble

boost

for

"brighter”

sound

from

your

guitar.

The

Normal

input

places

the

signal

from

your

instrument

into

the

normal

channel

only.

The

Parallel

input

places

the

signal

from

your

instrument

into

both

channels.

Plugging

into

this

parallel

jack

the

same

using

patch

cord

bridge

into

the

normal

and

bright

channels,

except

that

the

in¬

ternal

circuitry

automatically

performs

the

patching

function.

When

plugged-into

this

jack,

both

normal

and

bright

channel

volume

controls

are

active

and

the

desired

blend

each

can

found

varying

the

level

each,

relative

the

other.

The

Series

input

places

the

signal

from

your

instrument

into

both

channels

series.

placing

the

channels

series

incredible

sustain

and

overload

har¬

monics

can

generated.

Experimentation

with

various

combinations

volume

control

settings

will

yield

in¬

finite

variety

harmonic

characteristics

and

sustain

durations.

These

functions

can

used

conjunction

with

the

master

volume

control

avoid

driving

the

power

amplifier

full

output

while

seeking

the

desired

effects

enabling

the

operator

obtain

sustain

and

overload

effects

very

low

volume

levels,

such

those

required

some

recording

studio

applications.

5,6

Both

the

bright

and

normal

channels

have

separate

volume

controls.

These

volume

controls

set

the

gain

the

input

preamp,

thereby

controlling

the

sensitivity

the

preamp,

not

the

power

the

amp.

entirely

possible

for

the

amp

driven

full

power

output

very

low

volume

settings

the

signal

from

your

instrument

extremely

high.

Please

remember

that

the

volume

conlrol

does

not

indicate

power

output,

but

the

gain

the

preamp.

The

bass

control

varies

the

amount

bass

response

the

system

and

very

effective

achieving

balanced

tonal

blend.

The

middle

control

enables

the

musician

tailor

the

vital

mid

range

response.

Experimentation

with

the

unique

middle

circuit

will

show

that

much

effective

than

conventional

circuits.

The

treble

control

varies

the

high

end

response

the

amplifier.

The

reverb

control

determines

the

amount

delayed

signal

(reverb)

blended

into

the

output.

This

circuit

able

produce

tremendous

sustain

and

clarily

properly

damping

the

driver

coils

the

reverb

unit.

The

reverb

effective

both

channels.

The

Standby

Switch

removes

the

B+

supply

from

the

output

tubes

while

leaving

the

filament

voltage

on.

This

function

keeps

the

tubes

operating

temperature

and

allows

for

instant

operation

when

the

Standby

switch

thrown.

The

master

volume

control

very

useful

for

obtaining

number

effects.

The

most

common

use

this

control

for

obtaining

overdrive

and

sustain

low

sound

levels.

The

master

volume

control

the

final

gain

determining

element

before

the

signal

fed

into

the

output

amplifier

and

could

accurately

called

“sensitivity"

con¬

trol.

obtain

maximum

overdrive

and

sustain,

the

in¬

dividual

channel

volume

controls

should

set

near

maximum,

and

the

output

the

system

should

ad¬

justed

with

the

master

volume

control.

You

will

discover

that

many

different

and

pleasing

harmonic

effects

can

obtained

trying

different

settings

the

tone,

volume,

and

master

volume

controls.

has

been

found

that

when

operating

the

amp

the

overdriven

condi¬

tion.

lower

settings

the

treble

control

tend

give

smoother

“natural

distortion

characteristic”

The

normal

background

noise

(hiss,

hum,

etc.)

can

very

effec¬

tively

controlled

for

recording

studio

applications

use

the

master

volume

control.

reduce

these

noises,

reduce

the

setting

the

master

volume

control

The

pilot

light

indicates

when

the

electrical

supply

(mains)

supplying

power

the

amplifier

The

fuse

located

within

the

cap

the

fuse

holder

and

should

replaced

with

one

the

proper

value

should

fail.

necessary

that

the

proper

value

fuse

used

avoid

damage

the

equipment

and

avoid

voiding

the

warranty.

your

amplifier

repeatedly

blows

fuses,

the

unit

should

taken

qualified

ser¬

vice

center

for

repair.

The

line

power

switch

the

three

posilion

type

with

the

center

position

being

off.

The

three

posi¬

tion

switch

has

two

positions,

one

which

used

ground

the

amplifier

properly.

One

the

positions

will

yield

the

least

hum

popping

when

the

instrument

touched

and

this

the

position

that

should

used.

For

your

safety,

have

incorporated

wire

line

(mains)

cable

with

grounding

lug.

not

advisable

•

-VC

remove

the

ground

under

any

circumstances.

necessary

use

the

amp

with

the

old

two

prong

sockets,

suitable

adaptor

should

used.

Much

less

noise

and

greatly

reduced

shock

hazard

exists

when

the

amp

operated

with

the

proper

grounded

recep¬

tacle.

The

main

speaker

output

Jack

where

the

main

speaker

must

plugged

in.

The

output

im¬

pedance

this

jack

ohms.

The

external

speaker

Jack

designed

allow

use

additional

speaker

system

with

the

Artist.

his

jack

does

not

become

operational

until

the

main

jack

has

been

connected

speaker.

Due

special

switching

jack

which

connects

separate

ohm

tap

the

output

transformer,

ohm

load

may

also

con¬

nected

into

this

jack—thus

allowing

the

amp

put

out

full

power

into

total

impedance

ohms

when

ex¬

tension

speaker

desired.

The

output

impedance

the

Artist

ohms

when

the

main

speaker

jack

used

and

ohms

when

both

are

used.

NOTE:

less

than

ohm

speaker

system

should

ever

connected

either

speaker

jack.

These

and

all

other

high

power

tube

type

amplifiers

must

used

the

proper

manner

avoid

damage

tubes

and

other

internal

components.

Below

are

several

instructions

that

must

followed

when

operating

high

powered

tube

type

equipment.

NEVER

OPERATE

THE

AMPLIFIER

WITHOUT

SPEAKER

LOAD!!

This

amp

equipped

with

shorting

system

the

main

output

jack

help

protect

against

accidentally

turning

the

amp

without

load.

the

speaker

patch

cord

plugged

into

the

amp.

but

not

connected

the

speakers,

the

amp

NOT

loaded

and

could

cause

problems

the

amp

turned

and

operated

this

manner.

The

natural

inductance

the

output

transformer

can

store

energy

that

normally

transferred

the

speaker

and

capable

developing

tremendous

voltages.

These

voltages

can

cause

serious

internal

arcing

between

the

elements

the

output

tubes

and

their

circuitry.

This

the

MOST

important

consideration

the

safe

operation

your

tube

amp.

The

6L6GC

output

tubes

are

the

most

rugged

audio

power

tubes

the

market

and

should

provide

long

ser¬

vice

the

output

circuit.

Each

tube

has

keying

moulded

into

the

base

index

the

pins

into

their

proper

positions.

When

installing

removing

the

tubes,

possible

break

off

these

index

pins

bending

the

tube

too

much

its

socket.

Use

extreme

caution

when

handling

the

tubes.

UNDER

CIRCUMSTANCES

SHOULD

TUBES

WITH

BROKEN

MISSING

INDEX

PINS

INSERTED

THE

SOCKETS.

tube

in¬

serted

the

improper

manner

(wrong

indexing),

the

output

stage

will

instantly

damaged

when

the

unit

turned

on.

Use

tubes

with

broken

missing

index

pins

voids

the

warranty.

“Din”

Socket

located

the

back

panel

for

the

Automix

tootswilch.

Care

should

taken

proper¬

mate

the

connectors

the

footswitch

plug

with

the

respective

socket

holes.

FOOTSWITCH

Selector

Button

the

name

implies,

the

selector

button

allows

you

select

between

the

normal

and

bright

channels.

This

button

functional

with

your

instrument

plugged

into

either

the

series

parallel

input.

Combiner

Button

The

combiner

button

deactivates

the

selector

button

and

allows

both

channels

the

circuit

one

time.

The

selector

button

becomes

inoperative

soon

the

combiner

button

depressed.

Reverb

The

reverb

button

activates

reverb

both

channels.

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