Linear Power 2121 Manuel de programmation

MODEL 2121©

STEREO BI-AMPLIFIER

OWNER'S MANUAL AND

INSTALLATION GUIDE

INTRODUCTION

The 2121©is basically the 2120©in the newer lower profile, high heat dissipation,

heat sink. This heat sink is more stylish and effective and is used on all of the

new Linear Power™ amplifiers using the Motorola TO-3 transistors. The 2121

contains essentially four separate electronic components housed in a single

chassis; a 120-watt RMS mono amplifier to drive the Bass Vent©subwoofer, a

120-watt RMS stereo amplifier, and two variable phase coherent electronic

crossovers. Streamlined installation, systems versatility, modular expandability,

and phase coherency are some of the key features that highlight the Model

2121©.

Like all Linear Power™ amplifiers, the 2121©incorporates the Infinitely

Variable Gain Adjustment which allows the user to match the amplifier

precisely to almost any deck on the market whether the output is pre-amp or

speaker level. Follow the instructions in this book under

OPERATION/ADJUSTMENT for adjustment of the gain control.

The LINEAR POWER™ Model 2121© Bi-Amplifier employs a sophisticated

design combining reliability, high power, low distortion, and freedom from

external noise. When properly installed, it will give long and faithful service.

When combined with other high quality components, it will be the heart of a

superb system.

WE STRONGLY RECOMMEND THAT THE INSTALLATION BE DONE BY A

PROFESSIONAL AUTOSOUND INSTALLER.

F O R T H E L O V E O F M U S I C

™

LINEAR POWER™ is a trademark of Linear Power, Inc. 1

TECHNICAL DESCRIPTION

POWER SUPPLY: Self oscillating for reliability and efficiency. The transformer is

epoxy dipped for extreme vibration resistance.

OUTPUT STAGES: Transformer less, direct coupled and fully complimentary.

Output transistors are high current and low distortion TO-3 Devices in the 2121,

operating at a fraction of their limitations. Total power dissipation potential of the

output transistors is over 500 watts.

PROTECTION: Our stable amplifier design is made virtually indestructible by two

separate forms of protection. First is an all-new Thermal Protection Circuit, which

is designed to prevent damage from high frequency oscillations or excessive

ambient temperature. The second form of protection protects the amplifier from

short circuits in the installation. Both circuits are automatically resetting.

CONSTRUCTION FEATURES: The infinitely variable input sensitivity control

permits optimal signal matching for lowest noise and lowest distortion with

virtually any source. All components used are rated for at least 150% of their

intended use, and are mounted on double-sided fiberglass epoxy circuit boards.

QUALITY CONTROL: In-house construction of critical components like

transformers and chassis pieces, as well as total assembly, allows LINEAR

POWER™ to maintain uniform quality. 100% of the finished units are tested, then

burned in for four hours, and tested again. Amplifiers, which pass these rigorous

controls, have truly earned the LINEAR POWER™ Logo.

INSTRUCTIONS

Read the following instructions through completely. If they appear too

complicated we recommend you have an authorized Linear Power™ Dealer do

the work. Refer to the diagram on the next page to assist you in following the

wiring instructions associated with it.

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FEATURE/DESCRIPTION

A. The High Pass Filter

This filter is screwdriver adjustable with a continuously variable range from

300Hz to 1.7Hz. In the fully counter-clockwise position, the stereo main amplifier

is rolled off at 300Hz. This filter may only be activated when switch "B" is moved

in the direction of the filter or "TRI" position. When this filter is operational the

120-watt stereo amp becomes essentially a band pass amplifier. A low level

signal from phono plug set "H" provides output above the selected crossover

point of the high pass filter so that a second amplifier may be added to complete

the tri-amplified sound system.

B. The Operational Mode Activating Switch

The switch determines whether the 2121©will operate as a bi-amplifier or a

modular tri-amp. Move this switch with a small screwdriver in the direction of the

filter you wish to activate. To the right, or "Bi" position, only the low pass filter (C)

is functional. To the left, both filters become operational.

C. The Low Pass Filter

Screw driver adjustable with a continuously variable range between 45 to 200

Hz. Fully counter-clockwise is 45Hz. With the 2121©operating in the bi-amp

mode, low-level output is provided from plug set 'H' above the selected crossover

point of the low pass filter to beyond 20KHz. This feature allows any smaller

Linear Power™ amplifier to power 'front fill' drivers in the automobile. With this

LINEAR POWER™ is a trademark of Linear Power, Inc. 3

type of application, the 'font fill' amplifier and speakers see no low bass material.

Cone distortion is drastically reduced, while efficiency is vastly increased.

D. Subwoofer Amplifier Gain

This control provides gain to the 120-watt mono subwoofer amplifier.

Accentuation or attenuation of +-12dB is possible with this control. The purpose

of this control is to adjust the output of the subwoofer system relative to the

efficiency of the main speaker system.

E. Master Gain Control

This control is found on all Linear Power™ amplifiers. The master-gain control

matches the output of any deck to the input of the 2121©. Fully counter-clockwise

if minimum gain. Proper adjustment procedure is found under

OPERATION/ADJUSTMENT.

F. 120 Watt Mono Subwoofer Output

To the Bass Vent©or any other dual speaker subwoofer system, Grey= right (+),

Green= left (+), Black is ground. The mono output amplifier is internally

paralleled to see a two-ohm load when used with two, four-ohm drivers. This

is done for higher current capability, and superior woofer control. For single

subwoofer use, connect both the green and gray wires to the speaker (+) and

both black wires to speaker (-). The ideal configuration is two, 4-ohm woofers.

When connected to a single four-ohm woofer full power will not be developed.

G.120 Watt Stereo Output

Grey = right (+), Green = left (+), Black = ground.

H. Low level Outputs

In bi-amp or tri-amp operation low level output (at unity gain) is always provided.

In the bi-amp mode output from the selected subwoofer crossover point to

beyond 20KHz is provided to the output plugs. In the tri-amp mode, output is

provided above the selected crossover point of the high pass filter to beyond

20KHz.

I. Input Signal from Source Unit

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MOUNTING

1. The amplifier will work best if it is kept as cool as possible. Mount in a position

that allows air to flow freely through the black fins. Be sure there is ample space

above the amplifier. The amplifier should not be mounted upside down. Avoid

mounting the amplifier in the dash or on the firewall to avoid noises being

radiated directly into the case.

2. Mount your amplifier in a position that allows ample room for gain adjustments,

and the installation, removal, and attachment of all leads.

3. The case of your amplifier is designed to act as a noise shield. To maintain

this protection, be sure the metal case of the amp does not touch the metal of the

car. Do not remove or damage the rubber grommets, which provide electrical

insulation and vibration isolation.

WIRING

1. Fuse: A fuse of the proper size must be installed in line with the main

power in order to prevent possible damage to the vehicles wiring. It should

be connected to the battery positive terminal or as close to the battery as

possible. Use the fuse holder and fuse provided and replace only with the

same size and type of fuse. Use AGC 30. WARNING: OVERFUSING

WILL DAMAGE THE AMPLIFIER.

2. Main Power: The free end of the fuse holder wire should be connected to the

large RED wire from the amplifier. IMPORTANT: Solder all connections!

3. Main Ground: Connect the large BLACK wire directly to the battery negative

terminal.

4. Remote Turn on: The RED and WHITE wire is not a main power source for

the amplifier, but acts as an electrical switch to turn the amplifier on and off. It

should be connected to the power antenna lead from the radio. Where no power

lead exists, a source of +12 volts connected through a toggle switch will do. DO

NOT CONNECT DIRECTLY TO A SOURCE THAT WILL LEAVE THE

AMPLIFIER PERMANENTLY ON, AS THIS WILL DRAIN THE BATTERY.

5. Signal Input: The RCA (Phono) Jack inputs will accommodate either high or

low level signals, ranging from 180mV to 5 volts. For use with a high level source

that is intended to drive speakers directly, attach the speaker leads to male RCA

plugs and insert into the inputs. NOTE: The positive speaker lead should always

connect to the center pin of the RCA plug.

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6. Speaker Outputs

(a). The speaker fanout connector on the left, marked 'sub', is a 120-watt mono

output.

Connect the GREY wire to the RIGHT speaker (+) terminal.

Connect the GREEN wire to the LEFT speaker (+) terminal.

Connect one of the BLACK wires to the RIGHT speaker (-) terminal.

Connect the other BLACK wire to the LEFT speaker (-) terminal.

(b). The speaker fanout connector on the right, marked 'main/mid-bass', is the

stereo output.

Connect the GREY wire to the RIGHT speaker (+) terminal.

Connect the GREEN wire to the LEFT speaker (+) terminal.

Connect one of the BLACK wires to the RIGHT speaker (-) terminal.

Connect the other BLACK wire to the LEFT speaker (-) terminal.

OPERATION/ADJUSTMENT

DO NOT apply power to the system until the installation is complete, and the

following steps 1 and 2 have been performed.

1. Be certain that all gain controls on each component have been turned down.

2. Set all crossovers a point well within the defined frequency parameters of the

drivers. The speaker manufacturer will supply frequency response data with their

driver.

3. Apply power to the system. The Amp(s) will turn on after a slight delay. To

properly adjust the master-gain control of the 2120©we suggest the following

technique: Slowly turn the volume up on your source unit until you hear it just

start to distort, and then back it down just below that point. That is a loud as you

should ever play it for quality sound. Now, slowly increase the master gain on the

2120 until either the speakers distort from excess power, or, the amp distorts

from input overload. At either point, slightly decrease the gain control on the amp

and a perfect input/output match has been achieved. After the master gain has

been properly adjusted, use the same procedure to adjust the sub-level control.

Some source units with extremely low output levels will require a LINEAR

POWER™ PA2©to boost the output to the necessary proper level.

NOTE: IT IS VERY IMPORTANT THAT THE GAIN CONTROL BE TURNED AS

FAR DOWN AS POSSIBLE IN ORDER THAT UNWANTED ENGINE NOISE BE

KEPT TO A MINIMUM.

LINEAR POWER™ is a trademark of Linear Power, Inc. 6

SYSTEM FINE TUNING

Now that the gain controls have been properly set, the system is ready to be "fine

tuned". Always tune a multi-amp/driver system from the bass up. In a bi-amp

system, the subwoofer crossover should be varied until the smoothest low

frequency response has been obtained. Tri-amping is a more sophisticated

process of sound reproduction and hence requires more time to properly design

and fine tune. Keep in mind that a poorly designed tri-amplified sound system

may yield lower sound quality than a well executed bi-amped system.

NOISE NOTES

Unwanted noise is the worst single problem encountered in automotive amplifier

installations. Several basics must be kept in mind when preventing noise

problems.

1. Use shielded cables whenever a preamp level music source is used.

2. All connections must be tight and free from corrosion, paint, etc., and

insulated.

3. Route all signal cables away from existing wiring in the vehicle.

4. If possible, avoid mounting the amplifier in the dash or on the firewall, as noise

may be induced due to the proximity of noisy wiring and switches.

GENERAL TROUBLESHOOTING

NO SOUND

Check all connections. Check main power fuse. Check accessory fuse. With a

trouble light or meter, be sure +12V is present at the amplifier on the large

positive cable and on the small red/white turn-on wire. Check for a good ground

connection. Check by substitution or other method for proper operation of music

source.

BLOWS FUSES

Check all connections to be sure all power wires and speaker wires do not touch

ground or each other. Re-check polarity of main power wires.

SHUTS OFF

As this amplifier is equipped with a thermal and a short circuit shut-down system,

in the unlikely event of excessive temperatures due to high ambient temperature

or improper speaker impedance, the amp will turn itself off. To avoid damage to

the speakers, turn the volume to a minimum while waiting for the amp to turn

itself back on.

LINEAR POWER™ is a trademark of Linear Power, Inc. 7

SERVICE OR REPAIR

To obtain modification, service or repair, please contact our ONLY Authorized

LINEAR POWER™ Product Service Center:

T.I.P.S. INC.

3455 Lanell lane, Pearl, MS 39208

(601) 932-8477

E-mail: [email protected]

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™

LINEAR POWER™ is a trademark of Linear Power, Inc. 8

SPECIFICATIONS

2121©

Main Amplifier: 60 Watts per channel minimum continuous average power into four

ohms. Both channels driven from 300Hz to 20KHz with no more

than 0.10% total harmonic distortion.

Subwoofer

Amplifier:

120 watts minimum continuous average power output into two

ohms, mono from 20Hz to 200Hz with no more than 0.10% total

harmonic distortion.

Inter-modulation

Distortion: 0.1%

Frequenc

Response: -3dB from 12 to 150,000 Hertz

nal to Noise

Ratio: 95dB or greater (A-Weight)

Slew Rate: 16 volts per microsecond

Crossover Phase

Shift: +/- 2.8 degrees maximum

Current Draw: 1.2 amperes at idle. 24 amperes at maximum RMS test conditions.

Input Si

nal for

Maximum Power: 0.2 volts at maximum gain setting. 5 volts at minimum gain setting.

namic

Headroom: 2dB

Damping Factor: 100 high freq./75 low freq.

Dimensions: 3”x9.5”x12”

™

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LINEAR POWER™ is a trademark of Linear Power, Inc. 9

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