Kawai Digital Drum Machine R-50e Manuel utilisateur

Autres manuels pour Digital Drum Machine R-50e

3

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KAWAI

OVVNEIS

ANUAL

INTRODUCTION

FEATURES

Thank

you

for

purchasing

the

Kawai

R-50e

Digital

Drum

Machine!

While

the

R-50e

is

easy

to

operate,

this

Owner's

Manual

contains

valuable

information

to

help

you

get

the

most

from

your

new

instrument.

We

recommend

that

you

read

it

carefully

and

keep

it

handy

for

future

reference.

PROFESSIONAL-QUALITY

PCM

SOUNDS

The

R-S0e's

24

separate

drum

and

tuned

percussion

sounds

have

all

been

recorded

in

the

professional

12-bit

PCM

with

a

sampling

rate

of

32k.

The

sound

quality

is

suitable

for

any

recording

situation,

including

Compact

Disk.

EASY

TO

USE

Getting

around

on

the

the

R-50e

is

Straight-forward

and

intuitive.

It

even

comes

with

50

preset

rhythm

patterns

and

4

preset

pad

set-ups

to

get

you

started.

PROGRAMMABLE

DRUM

KITS

The

R-50e

provides

for

8

user-defined

pad

set-ups.

Each

pad

can

be

assigned

a

drum,

tuning,

pan,

accent,

level,

delay,

gate

and

flange.

PROGRAMMABLE

TRIGGERS

Eight

triggers

can

be

incorporated

into

drum

patterns

to

fire

external

MIDI

devices.

FLEXIBLE

OUTPUT

Stereo

and

mono

outputs

are

fed

by

the

stereo

pan

control

on

each

drum.

A

sound

can

also

be

assigned

to

the

individual

output

on

the

rear

panel.

COMPLETE

CAPABILITIES

50

user-defined

rhythm

patterns

with

step

or

real-time

recording

and

editing.

Build

songs

with

sophisticated

features

like

insert,

delete,

and

mulitply.

10

songs

can

be

linked

together

to

make

performances

smoother.

FULL

MIDI

IMPLIMENTATION

The

R-50e's

MIDI

features

let

you

record

patterns

from

external

sources

such

as

keyboards

and

drum

pads.

The

internal

sounds

can

also

be

triggered

by

external

devices

such

as

sequencers.

MIDI

clock

in

and

out

includes

Song

Pointer

for

synchronization

with

sequencers,

drum

machines

and

tape.

The

system-

exclusive

implimentation

also

enables

remote

operation

and

MIDI

Data

Dumps

to

another

R-50e

or

MIDI

data

storage

device.

POLYPHONIC

Sounds

are

dynamically

assigned

to

the

R-5Oe's

eight

voices.

Sounds

can

be

replayed

without

cutting

off

the

decay

of

the

original

sound.

WARNING:

This

equipment

generates,

uses,

and

can

radiate

radio

frequency

energy.

[f

not

installed

and

used

in

accordance

with

the

instruction

manual,

it

can

cause

interference

to

radio

communications.

The

rules

with

which

it

must

comply

afford

reasonable

protection

against

interference

when

used

in

most

locations.

However,

there

can

be

no

guarantee

that

such

interference

will

not

occur

ina

particular

installa-

tion.

If

this

equipment

does

not

cause

interference

to

radio

or

the

equipment

off

and

on,

the

user

is

encouraged

to

try

correct

the

interference

by

one

or

more

of

the

following

measures:

—

reorient

the

receiving

antenna.

—

move

the

receiver

away

from

the

drum

machine.

—

plug

the

digital

piano

into

a

different

outlet

so

that

circuits.

drum

machine

and

receiver

are

on

different

branch

—

consult

the

dealer

or

an

experienced

radio

television

technician.

Kawai

R-50e

Owner's

Manual

-

Text:

Jeff

Burger

+

Design:

Interface

-

©1987

Kawai

Musical

Inst.

Mig.

Co.,

Ltd.

+

All

Rights

Reserved

«

Printed

in

Japan

1,

TABLE

OF

CONTENTS

—oEoEeeEEEee=e=———

L

2.

3.

TABLE

OF

CONTENTS

CARE

AND

MAINTENANCE

CONTROLS

FRONT

PANEL

R-50e

PRESET

RHYTHMS

REAR

PANEL

OVERVIEW

SOUNDS

Pads

GETTING

AROUND

Cursor

Keys

Volume

CHANGING

USER

SETTINGS

CHANGING

DRUMS

Level

Accent

Tuning

Pan

Gate

Delay

Flange

MIXER

Level

Manual

Pan

Pan

PLAYING

RHYTHM

PATIERNS

TEMPO

Tap

Tempo

REAL

TIME

RECORDING

Number

of

Bars

Time

Signature

Error

Correct

Metronome

Recording

STEP

RECORDING

Number

of

Bars

Time

Signature

Recording

f=

ARI

kw

WOM

CMON

NN

ANNANAKM

8.

eo

EDITING

RHYTHM

PATTERNS

OVERDUB

RECORDING

Overdubbing

Preset

Patterns

ERASING

Erasing

a

Pattern

Erasing

an

Instrument

Erasing

a

Bar

Erasing

a

Note

Erasing

All

Memory

SWING

COPYING

PATTERNS

SONGS

BUILDING

SONGS

Song

Tempo

Song

Construction

Building

Tools—

Insert,

Delete,

and

Multiply

Linking

Songs

PLAYING

SONGS

Start

at

a

Designated

Section

Bar

Count

ERASING

SONGS

Erase

All

Songs

10,

MIDI

MIDI

SYNC

MIDI

IN

Omni

Mode

Receive

Channel

Key

Info

Velocity

Volume

Program

Changes

Start/Stop

MIDI

Note

Assignments

Initial

Reset

MIDI

OUT

Poly/Mono

Mode

Send

Channel

Inst

Info

Trigger

Info

Velocity

Program

Change

Stop/Start

MIDI

Note

Assignments

Note

Trigger

MIDI

SYSTEM

EXCLUSIVE

Transmit

Receive

ig

a

eg

ee

Kawai

R-50e

Owner's

Manual

«

Page

1

TABLE

OF

CONTENTS

(Continued)

ASSIGN

37

ASSIGN

VOICE

37

Assign

Hi-Hat

37

ASSIGN

OUTPUT

38

ASSIGN

FOOTSWITCH

39

Footswitch

Functions

39

12,

CASSETTE

STORAGE

40

CASSETTE

SAVE

40

CASSETTE

VERIFY

41

CASSETTE

LOAD

41

13,

MEMORY

N.

MEN

42

CHECKING

AVAILABLE

MEMORY

42

ERASING

ALL

OF

MEMORY

42

14,

R-

PAD

N

A

43

13,

MIDINOTE

ASSIGNMENTS

43

16,

MIDI

DATA

FORMAT

46

17,

MIDI

IMPLEMENTATION

47

18,

SPECIF

|

48

19,

R-80e

PRESET

PATTERNS

49

Page

2

+

Kawai

R-50e

Owner's

Manual

2.

CARE

AND

MAINTENANCE

PROTECT

YOUR

R-50e

FROM:

*

Direct

sunlight

and

exposure

to

the

clements

*

Temperature

and

humidity

exuremes

+

Unstable

or

"noisy"

AC

power

«

Dust

and

sand

+

Vibration

during

transport

POWER

SUPPLY

+

Use

only

the

12-volt

power

supply

included

with

your

R-

50e.

Other

power

supplies

may

damage

the

unit.

+

Make

sure

that

all

power

switches

are

off

before

changing

equipment

connections

CLEANING

+

Clean

the

instrument

with

a

soft

cloth,

a

mild

detergent

and

lukewarm

water.

+

Never

use

harsh

or

abrasive

cleansers

or

organic

solvents,

HELPFUL

HINTS

*

BATTERY

BACK-UP

The

lithium

battery

that

preserves

memory

contents

while

the

power

supply

is

off

is

good

for

more

than

five

years

of

normal

use.

We

recommend

however,

that

you

have

your

nearest

authorized

service

representative

replace

it

after

5

years

have

passed.

*

LINE

NOISE

RESET

In

the

unlikely

event

of

a

"lock-up"

due

to

line

interference,

simply

turn

the

R-50e

off

for

a

few

seconds

and

then

turn

it

back

on.

*

REPAIRS

The

R-50e

should

only

be

service

by

an

authorized

Kawai

repair

station.

Always

save

your

valuable

internal

data

to

a

cassette

tape

or

MIDI

before

taking

the

drum

machine

in

for

service,

as

the

data

may

be

erased

during

repair.

Kawai

R-SOe

Owner's

Manual

«

Page

3

3,

CONTROLS

FIRRONT

PANEL

COMMAND

KEYS

LCD

DISPLAY

VOLUME

CONTROL

KAWAI

re

as

—"

©

e

VOLUME

CALL

PATTERH

FRERLNHEREC

STEP

REC

SHIHG

cary

[Zo]

ae

(“a-)

Ce

I

CALL

SOHG

BUILO

MIOI

ASSIGH

SAVE

/LOAD

CL

nSERT

DELETE

MULTIPLY

ae ae

1

HISEF

o

i

BRR

CIT

Ee

ie

oe

ene

et

(pe

a

FES

anda

ie

ERASA

PAD

1

PAD

2

PADS

PAD

4

PADS

BACK

EN

TAREF

PAD

6

"aD

PAD

3

FAD

10

SAAT

STORMONT

ACCENT

KEY

ERASE

KEY

CURSOR

KEYS

START

/

STOP

KEYS

DRUM

PADS

(1-10)

SYSTEM

CONTROL

KEYS

I-S0e

PRESET

PATTERNS

(PATTERNS

50-99)

f~

7

ae

Es

:

anes

io

pares

:

0

1

2

3

4 5

6

7

8 9

+

ey

4.

+

wna

bs

SB

=

a

Elec.

Pop

1

|

Elec.

Pop

1

|

Elec.

Pop

2

|

Elec.

Pop

2

8

Beat

1

8

Beat

1

Disco

1

Disco

1

Elec.

Pop

3

|

Elec.

Pop

3

Fill

fn

|

Fill

In

Fill

In

Fill

In

Fill

In

{50

|

i

omen

|

|

vee

|

eae

ote.

Heavy

Rock

/Heavy

Rock

|Heavy

Metal

Heavy

Metal;

8

Beat

2

8

Beat

2

Disco

2

Disco

2

Elec.

Pop

4

|

Elec.

Pop

4

Fill

In

Fill

In

Fill

In

Fill

In

Fill

In

[60

+

|

4

|

ae

=

Al

es

|

Count

16

Beat

1

16

Beat

1

16

Beat

1

16

Beat

2

16

Beat

2

16

Beat

3

16

Beat

3

16

Beat

4

16

Beat

4

Fillin

Fill

In

2

Fill

tn

Fill

tn

Fill

In

70

i

+

+

1:

aul

|

16

Beat

5

16

Beat

5

16

Beat

5

Ballad

1

Bailad

1

Bailad

2

Ballad

2

Disco

3

Disco

4

Disco

4

|

Fill

in

1

Fillin

2

Fill

In

Fill

tn

Fill

in

80

|

’

ee

neem

=

Ballad

3

Ballad

3

Echo

Shuffle

1

Shuffle

1

Shuffie

2

Shuffle

2

Shuffle

3

Shuffle

3

|

Street

Kids

Fill

In

Fill

in

Fill

In

Fill

In

90

Page

4

-

Kawai

R-50e

Owner's

Manual

REAR

PANEL

POWER

r

—f

—

Pus

RK

ORSMONG?

INGOT

OFRET.

SW.-B

0

ptepe

©

QUT-MMIDI~IN

—

QUT

Ih

Cy

a

on{

[_T]

Jore

yy

Py

ey

oe

«OUT

=)

Le

WD)

tO)

@

wo

a

7

‘.

a

Woo

Wa

net

a

ae,

*

POWER

-

Main

power

ON/OFF

switch

*

DCIN

-

Connection

for

12V

500mA

power

supply.

*

OUTPUTS

The

R-50e

does

not

include

a

power

amplifier

or

speaker.

To

hear

the

instrument

you

must

use

headphones

or

connect

it

to

a

sound

system

(preferably

full-range).

PHONES

Connection

for

standard

stereo

headphones.

R

Connection

for

right

portion

of

stereo

output.

L

(MONO)

Connection

for

left

portion

of

stereo

output.

Also

uscd

as

a

mono

output

if

sterco

is

not

required.

INDIV.

;

Connection

for

the

Individual

Output

channel

to

which

—

any

given

drum

can

be

assigned.

°

FYT.SWLA

Connection

for

first

opuional

F-1

footswitch,

Footswitch

functions

are

programmable.

*

FT.

SW.B

Connection

for

second

optional

F-1

footswitch.

Footswitch

functions

are

programmable.

*

TAPE

OUT

For

connection

to

cassette

deck

input

for

data

Storage.

*

TAPE

IN

For

connection

to

cassette

deck

Output

for

data

retrieval.

*

MIDI

IN/OUT

Connection

to

extemal

MIDI

gear,

Kawai

R-50e

Owner's

Manual

«

Page

5

4,

OVERVIEW

SOUNDS

The

R-50e

features

the

following

24

digital

drum

and

tuned

percussion

sounds:

ELECTRONIC

BASS

DRUM

(BD1)

REVERB

BASS

DRUM

(BD2)

ACOUSTIC

BASS

DRUM

(BD3)

ELECTRONIC

SNARE

DRUM

(SD1)

REVERB

SNARE

DRUM

(SD2)

ACOUSTIC

SNARE

DRUM

(SD3)

GATED

SNARE

DRUM

(SD4)

RIM

SHOT

(RIM)

ELECTRONIC

TOM

HIGH

(TOM1)

ELECTRONIC

TOM

MID

(TOM2)

ELECTRONIC

TOM

LOW

(TOM3)

REVERB

TOM

HIGH

(TOM4)

REVERB

TOM

LOW

(TOMS)

HI-HAT

CLOSED

(HHCL)

HI-HAT

OPEN

(HHOP)

CRASH

CYMBAL

(CRSH)

HAND

CLAPS

(CLAP)

CLICK

(CLIK)

FINGER

SNAP

(SNAP)

NORMAL

ELECTRIC

BASS

(BAS1)

FUNK

ELECTRIC

BASS

(BAS2)

ORCHESTRA

HIT

1

(HIT1)

ORCHESTRA

HIT

2

(HIT2)

TIMPANI

(TIMP)

GETTING

AROUND

These

instruments

can

be

assigned

to

Pads

1-10

along

with

other

parameters

such

as

tunings,

accent,

panning,

level

and

processing.

Four

pad

sct-ups

are

preset

and

cight

combinations

are

user-definable.

Rhythm

patterns

can

be

recorded

individually

using

any

of

the

pads

in

memory

and

up

to

cight

voices

can

sound

simultancously.

Rhythm

pattems

can

then

be

assembled

into

a

song

and

individual

songs

can

be

linked

together

to

automate

entire

scts.

PADS

The

sounds

in

the

current

pad

set-up

or

drum

kit

are

played

using

the

10

pads

labeled

PAD

1

-

PAD

10.

Additional

kits

are

accessed

using

the

PAD

key.

Operations

on

the

R-50e

are

fairly

uniform.

Please

take

a

moment

to

familiarize

yourself

with

standard

communication

with

the

R-S0e.

Major

command

categories

are

engaged

by

pressing

the

correspondingly

marked

button.

For

keys

with

two

commands,

the

lower

command

is

accessed

by

pressing

the

key

twice

in

succession.

In

cither

case,

pressing

the

same

button

again

exits

the

command

category.

Additional

commands

are

structured

in

a

menu/sub-menu

format

and

are

accessed

by

pressing

the

ENT./REP.

key

successively

for

each

command.

In

some

instances,

the

BACK

key

can

be

used

to

move

backward

through

a

series

of

sub-menu

choices.

The

ENT./REP.

and

BACK

keys

also

serve

as

“Execute”

and

“Cancel”

for

certain

operations.

CURSOR

KEYS

The

q

and

»

keys

are

used

to

increment

and

decrement

the

value

displayed

in

the

window.

The

#

and

w

keys

change

similar

parameters

in

steps

of

+/-10.

4

and

~w

also

change

certain

other

display

attributes

such

as

drum

selection.

The

arrow

keys

repeat

their

functions

when

held

down.

VOLUME

The

VOLUME

control

serves

as

a

master

volume

control

for

the

entire

instrument.

Individual

volumes

are

accessed

via

the

MIXER.

Page

6

«

Kawai

R-50e

Owner's

Manual

9.

WORKING

WITH

DRUM

KITS

nn

It

is

important

to

understand

that

pads

and

drums

are

independent

of

one

another.

A

drum

can

be

assigned

to

more

than

one

pad

at

a

time

and

the

different

pads

can

then

be

set

for

different

variations

in

tuning,

level

and

processing

to

facilitate

easy

and

versatile

entry

of

patterns,

Pressing

PAD

displays

the

current

drum

kit.

The

R-S0e

comes

with

4

preset

drum

kits

(PRE.

1-4)

and

8

user-

defined

drum

kits

(USER

1-8).

(The

instrument

comes

out

of

the

box

with

PRE.

1

assigned

to

the

pads.)

Play

the

10

pads

to

hear

each

sound.

Pressing

the

q

and

>

keys

moves

through

PRE

1-4

(presets)

and

USER

1-8.

Select

each

kit

in

turn

and

play

the

10

pads.

CHANGING

DRUMS

This

is

where

drums

are

selected

for

the

current

pad

(the

one

played

last).

Besides

the

24

percussion

and

drum

sounds,

eight

uiggers

are

available

which

can

be

programmed

to

play

external

MIDI

devices.

Trigger

parameters

are

set

up

under

MIDI

OUT.

Press

ENT/REP.

from

thet

USER

display.

Press

the

«

and

w

keys

to

change

the

drum

assignment.

The

display

will

show

the

curren

y

selected

drum.

LEVEL

While

the

front-panel

pads

are

not

physically

sensitive,

they

can

be

programmed

to

record

notes

into

patterns

at

a

specified

velocity

or

volume.

Press

ENT/REP.

from

the

DRUMS

display.

Use

the

4

and

D

keys

to

change

the

LEVEL

assignment.

The

bar

graph

in

the

display

represents

the

LEVEL

setting,

CHANGING

USER

SETTINGS

While

the

presets

cannot

be

altered,

USER

1-8

are

designed

to

be

PAD

programmed

to

suit

your

needs.

4

After

selecting

the

appropriate

DRUM

USER)

drum

kit,

ENT/REP.

¥

accesses

the

next

function

and

LEVEL

;

BACK

returns

you

to

the

previous

_,

v

|

function.

To

exit

PAD

mode

at

ACCENT

|

any

time

press

PAD

again.

v

TUNE

You

can

select

a

pad

during

any

of

|

wv

these

functions

simply

by

hitting

it.

PAN

|

The

pad

number

is

displayed

along

v

with

the

appropriate

information

|

GATE

for

the

current

function

and

the

v

:

pads

can

be

played

while

making

DELAY

changes.

v

FLANGE

:

EXAMPLE

Press

PAD

to

enter

PAD

+PAD

mode.

Use

q

and

>

toselect

akit.

*PAD

USER

Press

ENT/REP.

to

get

into

‘

oe

the

kit.

*PAD

1

TOML

Play

apad

to

access

:

_

settings

for

that

pad.

*PAO

g

Tons

Press

&

and

w

to

change

peat

the

assigned

instrument.

*PAO

9

TONS

Press

ENT./REP.

to

access

*PAD

9

!

LEVEL.

ore

a

i

a

|)

2)

m

\—

Use

¢

and

>

tochange

the

pad

volume.

*FHO

39

LUL.

@

(continued

on

next

page)

Kawai

R-S0e

Owner's

Manual

«

Page

7

ACCENT

Each

pad

can

be

given

an

accent

level

which

is

invoked

when

the

ACCENT

key

is

depressed

in

conjunction

with

the

given

pad.

The

ACCENT

level

can

actually

be

higher

or

lower

than

the

LEVEL

setting.

Press

ENT./REP.

from

the

LEVEL

display.

Use

the

4

and

>

keys

to

change

the

ACCENT

level.

The

bar

graph

in

the

display

represents

the

level.

TUNING

Each

pad

can

be

tuned

-8/+7

semitones

from

the

drum's

original

pitch.

Several

pads

using

the

same

drum

could

be

tuned

differently

to

create

tuned

percussion.

Press

ENT./REP.

from

the

ACCENT

display.

Use

the

<

and

®

keys

to

change

the

tuning.

The

graph

in

the

display

increases

as

the

pitch

gets

higher

and

decreases

as

the

pitch

gets

lower.

8

bars

represent

original

pitch.

PAN

Each

pad

can

be

positioned

anywhere

in

the

stereo

field

when

both

the

LEFT

and

RIGHT

outputs

are

used.

Press

ENT./REP.

from

the

TUNE

display.

Use

the

q

and

b

keys

to

place

the

sound.

The

graph

in

the

display

indicates

the

left-to-right

placement

of

the

current

pad.

8

bars

represent

center

position.

(O~7:

Left,

9~15:

Right)

GATE

Gating

refers

to

cutting

off

part

of

a

sound.

A

popular

recording

technique

today

is

to

apply

a

gate

to

a

reverbed

drum

sound

to

choke

the

reverb

effect

off

abruptly.

Press

ENT./REP.

from

the

PAN

display.

Each

pad

can

be

given

its

own

gate

setting

using

the

4

and

>

keys

to

select

GATE

1,

GATE

2

or

GATE

3.

GATE

0

indicates

no

gating

effect.

EXAMPLE

(continued)

Press

ENT./REP.

to

access

ACCENT.

Use

q

and

>

tochange

the

ACCENT

setting.

Press

ENT./REP.

to

access

TUNE.

Change

pad

tuning

using

and

>.

Press

ENT./REP.

to

access

PAN.

Use

q

and

>

to

change

pad

panning.

Press

ENT./REP.

to

access

GATE.

Use

q

and

>

to

change

the

pad

gate

setting.

*PAD

3

AC.

*PAD

3

RAC.

O

*PAD

3

TUHES

*PAD

3

TUHE

SE

(continued

on

next

page)

Page

8

«

Kawai

R-50e

Owner's

Manual