Fostex DV-40 Manuel utilisateur

03H 02M 52S 05F 43SF

Movie Production TV Production Location Recording Live Stage RecordingTheatre Sound Playback

PD-6

DVD Location Recorder

DV824

DVD Multitrack Recorder

DV40

DVD Master Recorder

DVD-RAM Location Recording,

Multitrack and Mastering Solutions

™

PD-6

Portable Location Recorder

The Fostex PD-6 is the new standard for

multitrack portable location recording on set or

in the field. Offering 6-channel recording at

24-bit / 96kHz with timecode on 8cm

DVD-RAM or optional internal hard drive, the

PD-6 is the answer to all of the new challenges

for location recording today. In addition, it

features a full-function, high-specification 6-

channel mixer, ‘easy access’ monitoring and

all the connectivity one would expect, and

need, from a thoroughly professional unit.

Removable or Internal Media

Designed from the ground-up for location

recording and to provide vibration stability,

high speed access and most importantly, high

reliability, the PD-6 is already proving itself in

motion pictures, TV productions and outside

broadcast. It can record to 8cm DVD-RAM or an

internal hard disk with DDR (Dual Disk

Recording where data is recorded direct to

both DVD-RAM and hard drive making for

quick handover of the days audio files to the

edit suite), and Auto Copy (immediate and

background modes) functions present. Plus, by

adding the EX12 docking station, even more

media recording choices are available.

Fully Featured On-Board Mixer

The six channel mixer accepts either

microphone level, with both T-Power (12V) and

phantom power (48V) available, or line level.

Phase reverse is provided on the three even

channels while each channel features

adjustable input gain. A generous defeatable

The New Industry

‘On-Cart’ Standard

8cm DVD-RAM NP-1 type battery

40GB INTERNAL HARD

DRIVE - MODEL 9056

Model 9056 is a service-centre

fitted 40GB 1.8" hard drive

partitioned into 1.46GB areas,

providing the equivalent of 27

‘mini’ DVD-RAMs-worth of audio

file/take storage. This makes it

ideal for extended recording

periods away from base and for

having a redundant copy

available within the PD-6 itself.

When recording direct to the

40GB hard drive, the PD-6 can be

set to DDR (Dual Disk Recording),

making for the quick handover of

audio files to the edit suite at the

end of a days shooting. With the

unique Fostex metadata provided

as standard in the BWF files the

whole post production process is

even quicker and more cost-

effective than ever.

DOCKING STATION -

MODEL EX12

The EX12 docking station

provides an additional two media

choices; ‘full-size’ DVD-RAM and

an additional 2.5-inch 40GB hard

drive. The EX12 hard drive sports

8 x 4.7GB partitions to match the

format of a single-sided DVD-

RAM disc and it or the DVD-RAM

can be selected as the primary

recording medium, with

file/exchange, DDR (Dual Disk

Recording) to both hard drive

and DVD-RAM functions

available. With the longer

recording times, the EX12 is

ideally suited for use in sound

mixers carts, on sound stages or

in edit suites. The unit can be

rackmounted, and can provide

power to the docked PD-6.

IEEE1394 and USB1.1 ports are

provided to allow external

computer access to the DVD-

RAM drive.

and variable high pass filter and an individual

defeatable limiter, with software selectable

characteristics and linking, are also provided.

The most ingenious part of the mixer however

is the routing capability: working in conjunction

with each channel’s level controller, the ‘Disc

Feed’ switch allows the recording section of

the machine to derive its audio ‘feed’ from

three different sources.

1. PRE the channel level control, meaning

levels are set once with the earlier trim pot,

leaving the front level controls for bus

mixing

2. POST the channel level control providing for

regular level adjustment on the easily

accessible controls

3. From the Stereo Bus, routed by the PAN

switch

These three modes provide simple stereo

mixing of all six channels and by using a

combination of modes, mono or stereo parallel

mix (guide) tracks can be made.

Rock Solid Timecode

Add to this the ‘easy access’ monitoring,

rock solid timecode functions,

new EX12 docking station for

multi-format recording

and all the

connectivity one

would expect and it’s

easy to see why the

PD-6 is becoming the

new ‘on-cart’ industry

standard.

Future software developments and updates are via DVD-RAM cartridge and downloadable from the dedicated web site: www.fostexdvd.net

Balanced AUX I/O 10 sec (256MB) pre-record 6 channel mixer Flexible monitoring

Main Features

• BWF recording file format (interleave 1 file mode) in

either 2, 4, 5 & 6 track modes along with

simultaneous two file recording modes of 1+5 and

2+4 tracks for guide track audio

• Fostex Verify/Write feature constantly examines data

being recorded to DVD-RAM

• UDF (Universal Disc Format) on DVD-RAM allows

discs to be read by both PC and Mac platforms

• *Dual Disk Recording (Mirroring): records to both HD

and 8cm DVD-RAM simultaneously. Even file edits

performed on either disk after recording will be

reflected (mirrored) to the other one

• *Two Auto Copy modes;

(1) Auto Copy (Immediate). Recording to HD with

immediate copy to 8cm DVD-RAM disk

(2) Auto Copy (Background). Audio recorded to HD is

copied to 8cm DVD-RAM automatically while PD-6 is

idling (i.e. not in record).

• Manual Copy is also available where a file or a whole

partition (disk) can be copied between a partition and

DVD-RAM, or two partitions in the HD at anytime.

• On-board timecode generator with +/-1ppm

accuracy and built-in backup offers all frame rates

including 23.976 and 29.97+ drop and pull-up/down.

Generator can be 24H, Rec Run, Free Run or external

complete with jam. Repro or generator output

• Avid™ compatibility. BWF files recorded on the PD-6

can be imported directly into Avid Film Composer

along with information about Scene, Take, Reel

Number, Event, etc. being transported and read from

the file’s, user-editable Metadata

• Circle Take with dedicated key, to mark files/takes for

easy ID leading to quick imports referenced in the

EDL. Up to 100 cue points per file/take

• EDL management built-in to create & edit multiple

ALE (Avid™ Log Exchange) compatible edit decision

lists per DVD-RAM.

• IEEE1394 (FireWire) interface for fast mirror and

restore. When interfaced to a PC, PD-6 DVD-RAM

discs can be mounted on desktop

• USB port for keyboard connection

• Pre Record enables PD-6 to constantly buffer up to 10

secs of audio (no more missed takes)

• 128 x 64 highly visible, low power consumption back-

lit dot matrix display. Alternative level meter resolution

indication on display

• Auxiliary bus input/output provides for remote camera

working and monitoring (e.g. HD cam) with switchable

output between +4dBu, -10dBu and -60dBu to cater

for most camera manufacturers requirements.

Industry standard 10-pin Hirose connector

• Two auxiliary 12volt outputs on Hirose 4-pin

connectors provide power for radio mic receivers,

etc. to allow for self-contained operation on location

• Slate microphone and tone generator on-board

• Digital I/O software selectable between AES/EBU or

S/PDIF with auto and manual input sensing,

switchable in pairs: 1+2, 3+4 and 5+6

• Flexible monitoring through headphones and/or built

in speaker & amplifier. All track combinations can be

monitored post-disc either individually, in summed

mono or stereo modes. MS monitoring as standard.

Aux return and stereo bus live monitoring is provided

plus individual channel PFL.

• External Word & Video sync inputs (auto selection)

and Word Output plus parallel remote connector

• Optional AATON connector (ASCII & LTC I/O compliant)

for external loggers, timecode synchronisers, etc.

• Automated file/take naming speeds set-up time

between takes complying to US and Euro standards

• Comprehensive selectable UBIT output format

combinations including Scene, Take, Event no., etc.

Paul Brincat - Sound Mixer

From the tropical jungle to the

desert wastelands of Tatooine,

30-year veteran and award-

winning sound recordist Paul

Brincat has enjoyed a career that

has led him to all corners of the

globe. Paul used a Fostex PD-6

on the recent Star Wars III shoot

and his experiences are relayed

to Audio Technology Magazine in

an excellent article which is

available to view online at

www.fostexdvd.net

Movie Production

Brian Laurence - Sound

Designer & Producer

Brian pioneered the 6-channel

full-surround audio format first

seen at the Australian Pavilion at

EXPO in Spain. Recently he was

commissioned to record the

audio for the Lions section at

Werribee Open Range Zoo on the

outskirts of Melbourne, requiring

him to capture sound on location

in Botswana. “It all worked

perfectly, under reasonably

extreme conditions of heat, dust

and bumpy vehicle tracks. The

ability to ‘pre-record’ was great

for nature recording, where you

can wait hours for a single lion

roar.”

“The 6-channel format also fits

easily into the Dolby Digital 5.1

format, providing rich, involving

true-to-life atmospheres, for just

about any scene.”

Soundscape Project

*When 9056 installed or EX12 connected

Main Features

• Up to 8-track simultaneous recording at 24bit/48kHz

• Up to 4-track simultaneous recording at 24bit/96kHz

• Slim line chassis - just 2U high - for easy handling &

installation

• Analog balanced XLR inputs and outputs for all 8

channels

• AES/EBU digital inputs and outputs for connection to

analog and digital audio mixers

• Flexible AC or DC (for location use) power operation.

Supplied with AC adapter (AD-15C) as standard.

• BWF file format and UDF disk format combine for

excellent PC/Mac compatibility

• Playback of disks recorded on both DV40 and PD-6.

• 132x64 dot-matrix LCD display

• Large LED time display and 18-bar level meters.

• High-speed 10/100Base-T Ethernet port for data

transfer via the media network

• Multiple DV824’s can be controlled by a master DV824

through the 9-pin remote connector

• Dedicated front-panel USB keyboard input for easy

file naming and editing.

• Flexible programmable playback function

• Interface expansion via card-frame system with

optional cards

• Optional Timecode/Sync (Model 8348) card allows for

both internally-generated and external timecode with

+/-1ppm accuracy to be integrated into the recording

process. An LTC offset can be set independently for

each file

• Bi-Phase input included on Timecode/Sync card for

synchronization to film projectors

• Optional Hard Drive (Model 9057) allows for Dual Disk

Recording as well as Auto Backup functions

• Optional IEEE1394/USB 2.0 card (Model 8370) will be

available for fast data transfer to/from PC/Mac.

DV824

DVD Multitrack Recorder

EASY ACCESSIBLE

FUNCTIONS:

DV824’s easy to use menu system

and large 135 x 64 dot LCD matrix

display aids usability.

The next generation of standalone multitrack

recorders is here, and provides supreme

quality 8-track recording to standard-size

DVD-RAM discs in a unique package

representing the very forefront of multitrack

recorder design.

But, then again, you would expect nothing less

from Fostex.

Market Leaders

Starting with the 8-track D80 almost 10 years

ago and continuing with today’s acclaimed 24-

track D2424LV, Fostex have been driving the

standalone HD-based multitrack market

forward through innovation and refinement.

Now, with the experienced gained in

implementing state-of-the-art DVD-RAM

recording technology into the revolutionary

DV40 Master Recorder and industry standard

PD-6 DVD Location Recorder, Fostex present

the new D824 DVD-RAM based multitrack.

DVD-RAM Technology

The DVD-RAM format has fast become the

format of choice among audio, video and film

professionals around the world. It has built-in

error correction, (enhanced by ‘Verify/Write’

technology which constantly examines the

recorded data being stored on DVD-RAM), is

8 Track Digital

Recording Direct to DVD-RAM

Standard 12cm DVD-RAM U

durable, and has longevity. It therefore seemed

only natural to use the technology for a brand

new breed of multitrack recorder.

Innovative Modular Approach

Fostex have identified that different

applications require different interfacing

options. For example, TV show recording will

require timecode facilities, whereas live stage

recording will not.

Taking a leaf out of desktop computer design

and to broaden the appeal of the machine

across multiple applications and

environments, the DV824 employs a unique

modular card-frame approach.

Primary recording and playback functions,

along with metering, user interface and disc

management, are all handled by the powerful

mainframe, with additional functionality, (such

as timecode), available via plug-in cards.

This allows the DV824 to be tailored precisely

to accommodate diverse applications with

plug-in options available for Timecode / Bi-

phase facilities, IEEE1394 interface for direct

data transfer to/from PC or Mac, and internal

Hard Disk for dual disk recording with auto

backup. - With the DV824 you only pay for the

features and functionality you actually need.

However, there is a lot more to the DV824 than

its unique card-frame construction.

SB port for PC keyboard Large time display Balanced I/Os

Perfect for today’s surround

sound recording requirements,

the DV824 provides a full 8

channels of 24-bit recording and

Timecode/Sync facilities with

Model 8348 card fitted.

TV Studio Recording

Being able to record 8-tracks

simultaneously, the DV824 is

well suited for recording live

stage audio. Balanced XLR

inputs are present for all 8

recording tracks.

Stage Recording

For large-scale theatre and

‘event’ sound, the 8 track DV824

provides a number of exciting

possibilities including

programmable playback

functions.

Theatre Sound

The DV824 fits right into the

location recording environment

and outside broadcast

acquisition. Full timecode

facilities are available with the

Timecode/Sync card fitted.

On-Cart Location

Predictable Sonic Quality

First there is the excellent audio quality offered

by the high-definition recording engine which

offers multitrack recording in one of six audio

formats up to 24bit / 96kHz.

Then there’s the full compliment of balanced

analog I/O and AES/EBU digital I/O, the

programmable playback feature (ideal for

telecine playback), the comprehensive

headphone monitoring, the smart file

administration and Ethernet networking.

In addition, the DV824 can be powered via AC

or DC current, making it ideal for on-cart

location applications, and it employs the same

BWF file format and UDF disk format as other

Fostex DVD-RAM machines for excellent

PC/Mac compatibility.

Finally, there’s the intuitive operation, thanks to

a user interface which combines a 132 x 64 dot

LCD display, positive-action buttons / switches,

large LED time indicator, 18-bar level metering

and intelligently written software.

Supremely Versatile

Ready for TV show recording, live stage

recording, small event playback, large scale

live theatre SE playback, on-cart location

sound recording, telecine playback and more,

the new Fostex DV824 is probably the most

versatile multitrack ever designed.

The DV40 was, and is, a revelation. Here is a

rackmount unit which can record up to 4 tracks

of digital audio to removable DVD-RAM UDF

discs in either BWF or SDII formats and with

full timecode facilities. And a machine which

elegantly addresses the challenges presented

by today’s ‘random access’ requirements. Post

production facilities, sound mixers, radio

stations and ADR suites have welcomed the

DV40 with its large scale Jog/Shuttle wheel,

ultra-ledgeable LED screen and mutiple front

panel controls which make for fast ‘hands-on’

use. - Most of the DV40 functions are just a

single button push away.

4 Track Master Recording

Able to record four simultaneous non-

destructive audio tracks to DVD-RAM at up to

24 bit / 192kHz resolution and with its elegant

timecode implementation, the DV40 has

quickly become the machine of choice for

many film and tv productions in the US, Europe

and beyond helping to streamline the

production process and hence reduce costs.

Universal Disc Format

Post production houses too have warmed to

the DV40. The handy Universal Disc Format

(UDF), which allows DV40 media to be

mounted and read by Macintosh and PC

workstations, easy media network integration

and ultra-fast, rock solid synchronisation, is

revolutionising many productions from Los

Angeles to London.

Of course what really sets the DV40 apart is its

elegant handling of timecode as it addresses

the challenges presented by today’s ‘random

STANDARD ETHERNET

DV40 is equipped with 10/100Base-T

Ethernet as standard. Once the IP

address is set DV40 files will be

available via your media network.

BALANCED I/O

Each of the four audio channels

feature balanced XLR inputs

individually switchable between

+4dBu and –10dBV and the highest

quality 24bit/192kHz AD converters.

The outputs are provided on both

balanced XLR again with 24bit/192kHz

DA converters as well as 1/4"

unbalanced phone jacks for easy

monitoring hook-up.

24-BIT / 192kHZ RECORDING

The DV40 is capable of recording up to

24bit / 192kHz depending on recording

mode used. In addition, other formats

offered: (see chart on page 8) 16bit /

44.1kHz, 16bit / 48kHz, 24bit / 44.1kHz,

24bit / 48kHz, 24bit / 88.2kHz, 24bit /

96kHz and 24bit / 176.4kHz

AUDIO SCRUBBING

The large high-resolution (200 pulses

per rotate) jog/shuttle dial and clever

digital tracking technology result in

incredible audio scrubbing.

FLEXIBLE MONITORING

Headphone monitoring is provided with

switchable source selection for Track

1+2, Track 3+4, Track 1+3/2+4 and

each track individually.

SYSTEM INTEGRATION

Interoperability and system integration

is taken care of via 9 and 15 pin RS-

422 connectors. Both interfaces comply

to the Sony 9-Pin protocol for standard

VTR emulation and Fostex’s own

extended instruction set.

New Industry Standard

DV-40

DVD Master

Recorder

Main Features

access’ requirements: able to synchronise with

both external word and video signals, the built-

in timecode generator is fully featured and

even includes the new 23.976 frame HD

camera mode.

Continuing Development

Fostex continue to develop the platform; Model

5050 card allows the DV40 to read the 6 track

files on 8cm DVD-RAM created by the PD-6

and adds analog outputs 5 & 6 are on balanced

XLR connectors as well as AES/EBU on XLR;

enhanced ‘take’ (file) naming complying with

US and European clapper board standards and

EDL management tools allowing ALE (Avid Log

Exchange) compatibility.

The perfect production partner to a PD-6 or the

ultimate timecode master recorder. The DV40

is all this.

And more.

• Universal Disc Format on DVD-RAM. Discs can be mounted instantly on both PC and Mac platforms

• Record Mono, Stereo or Multi (4 track) at various frequencies (44.1 / 48 / 88.2 / 96 / 176.4 / 192kHz)

• Two recording modes (Insert and Tape) • Built in I/O options

• Analog audio scrubbing by using high precision/ tracking JOG/Shuttle encoder dial

• On-board timecode generator with +/-1ppm accuracy and built-in backup offers all frame rates

including 23.976 and 29.97+ drop and pull-up/down. Generator can be 24H, Rec Run, Free Run or

external complete with jam, while output can be repro or generator derived

• Avid™ compatibility. BWF files recorded on the DV-40 can be imported directly into Avid Film

Composer along with information about Scene, Take, Reel Number, Event, etc. being transported and

read from the file’s Metadata. The Metadata area is user-editable for future expansion

• PD-6 8cm DVD-RAM discs can be played out on a DV-40 by simply removing them from the caddy

and placing in the DVD-RAM tray

Fostex started a revolution 18 years ago

inventing timecode DAT and portable timecode

DAT and now they’re doing it all over again

with the new revelation in digital recording -

Timecode DVD-RAM.

Removable DVD-RAM

Fostex chose DVD-RAM as the most suitable

successor to DAT after extensive research and

testing. DVD-RAM has excellent reliability and

has already established itself as the film

industry’s preferred media format due to its

built-in error correction and longevity. This

security is enhanced by the Fostex’s proprietory

‘Verify/Write’ technology which constantly

examines the recorded data being stored on

DVD-RAM, in real-time, for error-free recording.

Plus, ensuring compatibility throughout the

industry and maximising the DVD-RAM

technology, the DV40, PD-6 and new DV824 can

record multiple channels of simultaneous audio

(4 with the DV40, 6 with the PD-6 and no less

than 8 with the new DV824), in a vast number of

permutations and in BWF (PD-6, DV40 and

DV824) or SDII (DV40 only) formats.

In a class of their own

With superb audio quality, up to 24-bit /

192kHz

available, flexible and comprehensive

timecode facilities and ‘common sense’

usability, Fostex DV40, PD-6 and DV824

Timecode DVD-RAM machines are not just

class leaders, they’re totally in a class all of

their own.

The New Industry Standard

SYNC AT ALL STANDARD REFERENCES

All the standard clock references of word and video are

included with the ability to resolve to incoming timecode.

24-BIT AUDIO QUALITY FOR FLEXIBLE

RECORDING

The DV40, PD-6 and DV824 are capable of recording up to

24bit audio depending on recording mode used.

UDF (UNIVERSAL DISC FORMAT)

VERSATILITY

As the UDF (Universal Disc Format) is utilized, discs can be

read by any computer OS (Windows, Mac, etc.) which

makes for easy transfer of audio files to and from the

recorders for external editing.

TIMECODE DVD RAM

The Removable Media Revelation

™

Chris Munro - Sound Mixer

One of the world’s leading

Production Sound Mixers and a

BAFTA and Oscar™ award

winner, Chris used Fostex

Timecode DVD-RAM technology

for audio acquisition on the latest

James Bond hit ‘Die Another

Day’. Chris has pioneered the

‘magless dailies’ process, (see

bottom left), which saved the

production a small fortune.

Always in demand, Chris is

recognised as setting quality

standards in the film industry.

Movie Production

Joe Kenworthy - NYPD Blue

Sound mixer Joe uses Fostex

Timecode DVD-RAM machines

for audio acquisition on the ever-

popular NYPD Blue TV series.

“The big thing for me is that I get

a digital file from the beginning,

and all our digital editing

machines can take those files

and begin to work, with less

transfer time. We are using a

first-generation signal all the way

through the chain, which keeps

quality high, and it’s quicker, with

no conversions involved.”

TV Production

Jay Hartigan - Shooters Post

Jay has been a production sound

mixer for the past 25 years and is

one of three owners of Shooters

Post & Transfer, a Philadelphia

based production facility. “Every

day we transfer 1/4" production

sound to our DV-40 for film

transfer. It turns what was once a

slow, tedious sync session into a

fast easy job. Once the field

sound is on DVD-RAM we no

longer have to wait for the audio

to sync. It’s always right there.”

Post Production

ON SET

Audio acquisition direct to DVD-RAM in

BWF. Scene, slate, take, reel &

timecode automatically stamped to

each file/take.

EDIT SUITE

Fast import of the day's audio files, direct

from DVD-RAM, into Avid Film Composer. All

takes already automatically labelled. After

sync to picture, quick export of the audio track

to the DVD-RAM 'daily disc'.

No real-time batch digitizing of audio into editor - save time

No expensivemaking of mag stock for daily rushes - save money

SCREENING ROOM

'Dailies disc' can be played on a DV40

synced to the screening room's

projector with instant lock and hi-

speed playback features as standard.

No need to covert or

batch digitize audio

TIME & BUDGET

SAVING

No need to make

mag stock

TIME & BUDGET

SAVING

Sound Mixer Chris Munro pioneered the ‘magless dailies’ concept, originally

with the Fostex PD-4 DAT, and has refined it with the use of Fostex's DVD-

RAM products and was honoured with the Charles Parkhouse Award for his

work in this area. The day’s audio can be loaded into a non-linear editor

complete with all auto-generated scene, take, reel info and more, in just a

couple of minutes for each hour of audio directly from the DVD-RAM disc,

with no additional software! After syncing to picture, an export to another

DVD-RAM disc produces the 'daily disc'. The editor gets all his labelling done

for him by the acquisition machine, along with a guide audio track; the

production team watch rushes in original digital audio; and most importantly,

the production saves tens of thousands of dollars by not having to use (and

store!) expensive mag stock, and wiping off hours from the post process.

‘Magless Dailies’

Fostex Timecode DVD-RAM recorders

are currently being used in major film,

TV and post production applications in

the USA, Europe and beyond. Fostex

actively encourages user feedback and

continually develops the products

incorporating new features and

enhancing usability...

192kHz available on

DV40 only

Dependent on

version

Ken Mclaughlin

On the set of ‘Meet the

Fockers’, the sequel to

‘Meet the Parents’.

Ken Fuller

TV shows including

Superman, Homefront,

Crossing Jordan and

others.

Art Rochester

Works on most Jack

Nicholson movies

including ‘Somethings

Gotta Give’.

Dave Macmillan

Winner of 3 Oscars:

Including Appolo 13

with Tom Hanks, and

Speed.

Distributor / Authorised Dealer

In accordance with our policy of continuous development, we reserve the right to change specifications without notice. E&OE.

Fostex Company, 3-2-35 Musashino, Akishima, Tokyo, Japan 196-0021

Tel: +81 (0)42-546-4974 Fax: +81 (0)42-546-9222

www.fostex.co.jp

GENERAL

Recording Medium ATAPI DVD-RAM (8cm)

40GB Internal Hard Drive

Recording Format BWF (SDII™ & AIFF planned future option)

Recording Medium 8cm DVD-RAM

Sampling Frequency 44.1 / 48 / 88.2 / 96kHz

Quantization 16bit (44.1 / 48kHz)

24bit (44.1kHz / 48 / 88.2 / 96kHz)

Recording Tracks See chart below

INPUT / OUTPUT CONNECTORS (0dBu = 0.775Vrms)

ANALOG AUDIO INPUT CH. 1-6 (Line/Mic selectable)

Connector XLR-3-31 type (Pin2:Hot)

Input Level -30 - +4dBu (+/-5dB, Line)

-60 - -26dBu (+/-5dB, Mic)

Maximum Input Level +24dBu (Line) / -40dBu (Mic)

Input Impedance More than 10k ohm

ANALOG AUDIO OUTPUT TR. 1 - 6

Connector XLR-3-32 type (Pin2:Hot)

Reference Output Level +4dBu

Maximum Output Level +24dBu

Output Load Impedance More than 10k ohm

AUX INPUT / OUTPUT

Connector 10pin – male / balanced (Hirose)

Reference Input Level +4dBu

Maximum Input Level +24dBu

Input Impedance More than 10k ohm

Reference Output Level +4dBu / -10dBu / -60dBu (switchable)

Maximum Output Level +24dBu

Output Load Impedance More than 10k ohm

DIGITAL INPUT / OUTPUT CONNECTOR

Connector D-sub 25pin (auto software selection)

Input Format IEC60958 (S/P DIF) or

IEC60958 (AES/EBU)

Output Format IEC60958 (S/P DIF) or

IEC60958 (AES/EBU)

LTC INPUT

Connector XLR-3-31 type (Pin2:Hot), balanced

Format SMPTE/EBU

Reference Input Level 2Vp-p

Minimum Input Level 0.25Vp-p

Input Impedance More than 20k ohm

LTC OUTPUT

Connector XLR-3-32 type (Pin2:Hot), balanced

Format SMPTE/EBU

Reference Output 2Vp-p

Output Impedance Less than 1k ohm

Output Load Impedance More than 600 ohm

VIDEO / WORD INPUT

Connector BNC (auto software selection)

Reference Input Level TTL level (w/ 75ohm termination SW)

WORD OUTPUT

Connector BNC

Output Level TTL level

AATON INPUT / OUTPUT (Option)

Connector LEMO 5pin

Format Complies to ASCII & LTC I/O

IEEE1394 P1394a Draft 2.0 4 pin

USB Serial A Receptable

HEADPHONE OUTPUT SOLO or STEREO/MONO: 1+2, MS,

3/5+4/6, 1/3/5+2/4/6, 3/5+2/4/6,

1/3+2/4, ST. AUX IN, ST. BUS

Connector 6mm dia stereo phone jack

Load Impedance More than 32 ohm

Maximum Output Level 200mW (at 32 ohm)

PARALLEL REMOTE

Connector MINI DIN 8pin female

DC12V - 18V IN

Connector XLR-4-32 type

DC12V OUT

Connector HR10A-7R-4S (Hirose 4pin female) x2

Max. 0.5A (Total combined)

PERFORMANCE

R/P Frequency Response 20Hz to 20kHz +/-1dB (fs : 44.1 / 48kHz)

20Hz to 40kHz +/-1dB (fs : 88.2 / 96kHz)

Signal to Noise Ratio

Line: 100dB (ADC-DAC, 24bit,

ref:-20dB, fs:48kHz) typical

Mic: 87dB (ADC-DAC, 24bit, ref:-20dB, fs:48kHz) typical

Dynamic Range 100dB (ADC-DAC, 24bit, ref:-18dB, fs:48kHz) typical

T.H.D. Less than 0.01% (1kHz, -1dB, ADC-DAC, 24bit,

ref:-18dB, fs:48kHz typical)

Reference Recording Level -18 / -20dB (switchable)

Cue Point Chunk 100

Power Life 2 hours continuous operation estimated,

NP-1 type Li-ion

PHYSICAL

Power Requirement NP-1 type battery

AC Adaptor - option model AD-15C

DC 12V - 18V

Power Consumption 25W

Dimension 329 (W) x 110 (H) x 245 (D)mm

Weight 3.5kg (w/o battery)

OPTIONAL ACCESSORIES

EX-12 Docking Station 40GB Hard Drive, 12cm DVD-RAM Drive, PSU

For full specification see right

ZP-6 Carrying Case

AD-15B/C AC Adaptor

ATC-4 AATON Interface

9056 Optional Hard Disk

GENERAL

Recording Medium ATAPI DVD-RAM

(optional 2.5" hard disk is mountable)

File Format SDII™ / BWF

Sampling Frequency 44.1 / 48 / 88.2 / 96 / 176.4 / 192kHz

Quantization 16bit (44.1/48kHz)

24bit (44.1 / 48 / 88.2 / 96 / 176.4 / 192kHz)

Recording Tracks See chart below

INPUT / OUTPUT - (0dBu=0.775Vrms, 0dBV=1Vrms)

Reference Input Level +4dBu / -10dBV (Balanced)

ANALOG INPUT (TR 1 – 4)

Connector XLR-3-31 type (Balanced) (1:GND / 2:HOT / 3:COLD)

Input Impedance 10k ohm or more

Rated Input Level +4dBu

Max. Input Level +24dBu

ANALOG OUTPUT (TR 1 – 4)

Connector XLR-3-32 type (Balanced) (1:GND / 2:HOT / 3:COLD)

Output Load impedance 600 ohm or more

Rated Output Level +4dBu

Max. Output Level +24dBu

MONITOR OUTPUT (TR 1 – 4)

Connector Ø 6mm phone jack (Unbalanced)

Output Load Impedance 10k ohm or more

Rated Output Level -10dBV

Max. Output Level +10dBV

HEADPHONES OUTPUT

Connector Ø 6mm stereo phone jack

Load Impedance 8 ohm or more

Max. Output Level 100mW (at 32ohm)

DIGITAL INPUT (TR 1 – 2, TR 3 – 4)

Connector XLR-3-31 type (Balanced) (1:GND / 2:HOT / 3:COLD)

Format IEC60958 (S/P DIF) or IEC60958 (AES/EBU)

DIGITAL OUTPUT (TR 1 – 2, TR 3 – 4)

Connector XLR-3-32 type (Balanced) (1:GND / 2:HOT / 3:COLD)

Format IEC60958 (S/P DIF) or IEC60958 (AES/EBU)

GPI IN (ON/OFF SELECTABLE)

Connector DIN 5 pin

GPI OUT (ON/OFF SELECTABLE)

Connector DIN 5 pin

TC INPUT

Connector XLR-3-31 type (Balanced) (1:GND / 2:HOT / 3:COLD)

Format SMPTE / EBU

Rated Input 2Vp-p

Transfer Rate 2.4kbit / sec (SMPTE)

Input Impedance 20k ohm or more

Min. Input Level 0.25Vp-p

TC OUTPUT

Connector XLR-3-32 type (Balanced) (1:GND / 2:HOT / 3:COLD)

Format SMPTE / EBU

Rated Output 2Vp-p

Output Impedance 1k ohm or less

Load Impedance 600 ohm or more

TC THRU (DIRECT OUTPUT OF INPUT TC)

Connector XLR-3-32 type (Balanced) (1:GND / 2:HOT / 3:COLD)

VIDEO INPUT (WITH 75 OHM TERMINATE SW)

Connector BNC

Rated Input Level 1V p-p

VIDEO THRU (DIRECT OUTPUT OF INPUT VIDEO SIGNAL)

Connector BNC

WORD INPUT (WITH 75 OHM TERMINATE SW)

Connector BNC

Rated Input Level TTL level

WORD OUTPUT

Connector BNC

Rated Output Level TTL level

WORD THRU (DIRECT OUTPUT OF INPUT WORD)

Connector BNC

9P-REMOTE (RS-422)

Connector D-sub 9 pin

Protocol Sony 9 pin protocol (Controlled)

15P-REMOTE (RS-422)

Connector D-sub 15 pin

Protocol Sony 9 pin protocol (Controlled)

ETHERNET

Connector RJ-45

Format IEEE802.3 (10BASE-T & 100BASE-TX standard)

PS/2 port x2 Mouse port for PC & Keyboard port

PERFORMANCE

R/P Frequency Response 20Hz to 20kHz +/- 1dB (fs : 44.1/48kHz)

20Hz to 40kHz +/- 2dB (fs : 88.2/96kHz)

20Hz to 80kHz +/- 3dB (fs : 176.4/192kHz)

Signal to Noise Ratio 110dB (typical)

Dynamic Range 110dB (typical)

Pitch Control 0.0% - max. 200.0% (0.1% step)

Reference Record Level -12dB / -18dB / -20dB (switchable on software)

Crossfade 10msec (default)

LOCATE MEMORY

Main Memory 100

Cue Point/File Memory

(per file) 100

PHYSICAL

Power Handling 120VAC / 230VAC

Dimensions 482 (W) x 141 (H) x 381 (D)mm

Weight 7.4kg

OPTIONAL ACCESSORIES

5050 6-track Playback Card

9055 Optional Hard Disk

PD-6

Specifications

DV40

Specifications

GENERAL

Recording Medium ATAPI DVD-RAM

(optional 2.5” hard disk is mountable)

File Format BWF

Sampling Frequency 22.05/44.1/48/88.2/96kHz

Quantization 16bit (22.05/44.1/48kHz)

24bit (44.1/48/88.2/96kHz)

Recording Tracks See chart below

INPUT/OUTPUT (0dBu=0.775Vrms, 0dBV=1Vrms)

Reference Input Level +4dBu

ANALOG INPUT (TR 1 – 8)

Connector XLR-3-31 type (balanced) (1:GND/2:HOT/3:COLD)

Input Impedance 10k ohm or more

Rated Input Level +4dBu

Max. Input Level +24dBu

ANALOG OUTPUT (TR 1-8)

Connector XLR-3-32 type (balanced) (1:GND/2:HOT/3:COLD)

Output Load Impedance 10k ohm or more

Rated Output Level +4dBu

Max. Output Level +24dBu

HEADPHONES OUTPUT

Connector 6mm stereo phone jack

Load Impedance 8 ohm or more

Max. Output Level 100mW (at 32ohm)

DIGITAL INPUT (TR 1 – 8)

Connector D-sub 25 pin (balanced)

Format IEC60958 (AES/EBU) or IEC69058 (S/P DIF)

DIGITAL OUTPUT (TR 1 – 8)

Connector D-sub 25 pin (balanced)

Format IEC60958 (AES/EBU) or IEC60958 (S/P DIF)

9P-REMOTE / ES BUSS (RS422)

Connector D-sub 9 pin

Protocol Sony 9 pin protocol / ES BUSS

9P-REMOTE / ES BUSS THRU OUT

Connector D-sub 9 pin

PARALLEL REMOTE

Connector Mini-DIN 8 pin

USB (FOR KEYBOARD ONLY)

Connector USB Series “A” Receptacle

ETHERNET

Connector RJ-45

Format IEEE802.3 (10BASE-T & 100BASE-TX standard)

PERFORMANCE

R/P Frequency Response 20Hz to 20kHz +/- 1dB (fs: 44.1/48kHz)

20Hz to 40kHz +/- 2dB (fs: 88.2/96kHz)

Signal to Noise Ratio 105dB (typical)

Dynamic Range 105dB (typical)

Reference Record Level -12dB / -18dB / -20dB (switchable on software)

PHYSICAL

Power Handling 120VAC / 230VAC

Dimensions 482 (W) x 98.5 (H) x 345 (D) mm

Weight 5.7kg

TC SYNC CARD (Model 8348, optional)

TC INPUT

Connector XLR-3-31 type (balanced) (1:GND/2:HOT/3:COLD)

Format SMPTE/EBU

Rated Input 2Vp-p

Transfer Rate 2.4kbit/sec (SMPTE)

Input Impedance 20k ohm or more

Min. Input Level 0.25Vp-p

TC OUTPUT

Connector XLR-3-32 type (balanced) (1:GND/2:HOT/3:COLD)

Format SMPTE / EBU

Rated Output 2Vp-p

Output Impedance 1k ohm or less

Load Impedance 600 ohm or more

BI-PHASE IN

Connector D-sub 9 pin

Level 5V (470 ohm) or 24V (2k ohm) switchable

WORD/VIDEO INPUT

Connector BNC

Rated Input Level 1Vp-p (with 75 ohm terminator SW

WORD OUTPUT

Connector BNC

Rated Output Level TTL Level

IEEE1394/USB Card (T.B.A.)

IEEE1394 (for PC communication)

Connector FireWire 400 (6 pin)

USB (for PC communication)

Connector USB Series “B” Receptacle

OPTIONAL ACCESSORIES

9057 Optional Hard Disk

DV824

Specifications

GENERAL

Recording Medium 12cm DVD-RAM / 2.5" hard disk

INPUT/OUTPUT

DC12V OUT (for PD-6)

Connector XLR-4-31 type

(1:GND/2:NC/3:NC/4:+12~18V)

IEEE1394 PORT (for PC communication)

Connector 1: FireWire 400 (4pin)

2: Firewire 400 (6pin)

USB PORT (for PC communication)

Connector USB Series "B" Receptacle

PHYSICAL

Power Handling AC100~240V / DC12V

Dimmensions 386 (W) x 94 (H) x 231 (D) mm

Weight: 4.3kgs

EX12

Specifications

DV40 16-BIT 24-BIT

4.7GB 44.1kHz 48kHz 44.1kHz 48kHz 88.2kHz 96kHz 176.4kHz 192kHz

MONO 838 770 558 513 279 256 139 128

2-TRK 419 385 279 256 139 128 *69 *64

4-TRK 209 192 139 128 *69 *64 N/A N/A

* without Verify-Write

PD-6 16-BIT 24-BIT

1.46GB 44.1kHz 48kHz 44.1kHz 48kHz 88.2kHz 96kHz

2-TRK 118 108 78 72 39 36

4-TRK 59 54 39 36 N/A N/A

5-TRK 47 43 31 28 N/A N/A

6-TRK 39 36 26 24 N/A N/A

EX12* 16-BIT 24-BIT

4.7GB 44.1kHz 48kHz 44.1kHz 48kHz 88.2kHz 96kHz

2-TRK 419 385 279 256 139 128

4-TRK 209 192 139 128 N/A N/A

5-TRK 167 154 111 102 N/A N/A

6-TRK 140 128 93 85 N/A N/A

* with PD-6

DV824 16-BIT 24-BIT

4.7GB 44.1kHz 48kHz 44.1kHz 48kHz 88.2kHz 96kHz

MONO 838 770 558 513 279 256

2-TRK 419 385 279 256 139 128

4-TRK 209 192 139 128 69 64

5-TRK 167 154 111 102 N/A N/A

6-TRK 140 128 93 85 N/A N/A

8-TRK 105 96 70 64 N/A N/A

Recording

Times

All times in

minutes

™

Autres manuels pour DV-40

Ce manuel convient aux modèles suivants

Table des matières

Autres manuels Fostex Enregistreur DVD

Fostex

Fostex DV-40 Manuel utilisateur

Fostex

Fostex DV-40 Manuel utilisateur

Fostex

Fostex D-824 Dimensions

Fostex

Fostex DV-40 Manuel utilisateur

Fostex

Fostex PD-6 Manuel utilisateur

Fostex

Fostex DV-824 Manuel utilisateur

Fostex

Fostex PD-6 Manuel utilisateur

Fostex

Fostex DV-824 Manuel utilisateur

Fostex

Fostex PD-6 Manuel utilisateur

Fostex

Fostex DV-40 Manuel utilisateur

Fostex

Fostex D-1624 Guide de l'utilisateur

Fostex

Fostex DV-40 Manuel utilisateur

Fostex

Fostex PD-6 Manuel du propriétaire

Fostex

Fostex 8345 Manuel utilisateur

Fostex

Fostex DV-40 Manuel utilisateur

Fostex

Fostex DV-40 Manuel utilisateur

Fostex

Fostex PD204 Manuel utilisateur

Fostex

Fostex PD-6 Manuel utilisateur

Fostex

Fostex DV-40 Manuel utilisateur

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Sony RDR-VX525 - DVDr/ VCR Combo Manuel utilisateur

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Medion MD 40570 Manuel utilisateur

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Philips ShowView DVDR3460H Manuel utilisateur

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Sony RDR-GX355 - Tunerless DVD Recorder Manuel utilisateur

Sony

Sony DVDirect VRD-MC3 Manuel utilisateur

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Samsung DVD-R130/XAA Manuel utilisateur

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FUNAI HD-B2735 Manuel utilisateur

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Panasonic DMR-EH54DEG Manuel utilisateur

Pioneer

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Sanyo

Sanyo DRW-1000 Manuel utilisateur

Philips

Philips DVDR610/05 Manuel utilisateur

JVC

JVC DR-M10 Manuel utilisateur

Samsung

Samsung SV-DVD40 Manuel utilisateur

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Philips DVDR3355 Manuel utilisateur

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