Focusrite Cubase 5 Manuel utilisateur



Automation & Control

Surface Manual

Version: 1.0



  

Automation Overview Page 3

Automation Setup Page 3

Recording & Editing Automation Data Page 4

Automation Safe Page 5

Running Automation in HUITM Mode Page 5

  

Control Surface Panel Overview Page 6

Control Surface Setup Page 6

  

Entering DAW Layer Page 8

Setup Mode Page 8

Transport Panel Page 9

Navigation & Utility Controls Page 10

Zoom Functions Page 11

Banking & Nudges Control Surface Tracks Page 11

DAW Meters Page 11

Select Mode Page 12

Record Enable Mode Page 12

Automation Modes Page 12

Group Mode Page 13

Solo & Cut Page 13

Function Keys Page 14

Page Keys Page 14

Pan Encoder Mode Page 14

I/O Assign Mode Page 15

Aux Encoder Mode Page 16

Aux Assign Mode Page 16

Insert Mode Page 17

Insert Encoder Control Page 17

  

  

Mackie HUI™ (Human User Interface) is a registered trademark of LOUD Technologies Inc.





To set up the 8-channel fader automation system in Cubase /

Nuendo, we must use 8 MIDI tracks and place them at the start

or end of your session (we recommend the start so you can add

tracks afterwards with ease as your session progresses).

Please follow the steps outlined below:

Boot Cubase / Nuendo

Create a new session or open an existing one

Step 1: Assuming that the MIDI drivers have been detected

(which they should have) – Cubase / Nuendo will immediately

spot the available MIDI ports for Control 2802.

Check this by navigating to the Devices > Device Setup > MIDI

Ports… and verify that the Control 2802 Automation and Control

Surface ports show up as detected for both inputs and outputs.



The diagram below provides an overview of the automation

system and the parameters that can be controlled.

Control 2802 provides fader and mute automation along side its

full DAW control surface layer.

The sections of most interest when using the console

automation are as follows:

Faders

Cut (Mute) Switches

Select Mode Panel – Select and Auto Safe

DAW Transport



Assuming that you have followed all steps outlined in the main

manual networking section for Apple Mac or PC (page 42 onwards),

you will have connected Control 2802 to your studio computer and

connected to the console via .

Please note that inputs will be indicated as active, however

until you create a MIDI track that addresses the Control 2802

automation output, the output will be shown as inactive.

Step 5: You are now free to record your automation passes to

and from the console to these MIDI tracks. Just record enable

the track(s) and place Cubase into record.

Step 3: Label the tracks something useful so that they are easy

to locate, AUTO1, AUTO2, AUTO3 etc – perhaps with a further

addition of whatever source you are riding, AUTO1-LDVox,

AUTO3-DrumsL etc.

Step 4: Assign the channel inputs and outputs to the Control

2802 MIDI port, ensuring that each track addresses a new MIDI

channel. AUTO1 = channel 1, AUTO2 = channel 2 etc.

Step 2: Return to the arrange window and create 8 new MIDI

tracks that can be used to capture and edit the automation data.

Once recorded it is possible to copy, paste and duplicate this

data in region form. However as this data is captured via a

combination of MIDI CC controllers (modulation included) you

cannot freely edit and draw in your own curves and fades. The

best procedure here is to record new passes of automation if

you are unhappy with previous rides.





Automation safe should be used when you want to isolate a

particular channel from automation – for example – to audition

rides without “ghting” existing automation data or without

“printing” the rides if channels are still in write enabled.

When the console boots automation safe is engaged by default.

If you wish to automate a channel you must rst press the

automation safe switch (in the select mode panel) and then turn

off automation safe from each channel you wish to automate.

Note that all select mode layers are stored and function

simultaneously. By toggling the select mode switches in

conjunction with the large green channel select switches it is

possible to obtain rapid control of SIP safe, DAW record enable,

select, unity and automation safe channel settings.

All select mode layers are stored even after a power down, so

remember to clear them manually if the next session requires

a different setup.





To set up the Control 2802 as a control surface for Cubase /

Nuendo please follow these steps:

Step 1: Press the Control 2802 Setup button and select

Cubase / Nuendo in the host software option page using the

rotary encoder.



The control surface panel on Control 2802 provides access to

many common and useful DAW functions.

Please follow the setup procedure below, and read the following

pages to learn how to operate the Control 2802 control surface.



Assuming that you have followed all steps outlined in the

networking section, you will have connected Control 2802

to your studio computer and connected to the console via

.

Please note that the setup light may ash if you have changed

from another host software selection. Settings are saved upon

exit from setup mode.

Step 2: Exit ASP Setup and boot Cubase. Assuming that

the MIDI drivers have been detected (which they should

have),Cubase / Nuendo will immediately spot the available MIDI

ports for Control 2802.

Check this by navigating to the Devices > Device Setup > MIDI

Ports… and verify that the Control 2802 Control Surface ports

show up as detected for both inputs and outputs.

Please note that inputs will be indicated as active, however until

you create a control surface that addresses the Control 2802

output, it will be shown as inactive.

Step 5: Once assigned, click apply to conrm your settings.

Step 3: In the Device Setup menu, click on the (+) sign to add a

new control surface, here select Mackie HUITM.

Step 4: Here assign the MIDI inputs and outputs to the Control

2802 Control Surface ports in the drop down menu.

You should be ready to go, please enter DAW layer on the

Control 2802 and ensure that it picks up your channels in

Cubase / Nuendo and you can bank around the project using the

channel bank or nudge keys in the controls surface,







To enter the  for control surfacefunctionality ensure

that the DAW switch (1) is depressed and .

Whenever it is not illuminated, the faders and channel switches

operate in the analogue layer.

However some of the control surface functionality remains

active when in the analogue layer to aid your session workow,

allowing simultaneous control of both analogue fader level and

important DAW functions.

These are:

Transport switches (3-7) jog / shuttle disabled

Cycle toggle on / off

Track / region navigation cursor controls

Shift + navigation cursor controls for horizontal and

vertical zoom

DAW meters



The  switch (2) allows you to access a number of useful

networking parameters as well as set the host DAW platform of

choice and check your current rmware revision.

Once the setup switch has been pressed, the OLED displays

will show the rst page of the setup menu.

To page through various other pages on the OLED displays,

whether it be in the setup menu or when accessing insert plugin

parameters, use the page function switches (26) located under

the left most encoder.



To edit parameters in any of the OLED displays when in

setup mode, rotate the corresponding rotary encoder to change

values and then press the setup switch to select and apply

the changes.

Note that once a change has been made, the setup switch LED

will ash to indicate that a setting has changed and will return to

a solid red once changes are conrmed.



Setup Page 1 – Host Software

Setup Page 2 – Use DHCP (networking option)



Setup Page 3 – IP Address (networking option)

Setup Page 4 – Subnet Mask (networking option)

Setup Page 5 – Port (default 1212, networking option)

Setup Page 6 – Firmware Info



The transport panel on Control 2802 provides access to the

following functions:

Rewind (3)

Fast-Forward (4)

Stop (5)

Play (6)

Record (7)

A jog wheel (8) is also

provided and can be

used to control several

DAW commands.

When operating the  or  controls (3 & 4) it

should be noted that one switch press initiates a small jump in

either direction and you must press and hold either switch to

perform playhead rewind or fast-forward. Releasing the switches

will return to the previous mode of operation ( or ).

A double tap on the  control (5) provides 

 location functionality, placing the playhead

wherever the last start position was located.

You can activate a  command in the

transport section of Cubase / Nuendo preference (see right >>>)

The  (8) operates as a silent re-position of the

playhead cursor, with clockwise movements positioning the

playhead cursor forwards in time and anti-clockwise movements

positioning the playhead cursor back in time.

By using the  function (12) in conjunction with the 

 (8), the playhead cursor can be used to ‘scrub’ through

the audio within your Cubase / Nuendo session in realtime as if

‘rocking the tape against the playhead’. This is useful for nding

edit points and punch-in locations etc. When in this mode, the

scrub switch will illuminated a solid green.

If the  switch (12) is pressed for a second time, the 

 (8) performs shuttle operation, providing continuous

rewind or fast-forward of the playhead cursor. This is silent and

indicated by a ashing green LED in the switch.

A third press on the  switch (12) toggles back to standard

jog wheel operation, indicated by no switch illumination.



Control 2802 provides several navigation and utility controls just

above the transport section.

The  control (9) can be used to toggle Cubase / Nuendo’s

cycle loop on and off.

The  (10) and  (11) controls are currently

unsupported in Cubase / Nuendo.

Please see  for the latest updates to control

functionality.

The  (14) can be used to select

tracks in your Cubase / Nuendo session (up & down cursors) or

to select regions on the selected track (left & right cursors).

If used with  mode (pressing switch 13), the navigation

cursors operate as zoom controls. Vertical track zoom is

achieved with the up & down cursor switches, while horizontal

timeline zoom is achieved with the left & right cursor switches.





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