Dave Smith Instruments Pro 2 Manuel utilisateur

Operation Manual

Version 1.0

July 2014

Dave Smith Instruments

1527 Stockton Street, 2nd Floor

San Francisco, CA 94133

USA

www.davesmithinstruments.com

This device complies with Part 15 of the FCC Rules. Operation is subject to

the following two conditions: (1) This device may not cause harmful inter-

ference and (2) this device must accept any interference received, including

interference that may cause undesired operation.

This Class B digital apparatus meets all requirements of the Canadian

Interference-Causing Equipment Regulations.

Cet appareil numerique de la classe B respecte toutes les exigences du

Reglement sur le materiel brouilleur du Canada.

For Technical Support, email: [email protected]

Table of Contents

Thank You ..........................................vii

Getting Started........................................1

Sound Banks ...........................................1

Using the Display ........................................2

Using Show, Compare, and Revert Parameter..................3

Creating a Program from Scratch ............................4

Saving Programs ........................................4

Using the Pro 2 in Paraphonic Mode .........................5

Moving to the Next Level ..................................6

Connections..........................................8

Global Settings ......................................10

Oscillators ..........................................15

Character ...........................................23

Filter 1 & 2 ..........................................24

Filter Envelopes 1 & 2 .................................27

Amplier Envelope ...................................30

Auxiliary Envelopes 4 & 5..............................33

Creating Reverb and Modulation-Based Effects................38

Low Frequency Oscillators. . . . . . . . . . . . . . . . . . . . . . . . . . . . .40

Modulation ..........................................44

Using the Assign Mod Buttons .............................45

Arpeggiator .........................................46

Sequencer ..........................................49

Programming the Sequencer ..............................50

Adding Rests, Ties, and Velocity ...........................53

Sequencer Parameters...................................56

Master Volume/Voice Volume ...........................60

Distortion ...........................................61

Glide ...............................................62

Pitch and Modulation Wheels...........................64

Touch Sliders ........................................66

Play List ............................................68

Cue ..................................................69

Misc Parameters .....................................70

Using USB ..........................................72

A Few Tutorials ......................................73

Processing External Audio ................................73

Filtering External Audio Using the Envelope Follower ...........74

Syncing the Sequencer with an External MIDI Device ...........75

Using the Pro 2’s CV Outs to Control a Modular Synth ..........76

Look for More Tutorials Online .............................77

Appendix A:

Modulation Sources ..................................78

Appendix B:

Modulation Destinations...............................79

Appendix C:

Delay Times (Delays 1-3) ..............................82

Appendix D:

MIDI Implementation ..................................85

MIDI Messages.........................................86

NRPN Messages .......................................91

Sysex Messages.......................................132

Packed Data Format....................................135

Appendix E: Support.................................136

Troubleshooting .......................................136

Contacting Technical Support .............................137

Warranty Repair .......................................138

The DSI Crew

Ashley Bellouin, Bob Coover, Carson Day, Chris Hector, Tony Karavidas, Mark Kono,

Andrew McGowan, Joanne McGowan, Tracy Wadley, and Mark Wilcox.

Robert Rich

Matia Simovich

James Terris

Taiho Yamada

Rory Dow

Peter Dyer

Keith Hillebrandt

Kurt Kurasaki

Kevin Lamb

Peter M. Mahr

Tim Mantle

Cord Mueller

Drew Neumann

Bob Oxley

Credits and Acknowledgements

Sound Design

Thank You

No doubt about it: It’s an exciting time to be a synth geek. You only have to

look around you to realize that we’re experiencing a renaissance of sorts for

synthesizers. From stompboxes to modulars, synths are here in a very big way.

With the current demand for all things analog, I’ve been asked many times if I would

ever consider reissuing the Pro-One monosynth. My response has always been the

same: “You’ve got to keep moving forward.” The simple truth is, I’m happiest

creating new instruments—synths that put more power and better sounds into the

hands of musicians with every iteration.

But actions speak louder than words, so here’s the last one on that particular

subject: the Pro 2. It’s light years beyond the Pro-One in every way and is the

culmination of my many years designing synthesizers. It’s also the deepest and

most powerful monosynth I’ve ever created, so it should keep you busy exploring

the outer limits of sound for quite some time.

I really hope you enjoy playing it as much as we enjoyed designing it.

Thanks for the purchase, from all of us here at DSI!

Cheers,

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