BOSSCO VE-500 Manuel utilisateur

Parameter Guide

* Company names and product names appearing in this document are registered trademarks or trademarks of their respective owners.

Contents

Basic Operation. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3

Basic Procedure for Eect Editing . . . . . . . . . . . . . . . . . . . . . . . 3

Changing the Eect Connections. . . . . . . . . . . . . . . . . . 3

Changing the CTL & ASSIGN Settings . . . . . . . . . . . . . . 3

Matching the Harmony to the Key of the Song . . . . . 4

Saving a Patch (Write). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4

Exchanging Patches . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4

Initializing a Patch. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4

EFFECT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5

ENHANCE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5

PITCH CORRECT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5

HARMONY/VOCODER. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6

HARMONY. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6

VOCODER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7

FX1-4 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8

DISTORTION . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8

RADIO. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8

LO-FI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8

FILTER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8

T.WAH . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9

RING MODULATOR . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9

CHORUS. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9

FLANGER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9

TREMOLO . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10

PHASER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10

ROTARY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10

SLICER. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11

ISOLATOR. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11

VIBRATO. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11

PAN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11

ROLL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12

FREEZE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12

GRANULAR DELAY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12

DELAY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12

REVERB. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13

REV1/REV2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14

Common to AMBIENCE, ROOM, HALL, PLATE, MOD . 14

DELAY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14

LOOP . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15

KEY SETTING . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16

MASTER. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16

CTL&ASSIGN SETTING . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17

Common to

DOWN, UP, FX1, FX2, HRM, CTL1, CTL2,

MEM/MAN, BYPASS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17

EXP . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18

ASSIGN 1–8 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18

ASSIGN COMMON. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19

Virtual Expression Pedal System (Internal Pedal/

Wave Pedal) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23

MENU. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24

DISPLAY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24

INPUT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24

OUTPUT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24

PLAY (PLAY OPTION) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25

KNOB (KNOB SETTING) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25

PREF (PREFERENCE). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28

TUNER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29

MIDI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29

USB. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30

AUTO OFF. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30

F.RESET (FACTORY RESET) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30

Basic Operation

Basic Procedure for Eect Editing

1. Recall the patch that you want to edit.

5Switch to memory mode.

5Use the [?] [=] switches to select a patch.

Patch down Patch up

You can turn knob [1] to select patches consecutively.

2. Press the [EFFECT EDIT] button.

The eect select screen appears.

3. Use knob [1] to select the eect that you want to

edit.

You can use the [EFFECT EDIT] ([ON/OFF]) button or knob [2] to

turn on/o the eect where the cursor is located (highlighted).

An eect that is on is shown by an icon. An eect that is o is

shown as “OFF.”

MEMO

For FX1-4, and HRM (VOC), you can use knob [3] to choose the

eect type.

4. Press the [ENTER] button to access the edit screen.

MEMO

In the edit screen, press the [ON/OFF] button to turn the eect on/

o. This lets you hear what the eect does. In screens where page

tabs are displayed, use the [< PAGE] [PAGE >] buttons to move

between editing screen pages.

5. Use knobs [1]–[3] to specify the value of each

parameter shown in the screen.

6. Press the [EXIT] button a number of times to return

to the play screen.

Changing the Eect Connections

1. In the eect select screen, choose“MST.”

2. Use “FX STRUCTURE” to change the order in which

FX1–4 are connected.

3. Use “REVERB STRUCTURE” to change the order in

which REV1 and REV2 are connected.

The eect connection changes.

Changing the CTL & ASSIGN Settings

You can operate a variety of parameters by making CTL and ASSIGN

settings for each patch.

1. In the eect select screen, use knob [1] to select

“CTL,” and then press the [ENTER] button.

The CTL & ASSIGN screen appears.

2. Use knobs [1]–[3] to select the controller that you

want to edit.

An icon indicates controllers that are turned on. Controllers that

are o are indicated by “OFF.”

3. Press the [ENTER] button to move to the edit

screen.

In screens where page tabs are displayed, use the [< PAGE]

[PAGE >] buttons to switch between edit screen pages.

4. Use knobs [1]–[3] to edit the parameter values in

the screen.

5. Press the [EXIT] button a number of times to return

to the play screen.

Basic Operation

Matching the Harmony to the Key of the Song

1. Press the [KEY] button.

2. Use knob [1] to specify the “AUTO” setting.

If Auto is set to“FULL” or “HYBRID,” the key is specied automatically

according to the chords and the chord progression that you play on the

connected guitar.

AUTO Explanation

FULL Harmony is added according to the chords and the

chord progression that you play on your guitar.

HYBRID Harmony is added according to the“KEY” setting and the

chords that you play on your guitar.

OFF Harmony is added according to the “KEY” setting.

* Try the FULL setting, and if you don’t get the harmony that you

expect, use the HYBRID setting. If you’re not using a guitar, turn

this OFF and specify the key.

3. Use knob [2] to specify the “KEY.”

* As shown in the illustration below, specify the key of the song

that you’re singing.

4. Press the [EXIT] button a number of times to return

to the play screen.

Saving a Patch (Write)

If you want to save the patch that you created, execute the Write

operation.

* You can use dedicated software to save, exchange, initialize, or

back up patches.

NOTE

5If you do not save the patch, the edited settings will be lost when

you turn o the power or switch to another patch.

5When you save, the patch that had been in the save-destination is

overwritten.

1. Press the [EXIT] button and [ENTER] button

simultaneously.

The WRITE UTILITY screen appears.

2. Select “WRITE” and then press the [ENTER] button.

3. Choose the patch write destination (U01–U99) with

the [1] knob, and press the [ENTER] button.

Here you can edit the name.

Controller Operation

[1] knob Changes the character

[2] knob Moves the cursor

[3] knob Selects the type of characters

[EFFECT EDIT] button Delete the character at the cursor location

[MENU] button Insert a space at the cursor location

4. To save the patch, press the [ENTER] button.

* If you decide to cancel, press the [EXIT] button.

Once the patch has been saved, you are returned to the Play

screen.

Exchanging Patches

Here’s how to exchange the currently selected patch with a patch

that you specify.

1. In the WRITE UTILITY screen, select “EXCHANGE”

and press the [ENTER] button.

2. Choose the exchange-destination patch with the

[1] knob.

3. To exchange the patches, press the [ENTER] button.

* If you decide to cancel, press the [EXIT] button.

Once the patches has been exchanged, you are returned to the

Play screen.

Initializing a Patch

Here’s how to return the selected patch to the default values.

1. In the WRITE UTILITY screen, select “INITIALIZE” and

press the [ENTER] button.

2. Choose the initialize-destination patch with the [1]

knob.

3. To initialize the patch, press the [ENTER] button.

* If you decide to cancel, press the [EXIT] button.

Once the patch has been initialized, you are returned to the Play

screen.

EFFECT

ENHANCE

ENHANCE is an eect that makes the sound more sharply dened.

It also contains COMPRESSOR which makes the volume more

consistent, DE-ESSER which suppresses sibilance, and EQ which

adjusts the tonal character.

Parameter Value Explanation

ON/OFF OFF, ON Turns this eect on/o.

ENHANCE 0–100

Adjusts the depth of ENHANCE. The

sound becomes more sharply dened as

this value is increased.

COMPRESS 0–100

Adjusts the depth of COMPRESSOR. The

volume becomes more consistent as this

value is increased.

DE-ESSER 0–100

Adjusts the depth of DE-ESSER. Sibilance

is suppressed more strongly as this value

is increased.

LOW GAIN -20–+20dB Adjusts the low frequency range tone.

HIGH GAIN -20–+20dB Adjusts the high frequency range tone.

LEVEL -20–+20dB Adjusts the overall volume level of the

equalizer.

LMID GAIN

(LOW-MID GAIN) -20–+20dB Adjusts the low-middle frequency range

tone.

LMID FREQ

(LOW-MID

FREQUENCY)

20–16.0kHz

Species the center of the frequency

range that will be adjusted by the LMID

GAIN.

LMID Q

(LOW-MID Q) 0.5–16

Adjusts the width of the area aected

by the EQ centered at the LMID FREQ.

Higher values will narrow the area.

HMID GAIN

(LOW-MID GAIN) -20–+20dB Adjusts the high-middle frequency

range tone.

HMID FREQ

(HIGH-MID

FREQUENCY)

20–16.0kHz

Species the center of the frequency

range that will be adjusted by the HMID

GAIN.

HMID Q

(HIGH-MID Q) 0.5–16

Adjusts the width of the area aected

by the EQ centered at the HMID FREQ.

Higher values will narrow the area.

LOW CUT FLAT, 20–800Hz

This sets the frequency at which the low

cut lter begins to take eect. When

“FLAT” is selected, the low cut lter will

have no eect.

HIGH CUT 630Hz–16.0kHz,

FLAT

This sets the frequency at which the

high cut lter begins to take eect.

When “FLAT” is selected, the high cut

lter will have no eect.

PITCH CORRECT

PITCH CORRECT suppresses instabilities in pitch. You can also convert

pitch changes to a stair-step form, producing a mechanical eect.

Parameter Value Explanation

ON/OFF OFF, ON Turns this eect on/o.

TYPE

SOFT The pitch will be corrected smoothly.

HARD The pitch will be corrected quickly.

ELECTRIC Corrects pitch variation to a stair-step

change.

ROBOT Corrects the pitch to the specied note

(Robot Voice).

SCALE

CHROMATIC The pitch is corrected to the nearest

chromatic semitone.

KEY The pitch is corrected according to the

Key setting (p. 4).

NOTE C–B Species the pitch (xed) when Type is

set to “Robot.”

FORMANT -50–+50

Negative (–) settings give the voice a

more masculine character, while positive

(+) settings make the voice more

feminine.

SHIFT

Species the amount by which the pitch is shifted.

-12–+12 The pitch is shifted by the specied

interval.

USER-INT1–4

The pitch is shifted by the interval

specied by USR-INTERVAL (HARMONY

parameter).

SPEED 0–10 Adjusts the speed of pitch change.

Higher values produce faster change.

STABILITY -10–+10 Adjusts the ease of pitch change. Higher

values make change more dicult.

M>PCR

(MIDI TO PITCH)

The received MIDI note message is used to correct the pitch.

If no message is being received, the SHIFT setting is used.

Ch.1–16 Note messages of the specied MIDI

channel are used for correction.

Note messages on the MIDI channel

specied by the SYSTEM MIDI setting RX

CH are used for correction.

OFF O

ZONE LO

(ZONE LOWER)

C1–G9 Species the range in which note

messages are accepted.

ZONE UP

(ZONE UPPER)

C1–G9

EFFECT

HARMONY/VOCODER

HARMONY can add natural harmony to your voice. VOCODER applies

the character of a human voice to a synth sound, producing a

distinctive vocoder sound (robot voice).

You can apply either the HARMONY or the VOCODER eect. These

eects are called LFX (LEAD FX).

Parameter Explanation

TYPE Refer to LFX TYPE (LEAD FX TYPE)

How to choose LFXTYPE

1. Press the [EFFECT EDIT] button.

2. Choose “HRM” with the [1] knob.

3. Choose “TYPE”with the [3] knob.

LFX TYPE (LEAD FX TYPE)

This is a list of the eects that can be selected for HARMONY/

VOCODER.

TYPE Explanation

HARMONY Applies a harmony eect.

VOCODER Applies a vocoder eect.

HARMONY

Parameter Value Explanation

COMN (COMMON)

ON/OFF OFF, ON Turns this eect on/o.

E.LEVEL 0–100 Adjusts the overall volume level of the

harmony.

D.LEVEL 0–100 Adjusts the volume of the sound of the

mic.

NOTE SENS LOW, MID, HIGH

Species the upper limit frequency at

which the harmony eect is applied.

* In an environment in which acoustic

feedback is prone to occur, using the

“LOW” setting can suppress unwanted

sound.

HRM1–3 (HARMONY1–3)

VOICE

(AUTO)

OFF Turns the harmony part o.

UNISON

This produces the impression that

another person is singing the same

melody along with you.

OCT- Adds sound an octave lower.

LOWER Adds lower sound based on 6th or 5th.

LOW Adds lower sound based on 4th or 3rd.

HIGH Adds higher sound based on 4th or

3rd. *1

HIGHER Adds higher sound based on 6th or

5th. *1

OCT+ Adds sound an octave higher.

USR-INT1–4

Adds sound as specied by the USER

INTERVAL 1–4 setting. You can directly

specify the pitch of the harmony. *2

Parameter Value Explanation

VOICE

(MANUAL)

OFF Turns the harmony part o.

UNISON

This produces the impression that

another person is singing the same

melody along with you.

OCT- Adds sound an octave lower.

-6TH, -5TH, -4TH,

-3RD, +3RD, +4TH,

+5TH, +6TH

Adds harmony at the specied pitch

interval of the diatonic scale.

OCT+ Adds sound an octave higher.

USR-INT1–4

Adds sound as specied by the USER

INTERVAL 1–4 setting. You can directly

specify the pitch of the harmony. *2

PAN L100–CENTER

–R100

Adjusts the panning of the harmony

part.

LEVEL 0–100 Adjusts the volume of the harmony part.

DELAY 0–10 Adjusts the delay of the harmony part.

ACCURACY 0–10

Raising this value makes the pitch of the

harmony more closely match the pitch

of the original vocal.

* With the higher value, the harmony

is sounded at the precise pitch; this

means that if the pitch of the original

vocal is not precise, the result might

not sound harmonious. In such cases,

try decreasing this value.

VIBRATO -10–+10

Species how closely the vibrato will

follow.

* If you want to decrease the

expressiveness of the harmony relative

to your own voice, use a setting in the

negative range.

METHOD SCALE1–2,

CHORD1–2

Species the rule by which the pitch of

the harmony is determined. This setting

species whether the harmony is biased

toward the scale (KEY) or the chord.

FORMANT -50–+50 Adjusts the vocal character of the

harmony part.

TONE -50–+50 Adjusts the tonal character of the

harmony part.

DOUBLE

(DOUBLE DEPTH)

Double-tracking is a popular recording studio technique

in which a vocalist records a melody, then overdubs a

second performance of the same melody along with the

rst recording. When the two performances are played back

together, it gives the eect of a thick and rich single voice.

OFF

Adjusts the intensity of the Double

eect in three levels (Light/Normal/

Deep).

LIGHT

NORMAL

DEEP

M>VOICE

(MIDI TO VOICE)

Adds harmony at the pitch specied by an incoming MIDI

note message. If a note message is not received, the VOICE

setting is used.

Ch.1–16 Applies correction according to note

messages of the specied MIDI channel.

Applies correction according to note

messages of the MIDI channel specied

by the SYSTEM MIDI setting RX CH.

OFF O

ZONE LO

(ZONE LOWER)

C1–G9

Species the range in which note

messages are accepted.

ZONE UP

(ZONE UPPER)

C1–G9

EFFECT

Parameter Value Explanation

INTERVAL1–4 (USER INTERVAL1–4)

-12 (C) –0 (C) –+12 (C)

Adds harmony to the pitch detected

at the MIC input at the interval directly

specied by this setting.

-12 (D )–0 (D )–+12 (D )

-12 (D) –0 (D) –+12 (D)

-12 (E )–0 (E )–+12 (E )

-12 (E) –0 (E) –+12 (E)

-12 (F) –0 (F) –+12 (F)

-12 (F#)–0 (F#)–+12 (F#)

-12 (G) –0 (G) –+12 (G)

-12 (A )–0 (A )–+12 (A )

-12 (A) –0 (A) –+12 (A)

-12 (B )–0 (B )–+12 (B )

-12 (B) –0 (B) –+12 (B)

*1 Depending on conditions, other intervals are also added.

*2 If you select USR-INT, chord detection from MIDI and INST are disabled.

VOCODER

Parameter Value Explanation

COMN (COMMON)

ON/OFF OFF, ON Turns this eect on/o.

E.LEVEL 0–100 Adjusts the overall volume level of the

vocoder.

D.LEVEL 0–100 Adjusts the volume of the sound of the

mic.

VOC (VOCODER)

SOURCE

Selects how VOCODER is used.

INST

VOCODER is sounded using an

instrument connected to the INST INPUT

jack.

MIDI

VOCODER is sounded according to

note messages received at the MIDI IN

connector.

MIDI (USB) VOCODER is sounded according to note

messages received at the USB port.

MIC Vocoder sound is produced when you

simply sing.

AUTO Species the input source in the priority

order of INST>MIDI>MIC.

TYPE

Switches the vocoder type.

STANDARD Vocoder sound with high clarity,

producing a natural vocal character.

VINTAGE Vocoder sound often used in techno of

the ’80s.

TALK BOX Sound reminiscent of a talk box.

LEVEL 0–100 Adjusts the volume of the vocoder.

CARRIER

(INST)

SAW,

VINTAGE SAW,

DETUNE SAW,

SQUARE,

RECTANGLE,

DISTORTION

Selects the carrier waveform (the basic

sound).

* This can be specied if SOURCE is

“INST.”

CARRIER

(MIDI, MIC)

SAW,

VINTAGE SAW,

DETUNE SAW,

SUPER SAW

SQUARE,

RECTANGLE

Selects the carrier waveform (the basic

sound).

* This can be specied if SOURCE is

other than “INST.”

OCTAVE -2OCT, -1OCT, 0,

+1OCT

Species the pitch of the sound.

* This can be specied if CARRIER is

other than “DISTORTION.”

Parameter Value Explanation

DRIVE 0–100

Adjusts the amount of distortion for the

eect sound.

* This can be specied if CARRIER is

“DISTORTION.”

FORMANT -50–+50 Adjusts the vocal character of the

vocoder part.

TONE -50–+50 Adjusts the tonal character of the

vocoder part.

ATTACK 0–100

Species the rise time (attack time) for

sound initiated by a note message.

* This can be specied if SOURCE is

“MIDI” or “MIDI (USB).”

RELEASE 0–100

Species the decay time (release time)

for sound initiated by a note message.

* This can be specied if SOURCE is

“MIDI” or “MIDI (USB).”

BEND 0–12

Species the degree of pitch change in

semitones when the Pitch Bend lever is

all the way right (left).

For example if this is set to “12” and you

move the pitch bend lever all the way

to the right (left), the pitch will rise (fall)

1 octaves.

* This can be specied if SOURCE is

“MIDI” or “MIDI (USB).”

VEL SENS

0–100

Species the sensitivity to the keyboard

dynamics (velocity) of the note message.

* This can be specied if SOURCE is

“MIDI” or “MIDI (USB).”

CHROMATIC

OFF, ON

The pitch varies in stairstep fashion by

semitone steps.

* This can be specied if SOURCE is

“MIC.”

EFFECT

FX1-4

With FX1-4, you can select the eect to be used from the following.

You can select the same eect for FX1-4.

Parameter Value Explanation

ON/OFF OFF, ON Turns this eect on/o.

TYPE Refer to FX1-4 TYPE

How to chooseTYPE

1. Press the [EFFECT EDIT] button.

2. Choose “FX1-4” with the [1] knob.

3. Choose “TYPE”with the [3] knob.

FX1-4 TYPE

This is a list of the eects that can be selected for FX1-4.

Eect name Explanation

DISTORTION Produces a distorted voice.

RADIO Produces a radio voice.

LO-FI This eect intentionally degrades the sound to create a

distinctive character.

FILTER A lter modies the brightness or thickness of the sound

by cutting a specic frequency range.

T.WAH You can produce a wah eect with the lter changing in

response to level.

RING MODULATOR

Gives a metallic character to the sound, creating the

impression that the sound is going out of focus.

CHORUS In this eect, a slightly detuned sound is added to the

original sound to add depth and breadth.

FLANGER The anging eect gives a twisting, jet-airplane-like

character to the sound.

TREMOLO Tremolo is an eect that creates a cyclic change in volume.

PHASER

By adding varied-phase portions to the direct sound, the

phaser eect gives a whooshing, swirling character to the

sound.

ROTARY This produces an eect like the sound of a rotary speaker.

SLICER This consecutively interrupts the sound to create the

impression that a rhythm backing phrase is being played.

ISOLATOR

Divides the audio input into three ranges (LO, MID, HI) and

cuts the specied region. You can cut in synchronization

with the tempo.

VIBRATO This eect creates vibrato by slightly modulating the pitch.

PAN Moves the stereo position (pan).

ROLL This loops the input sound at a short interval, and divides

that length.

FREEZE This produces the Freeze function to hold sounds.

GRANULAR DELAY Repeats a short portion of the input sound, giving it a

buzzy character or producing the eect of playing a roll.

DELAY This eect adds delayed sound to the direct sound, giving

more body to the sound or creating special eects.

REVERB This eect adds reverberation (reverb) to the direct sound,

adding acoustical depth to the sound.

DISTORTION

Parameter Value Explanation

DIST 0–100 Adjusts the degree of distortion.

TONE -50–+50 Adjusts the tonal character.

E.LEVEL 0–100 Adjusts the volume of the eect sound.

D.LEVEL 0–100 Adjusts the volume of the direct sound.

RADIO

Parameter Value Explanation

LO-FI 1–10 Adjusts the amount of blurring.

LEVEL 0–100 Adjusts the volume of the eect sound.

LO-FI

Parameter Value Explanation

BIT 32–1BIT Species the bit depth.

SAMPLE 1/1–1/32 Species the sampling rate.

BALANCE 0–100 Adjusts the volume balance between the

direct sound and the eect sound.

FILTER

Parameter Value Explanation

TYPE

Selects the type of lter.

LPF This reduces the volume of all frequencies

above the cuto frequency.

BPF

This leaves only the frequencies in the

region of the cuto frequency, and cuts

the rest.

HPF This cuts the frequencies in the region

below the cuto frequency.

RATE 0–100, BPM Adjusts the rate of modulation.

LEVEL 0–100 Adjusts the volume of the eect sound.

DEPTH 0–100 Adjusts the depth of modulation.

RESONANCE 0–100 Adjusts the intensity of the eect.

CUTOFF 0–100 Adjusts the cuto frequency of the lter.

STEP RATE OFF, 0–100, BPM

Adjusts the frequency of the step

function that varies the modulation

in stairstep fashion. When it is set to a

higher value, the change will be ner.

Set this to “OFF”when not using the Step

function.

* When set to BPM, the value of each

parameter will be set according to

the value of the “MASTER BPM”(p. 16)

specied for each patch. This makes it

easier to achieve eect sound settings

that match the tempo of the song.

* If, due to the tempo, the time is longer

than the range of allowable settings, it

is then synchronized to a period either

1/2 or 1/4 of that time.

MODE

Selects the mode of lter.

AUTO The CUTOFF changes at the rate specied

by RATE.

MANUAL The eect is applied with a xed CUTOFF.

EFFECT

T.WAH

Parameter Value Explanation

TYPE

Selects the wah mode.

LPF Low pass lter. This creates a wah eect over a

wide frequency range.

BPF Band pass lter. This creates a wah eect in a

narrow frequency range.

POLARITY

Selects the direction in which the lter will change in

response to the input.

DOWN The frequency of the lter will fall.

UP The frequency of the lter will rise.

SENS 0–100

Adjusts the sensitivity at which the lter will

change in the direction determined by the

polarity setting.

Higher values will result in a stronger response.

FREQ 0–100 Adjusts the center frequency of the Wah eect.

PEAK 0–100

Adjusts the way in which the wah eect applies

to the area around the center frequency.

Higher values will produce a stronger tone

which emphasizes the wah eect more. With

a value of 50 a standard wah sound will be

produced.

E.LEVEL 0–100 Adjusts the volume of the eect sound.

D.LEVEL 0–100 Adjusts the volume of the direct sound.

RING MODULATOR

Parameter Value Explanation

FREQ 0–100 Adjusts the frequency of the internal

oscillator.

E.LEVEL 0–100 Adjusts the volume of the eect sound.

D.LEVEL 0–100 Adjusts the volume of the direct sound.

CHORUS

Parameter Value Explanation

TYPE

Selects the chorus type.

MONO

This chorus eect outputs the same

sound from both L channel and R

channel.

STEREO

This is a stereo chorus eect that adds

dierent chorus sounds to L channel

and R channel.

RATE 0–100,

BPM

Adjust the speed of the chorus eect

for the high frequency range.

* When set to BPM, the value of each

parameter will be set according to

the value of the “MASTER BPM”(p.

16) specied for each patch. This

makes it easier to achieve eect

sound settings that match the

tempo of the song.

* If, due to the tempo, the time is

longer than the range of allowable

settings, it is then synchronized to a

period either 1/2 or 1/4 of that time.

DEPTH 0–100

Adjusts the depth of the chorus eect.

* To use it for doubling eect, set the

value to 0.

E.LEVEL 0–100 Adjusts the volume of the eect

sound.

PRE-DELAY 0.0–60.0ms

Adjusts the time needed for the eect

sound to be output after the direct

sound has been output.

By setting a longer pre delay time, you

can obtain an eect that sounds like

more than one sound is being played

at the same time (doubling eect).

Parameter Value Explanation

LOW CUT FLAT,

20–800Hz

This sets the frequency at which the

low cut lter begins to take eect.

When FLAT is selected, the low cut

lter will have no eect.

HIGH CUT 630Hz–

12.5kHz, FLAT

This sets the frequency at which the

high cut lter begins to take eect.

When FLAT is selected, the high cut

lter will have no eect.

D.LEVEL 0–100 Adjusts the volume of the direct

sound.

FLANGER

Parameter Value Explanation

RATE 0–100,

BPM

Adjusts the rate of the anging eect.

* When set to BPM, the value of each

parameter will be set according to

the value of the “MASTER BPM”(p. 16)

specied for each patch. This makes it

easier to achieve eect sound settings

that match the tempo of the song.

* If, due to the tempo, the time is longer

than the range of allowable settings, it

is then synchronized to a period either

1/2 or 1/4 of that time.

DEPTH 0–100 Determines the depth of the anging

eect.

RESONANCE 0–100

Determines the amount of resonance

(feedback). Increasing the value will

emphasize the eect, creating a more

unusual sound.

MANUAL 0–100 Adjusts the center frequency at which to

apply the eect.

SEPARATION 0–100 Adjusts the diusion. The diusion

increases as the value increases.

LOW CUT FLAT,

55–800Hz

Adjusts the frequency at which the low

cut lter begins to take eect. When

“FLAT” is selected, the low cut lter will

have no eect.

E.LEVEL 0–100 Adjusts the volume of the anger.

D.LEVEL 0–100 Adjusts the volume of the direct sound.

STEP RATE OFF, 0–100,

BPM

Adjusts the frequency of the step

function that varies the modulation

in stairstep fashion. When it is set to a

higher value, the change will be ner.

Set this to “OFF”when not using the

Step function.

* When set to BPM, the value of each

parameter will be set according to

the value of the “MASTER BPM”(p. 16)

specied for each patch. This makes it

easier to achieve eect sound settings

that match the tempo of the song.

* If, due to the tempo, the time is longer

than the range of allowable settings, it

is then synchronized to a period either

1/2 or 1/4 of that time.

EFFECT

TREMOLO

Parameter Value Explanation

WAVE

(WAVE SHAPE) 0–100 Adjusts changes in volume level. A

higher value will steepen wave’s shape.

RATE 0–100,

BPM

Adjusts the frequency (speed) of the

change.

* When set to BPM, the value of each

parameter will be set according to

the value of the “MASTER BPM”(p. 16)

specied for each patch. This makes it

easier to achieve eect sound settings

that match the tempo of the song.

* If, due to the tempo, the time is longer

than the range of allowable settings, it

is then synchronized to a period either

1/2 or 1/4 of that time.

DEPTH 0–100 Adjusts the depth of the eect.

LEVEL 0–100 Adjusts the volume.

PHASER

Parameter Value Explanation

TYPE

Selects the number of stages that the phaser eect will use.

4STAGE This is a four-phase eect. A light phaser

eect is obtained.

8STAGE This is a eight-phase eect. It is a popular

phaser eect.

12STAGE This is a twelve-phase eect. A deep

phase eect is obtained.

BiPHASE This is the phaser with two phase shift

circuits connected in series.

RATE 0–100,

BPM

Adjust the rate of the phaser eect.

* When set to BPM, the value of each

parameter will be set according to

the value of the “MASTER BPM”(p. 16)

specied for each patch. This makes it

easier to achieve eect sound settings

that match the tempo of the song.

* If, due to the tempo, the time is longer

than the range of allowable settings, it

is then synchronized to a period either

1/2 or 1/4 of that time.

DEPTH 0–100 Determines the depth of the phaser

eect.

RESONANCE 0–100

Determines the amount of resonance

(feedback). Increasing the value will

emphasize the eect, creating a more

unusual sound.

MANUAL 0–100 Adjusts the center frequency of the

phaser eect.

STEP RATE OFF, 0–100,

BPM

Adjusts the cycle of the step function that

changes the rate and depth. When it is set

to a higher value, the change will be ner.

Set this to “OFF”when not using the Step

function.

* When set to BPM, the value of each

parameter will be set according to

the value of the “MASTER BPM”(p. 16)

specied for each patch. This makes it

easier to achieve eect sound settings

that match the tempo of the song.

* If, due to the tempo, the time is longer

than the range of allowable settings, it

is then synchronized to a period either

1/2 or 1/4 of that time.

E.LEVEL 0–100 Adjusts the volume of the phaser.

D.LEVEL 0–100 Adjusts the volume of the direct sound.

ROTARY

Parameter Value Explanation

SPEED SLOW, FAST Changes the simulated speaker’s

rotating speed (SLOW or FAST).

RATE SLOW 0–100,

BPM

Adjusts the SPEED of rotation when set

to “SLOW.”

RATE FAST 0–100,

BPM

Adjusts the SPEED of rotation when set

to “FAST.”

* When set to BPM, the value of each

parameter will be set according to

the value of the “MASTER BPM”(p. 16)

specied for each patch. This makes it

easier to achieve eect sound settings

that match the tempo of the song.

* If, due to the tempo, the time is longer

than the range of allowable settings, it

is then synchronized to a period either

1/2 or 1/4 of that time.

DEPTH 0–100 Adjusts the amount of depth in the

rotary eect.

RISE TIME 0–100

Adjusts the time it takes for the rotation

SPEED to change when switched from

“SLOW” to “FAST.”

FALL TIME 0–100

Adjusts the time it takes for the rotation

SPEED to change when switched from

“FAST” to “SLOW.”

E.LEVEL 0–100 Adjusts the volume of the eect sound.

Autres manuels pour VE-500

Ce manuel convient aux modèles suivants

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