Portable Full Range Sound System KPRO 15.10
Stage Pro Series
Connect the components following the precedent wiring scheme .
Connection to the electric net
Check that Power switch is in position 0 and that net voltage corresponds to the one selected in the system.
3
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Connect the supplied electric wire to an electric net socket equipped with a correct ground contact.
Connection to the mixer
Before making any connection to the mixer make sure the system power switch is Off in order to avoid damages.
Remember that electric net power il the last to be switced On and the first to be disconnected after use!
If you use balanced XLR outputs from the mixer , you need XLR > Stereo Jack signal wires, or XLR/XLR wires with a stereo
Jack adapter to connect to the Line In of the subwoofer amplifier.
If you use balanced Jack outputs from the mixer, you need Stereo Jack >Stereo Jack wires.
If you use unbalanced XLR outputs from the mixer, you need XLR >Jack Mono wires, or XLR/XLR wires with an adapter
Jack Mono to connect to the subwoofer Line In:
If you use unbalanced jack outputs from the mixer, you need Jack Mono >Jack Mono wires.
Satellite connection
Use wires with good quality Speakon plugs. Make sure to rotate the Speakon plugs clockwise up to the lock position.
System volume adjustment
The System KPRO 15.10 is not equipped with clipping limiters and with clipping LED lights therefore it is important to make a
The system can offer excellent performance and it should get good level imput signals , from the kind and the good
quality of wires and preventing any audio distorsion . A distorted audio signal will make a bad performance of the System
and can make serious damages to the System itself.
Therefore we invite you to follow carefully the following instructions for the level adjustment of every component.
Satellites volume adjustment
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9
After having switched On the system, set the controls at 11 hours as described in the drawing. This is the optimal level
when you have a mixer with outputs peaks that are between 0 and + 3 dB
Now listen to the satellites; if you hear a distorsion or a signal saturation (by the microfone for instance) check the possibility
to reduce the signal from the audio source or the main output of the mixer. If it is not enough, reduce the volume of the
satellites untill you get an otimal sound.
Subwoofr volume adjustment
11
proper adjustment to the general features of the installation.
11
LEFT RIGHT
SUBWOOFER LEVEL
LEVEL LEVEL
LINE OUT LINE IN LINE IN LINE OUT
400 W 4 OHM
POWER
150 W 8 OHM 150 W 8 OHM
69
The adjustment of the system volume is to be made by the three LEVEL constrols
in the rear plate of the subwoofer:
- For the left satellite LEVEL LEFT
- For the right satellite LEVEL RIGHT
- For the subwoofer SUBWOOFER LEVEL
Before switching on the the system make sure that all three controls are turned
completely counterclockwise at level - .∞
Make the adjustment of the satellites first and then adjust the subwoofer level.
After having memorized the right position of the LEFT and RIGHT controls and having set them again to zero,
turn the control SUBWOOFER LEVEL and set it at 11 hours . This is the optimal level when you have a mixer
with outputs peaks that are between 0 and + 3 dB.
Now listen to the subwoofer ; if you hear bass distrorsions, turn slightly the subwoofer control counterclockwise.
Final adjusment of the System
Set the three controls in the optimal positions that you have identified and listen to the complete System, always with
the mixer outputs with maximum peaks between 0 and +3 dB.
If you hear to much basses , turn sligthly the control LEVEL SUB counterclockwise.
If basses are too low instead, turn slightly the controls LEVEL LEFT and RIGHT counterclockwise .
As a general rule , the output level of the mixers is set in a way that, with the sound peaks, it is between 0 to +3 dB
about. When the system K PRO 15.10 gets in the two Line In (5 and 8) a signal with that amplitude and it is
set as explained above, it grants the maximum performance in terms of maximum undistorted amplification (at clip
limit) and in this conditions you get the maximum possible sound pressure (SPL).
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Portable Full Range Sound System KPRO 15.10
Stage Pro Series
High sensitivity passive satellites STAGE PRO 10
The high sensitivity satellite STAGE PRO 10 is composed by:
One 10" (250 mm) woofer with a 50 mm vented voice coil
One compression horn tweeter with a 45 mm voice coil
Cabinet in high density MDF , embossed anti-scratch painting
Housing hole for ø 35 mm stand tubes
Integral protection grill
High Pass Filter at 8000 Hz 18 dB/oct on tweeter
Impedance 4 ohm
Speakon socket for connection to the subwoofer amplifier
Dimension and Weight: 32 x 30 x 46 cm; 13 kg.
HIGHHIGHHIGHHIGH HIGHHIGH HIGH HIGH HIGHHIGH HIGH
EQEQ EQEQ EQ EQ EQ EQ
MIDMID MIDMIDMID MID MIDMID MID MID
12kHz12kHz12kHz 12kHz12kHz12kHz 12kHz 12kHz 12kHz 12kHz
2.5kHz
2.5kHz2.5kHz 2.5kHz2.5kHz2.5kHz 2.5kHz2.5kHz 2.5kHz2.5kHz 2.5kHz 2.5kHz
LOWLOWLOW LOWLOW LOWLOW LOW LOW LOW
80Hz80 Hz80Hz 80Hz80Hz 80 Hz 80Hz 80 Hz 80Hz
PREPREPREPREPREPREPREPRE PREPRE
AUXAUXAUXAUXAUXAUXAUX AUXAUXAUX
FXFXFXFXFXFX FXFX
PANPA N PANPAN PAN PAN BAL BAL
31 4
2 5 6 7/8 9/10
MUTEMUTE MUTEMUTE MUTE MUTEMUTE MUTE MUTE
ALT3-4ALT3-4ALT 3-4ALT3-4 ALT3-4ALT3-4ALT3-4ALT 3-4 ALT3-4ALT 3-4 ALT3-4ALT3-4 ALT3-4ALT3-4 ALT3-4ALT 3-4
CLIPCLIPCLIP CLIPCLIP CLIP CLIPCLIP CLIP CLIP
SOLOSOLO SOLOSOLO SOLO SOLO SOLO SOLO
MUTEMUTE MUTEMUTEMUTE MUTE MUTE MUTEMUTE MUTEMUTE
dBdB dBdB dB dB dB dB
1 2 569/10
111111 11 2 2
1 1 1
222222 22
AL T MAINMIX
3-4
34LR
SOLO
SOLO
FX FX
TOAUX
SEND1
MAINMIXMAINMIX
ALT3-4
AUXSENDS STEREOAUX RETURNS
PROGRAMPROGRAM
(PUSH )
2-TR/USB
ALT3-4
MAINMIX
SOURCESOURCE
MAX
2-TR/USBTO MAIN
PHONES/CTRLR
MAINSOLO PFL
MODE
SOLO(NORMAL)SOLO(NORMAL)
PFL(LEVELSET)PFL(LEVEL SET)
10
5
2
0
2
5
20
MIC3MIC 1MIC1 MIC4MIC2 MIC5 MIC 6
LINEIN 5/6 LINEIN 7/8LINE IN 7/8
RIGHTLEFT/
MONOMONO
AUXSENDS
2
1
2
1
FX
INPUT OUTPUT
CD/TAPECD/TAPE
00SMALLHALL00SMALL HALL
03MID HALL03MID HALL
06BIG HALL06BIG HALL
09CHURCH
10SMALLROOM10SMALLROOM
13MID ROOM13 MIDROOM
16BIG ROOM16BIGROOM
19CHAPEL19 CHAPEL
20SPRING20 SPRING
27SPRING27 SPRING
30GATEDREV30 GATED REV
36REVERSE36REVERSE
40EARLYREFL40EARLY REFL
44AMBIENCE44 AMBIENCE
48STADIUM48STADIUM
49AMBIENCEFX49AMBIENCEFX
50DELAY50DELAY
59ECHO59 ECHO
60CHORUS
66FLANGER66FLANGER
70PHASER70 PHASER
74PITCH SHIFT74PITCHSHIFT
80CHORUS & REVERB80CHORUS & REVERB
82FLANGER & REVERB82FLANGER&REVERB
84PHASER & REVERB84PHASER & REVERB
86PITCH & REVERB86PITCH & REVERB
88DELAY& REVERB88DELAY& REVERB
90DELAY& GATED90 DELAY&GATED
91DELAY& REVERSE91 DELAY&REVERSE
92DELAY& CHORUS92DELAY& CHORUS
94DELAY& FLANGER94 DELAY&FLANGER
96DELAY& PHASER96DELAY& PHASER
98DELAY& PITCH98DELAY & PITCH
24-BIT MULTI-FXPROCESSOR24-BIT MULTI-FX PROCESSOR
ULTRALOW-NOISEDESIGN
14-INPUT2/2-BUSMIC/LINE MIXER14-INPUT2/2-BUSMIC/LINE MIXER
WITHPREMIUMMIC PREAMPLIFIERS ANDWITHPREMIUMMIC PREAMPLIFIERS AND
DIGITAL24-BITMULTI-EFFECTS PROCESSORDIGITAL24-BITMULTI-EFFECTS PROCESSOR
USBAUDIOINTERFACEUSBAUDIOINTERFACE
34 7/8
PAM X 2 .6 2
LAM P12V12V
400400 mA
USB
INTERFAINTERFA CE
LEFT RIGHT
SUBWOOFER LEVEL
LEVEL LEVEL
LINEOUT LINE IN LINEIN LINEOUT
POWER
400W 4 OHM
POWER
150W 8 OHM 150 W 8 OHM
VOLTAGESELECTION
ELECTRIC NET
WIRING
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