Arturia Minimoog V Manuel utilisateur

ARTURIA – minimoog V – QUICK START 1

1 MINIMOOG V - QUICK START

This chapter will help you get to know the main aspects of how the minimoog V works.

You will be presented an overview of the different parts of the synthesizer while using the

program for the first time. You will find a detailed description of all visible settings and

controllers in the chapters that follow.

Chapter 6, A few elements of sound design is specially recommended for users who have never

worked with a subtractive synthesizer before and who wish to learn the basics in this

domain.

Overview of the minimoog V

1.1 USING THE PRESETS

Use of presets is one of the major areas of evolution when the minimoog V is compared

to the original, which couldn’t save sounds!

With the minimoog V, a preset (memorized sound) contains all of the parameter settings

of the synthesizer plus the «extension» part and the different real-time and effect

controllers necessary to reproduce the sound.

To get to know a few of the different sounds contained in the minimoog V, we will select

the «Bass1» preset.

 To do this, click on button above the «BANK» LCD display which indicates «Arturia»

(this display shows the name of the current bank in use). When you click, you will see

a dropdown menu indicating the available banks. Choose the «JM_Blanchet» bank.

When this menu is open, it expands the sub-menus allowing you to reach the «SUB

BANK» and «PRESETS» of a sound designer with a single click.

 Choose the «SUB BANK» called «Basses» and finally select «JMB_Classic1» in the

«PRESETS».

ARTURIA – minimoog V – QUICK START

Select the preset JMB_Classic1

The minimoog V comes with 400 presets, which will familiarize you with the sounds of

the synthesizer. A bank called «User / Temp» offers a selection of presets with a basic

configuration (or template) to start programming a sound.

(The sound «1_Osc», for example, comes with: an oscillator directed to the low-pass

filter, with the signal then routed to the VCA.)

It is also possible to see all of the presets corresponding to a given type of sub-bank by choosing the «All»

option in the bank. For example, to see all of the bass presets click on «All» in the bank selection and then on

«Basses».

1.1.1 Modifying this preset

For this, we’ll start with a very simple manipulation.

 Modify the brightness of the «JMB_Classic1» sound using the «Cutoff Frequency»

potentiometer of the filter. Turn this potentiometer and you will hear the tone of the

sound becoming more or less «brilliant». Set this potentiometer to your convenience.

Change the brightness of the sound

 In the same manner, you can change the range of oscillator1 by turning the «Range»

potentiometer to one of the six values expressed in steps (like on organs). The lower

the number, the higher the pitch of the sound. (The standard tuning is found at the

value 8’)

ARTURIA – minimoog V – QUICK START 3

Setting the range of oscillator 1(«Range»)

By performing these first settings, you have already modified the «JMB_Classic1» preset.

You can now save the sound that you have just created.

 To save a «user» preset, click on the save icon on the toolbar: The settings of the

current sound will be saved in the selected preset without changing the name.

If the current preset is a «factory» preset, the factory preset will not be overwritten.

 To choose another destination for this sound, click on the «Save as» icon and select a

destination. For example, select «new» in the choice of bank. 2 new emplacements

for bank and sub-bank and a new preset are immediately created. The names «new

bank», «new sub bank…» and «new preset…» appear in their respective menu

locations.

 Click on each of them to change the names.

Saving a preset

ARTURIA – minimoog V – QUICK START

1.2 THE PLAYING MODES

The minimoog V offers 2 playing modes:

• The «Close» mode is close to the original configuration of the Minimoog.

The closed mode (the original Minimoog)

• The «Open» mode gives access to extensions offering a modulation matrix, an

arpeggiator and effects. These different functions will enrich the base settings of the

minimoog V.

The extension of the «Open» mode

 To access the «Open» mode, click on the wooden crosspiece situated above the

synthesis settings or on the «Open» button on the right of the toolbar.

 To return to the «Close» mode, simply click again on the wooden crosspiece or on the

«Open» button.

ARTURIA – minimoog V – QUICK START 5

Opening the extension

To use the minimoog V exactly like the original Minimoog, you must also deactivate the chorus and delay

effects on the toolbar and switch off the polyphony toggle in the output section.

1.3 OVERVIEW OF THE «CLOSE» MODE

The «Close» mode holds 50 synthesis settings, which will allow you to conceive an

infinite variety of sounds. The knobs and switches associated to these parameters are

found regrouped on the panel above the keyboard.

These parameters are composed of:

• 3 oscillators (VCO) which deliver the base audio signal thanks to 6 wave

forms (triangle, sawtooth 1 and 2, square, rectangle 1 and 2) and manage the height

of the sound (the frequency). The third can also be used as a modulator when it’s is

directed to the filter or oscillators.

• A Mixer allows you to mix the signals coming from the oscillators or the noise module.

• A low-pass 24 dB resonant filter

• An ADS envelope modulating the low-pass filters

• 1 amplifier (VCA) allowing the amplification of the signal coming from the filter to

direct it to the stereo output.

• An ADS envelope modulating the signal going through the amplifier.

The synthesis parameters

Let’s see how to quickly create a progressive lead:

 To correctly understand the logic in programming the minimoog V, let’s use a very

simple sound. Select the preset «1_Osc» (in the «User / Temp» sub-bank). The

structure of synthesis of this sound is very basic: the sawtooth waveform of

oscillator1 is active and the signal is routed through the low-pass filter, and then the

output amplifier.

The routing of the sound of preset «1_Osc»

ARTURIA – minimoog V – QUICK START

 Start by lowering the cut-off frequency of the low-pass filter (LPF). This will make the

sound more and more dampened.

 To do this, set the «Cutoff frequency potentiometer». For fine-tuning, use the right

mouse button (this is valid for all potentiometers).

Notice that the filter cut-off is modulated by an ADR envelope (Attack, Decay and

Release).

 To clearly hear the effect produced by the ADR envelope on the filter cut-off

frequency, increase the resonance («Emphasis») value 5.00. This will amplify the

filtering effect and the sound will start to «whistle».

 Change the length of attack for this envelope («Attack time») so that the brightness

increases slower or faster when the note is sent.

 In the same manner, change the value of decay («Decay time»); the brightness will

diminish faster or slower as you hold the note.

The «Attack time» parameter of the filter envelope

You will probably have noticed that an envelope also modulates the amplitude of the

sound – «Loudness Contour»

 Increase the «Attack time» so that the volume of the sound increases progressively.

 Do the same with the «Decay time»; the volume will progressively decay when you

hold the note pressed down.

Amplitude envelope – Loudness Contour

1.4 THE «OPEN» MODE

When the minimoog V is at the «Open» position, you access an extension to the

parameters of synthesis. It is displayed in the form of a modulation matrix, a Low

Frequency Oscillator (LFO) which was brought in be substituted for oscillator 3 which was

being used to this effect. An arpeggiator, a chorus and stereo delay complete this

extension.

ARTURIA – minimoog V – QUICK START 7

1.4.1 The modulation matrix

The modulation matrix multiplies the possibilities for editing sound when compared to the

original instrument. You can choose 6 sources (sub osc., envelopes, etc…) to modulate 6

destinations (freq. Osc., freq. VCF, etc…).

The choice of source and destination is done via the LCD displays. The matrix offers 12

sources of modulation and 32 destinations (compared to two on the original!).

The modulation matrix

1.4.2 The LFO

On the original Minimoog (equivalent to the «Close» mode), oscillator3 can be set to the

low frequency («Lo» position in the range) to be used in LFO mode. This removed the

possibility of using 3 simultaneous oscillators as well as a slow modulation on the filter

cut-off frequency for example.

With the added LFO module added in the extension of the «Open» mode, you can keep

the 3rd oscillator as a base for sound and add an additional source of modulation to be

used on one of the 32 available locations.

Let’s apply 2 additional types of modulation to the «1_Osc» preset:

 Among the modulation sources, choose the low frequency oscillator 1 («LFO»).

 Choose the filter cutoff frequency among the destinations. Turn down the frequency

so that you can hear the result. The cutoff frequency will vary in a cyclic way,

following the LFO oscillations.

Modulation of the filter cutoff frequency by the LFO

ARTURIA – minimoog V – QUICK START

 Between the LCD displays can be found the «AMOUNT» knob. You can set the

modulation level by applying positive (turn to the right) or negative (turn to the left)

values. For this example, take a value of 0.0480.

Turn the knob to the right to apply a positive value

Let’s delay the action of the LFO by applying modulation wheel on its amplitude:

 Choose the modulation wheel (“wheel”) among the sources.

 Choose «LFO AM» among the destinations

 Set the modulation level by applying a positive value of about 0.0193.

 Set the modulation wheel up to 0.60.

1.5 THE ARPEGGIATOR SECTION

The «Arpeggiator» section lets you easily create an arpeggio from a chord played on the

keyboard.

An arpeggio is a series of single notes of the same length that spell out a chord, and play one after the other.

Arpeggiator settings are available on the right of the modulation matrix.

Let’s take the example the «JMB_Classic2» preset to see how to use the arpeggiator.

 Click on the «PLAY» button of the arpeggiator.

 Play a chord between C4 and C6; the notes will be played one after the other in the

order you placed them (it is possible to change the order by clicking on the «mode»

button).

 It is also possible to keep the chord help down by clicking on the «HOLD» button.

 To remove one or several notes, click again on the «HOLD» button and play the note

you want to remove.

The arpeggiator

ARTURIA – minimoog V – QUICK START 9

1.6 THE EFFECTS SECTION

The effects section lets you add chorus or delay to your sound.

1.6.1 The chorus

The Chorus effect enables to double and slightly detune your sound in order to make it

deeper and livelier. 3 types of stereo chorus are available.

 Activate the «ON/OFF» button for Chorus, on the right side of the menu bar.

 Set the «Dry/Wet» knob for Chorus in order to counterbalance the «raw» sound and

the feedback of the effect.

 Next turn the «Rate» knob to set the speed of the oscillations.

 Finally set the chorus depth by turning the «Depth» knob.

 You can choose between 3 types of chorus: Chorus 1, 2 and 3, from the simpler

version to a more sophisticated chorus, designed for sharper detuning effects.

The chorus

1.6.2 The delay

The delay effect adds stereo echoes to the sound.

It has independent settings for the speed and the number of echoes on the right and left

sides. It is also possible to create a great number of rhythmic combinations between the

echoes. The speed of the delay can also be synchronized with the MIDI tempo.

Let’s keep the «JMB_Classic1» preset and see how to use the delay with this sound:

 Press the «DELAY» button on the toolbar. The effect is enabled.

 Set the «Dry/Wet» knob of the Delay so as to balance the «raw» bass sound.

 Next turn the 2 «Speed» knobs of the delay to set the speed of echoes for the right

side (Time Right) and left side (Time Left).

 It is also possible to set the number of echoes on each side («Feedb. Right» and

«Feedb. Left»)

Settings of the delay effect

ARTURIA – minimoog V – QUICK START

1.7 THE REAL TIME CONTROLLERS AND MIDI ASSIGN

Like its excellent ancestor, the minimoog V is adapted in particular to real time play. One

of the major points of evolution when compared to the original is the possibility to assign

any minimoog V knob to an external MIDI controller.

Let’s look at an example:

 Click on the «Cutoff frequency» knob while holding the Ctrl key down. A MIDI assign

dialog appears.

 Click on «Learn» and move the MIDI controller of your choice. The knob in minimoog

V will move at the same time.

 You can then record the movement of your MIDI controller on your MIDI sequencer or

simply make it evolve on the fly during a «live» presentation.

MIDI assigning of the «Cutoff frequency» knob

Of course, all of the settings that we have modified during these chapters will be saved in

the preset that you have created.

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