Alto Professional MIXPACK 10 Manuel utilisateur

User Guide

English ( 2 – 8 )

Guía del usuario

Español ( 9 – 15 )

Guide d'utilisation

Français ( 16 – 22 )

Guida per l'uso

Italiano ( 23 – 29 )

Benutzerhandbuch

Deutsch ( 30 – 36 )

Gebruikershandleiding

Nederlands ( 37 – 43 )

Appendix

English ( 44 – 46 )

User Guide (English)

Introduction

Box Contents

Mixpack 10

Power Cable

(2) 1/4” (6.35 mm) Speaker Cables

User Guide

Safety & Warranty Manual

Support

For the latest information about this product (system requirements, compatibility information,

etc.) and product registration, visit altoprofessional.com.

Cleaning

When necessary, use compressed air or a dry cloth to keep Mixpack 10 clean and dust-free.

Do not use any solvents such as benzol or alcohol.

Installation Tips

•Place the loudspeakers in a position that allows for unobstructed sound projection. In

many instances, it is beneficial to place loudspeakers on tripod stands at a suitable

height in order to achieve maximum dispersion and reach.

•Use high-quality cables to ensure the best possible sound.

•For best results use the included loudspeakers with the Mixpack 10 powered mixer.

These speakers were designed specifically to complement the power output and voicing

of Mixpack 10's powered mixer. Avoid pointing the microphone directly at the

loudspeaker. This can cause feedback or damage loudspeaker components as well as

your hearing.

Important Safety Precautions

Please note: Alto Professional and inMusic are not responsible for the use of its products or

the misuse of this information for any purpose. Alto Professional and inMusic are not

responsible for the misuse of its products caused by avoiding compliance with inspection and

maintenance procedures. Please also refer to the included safety and warranty manual for

more information.

Caution: To reduce the risk of electric shock, do not connect Mixpack 10 to a power

outlet while the mixer is open.

Stand-Mounting

•Always install loudspeakers in accordance with applicable electrical and building codes.

•Install the loudspeaker according to its maximum weight. Check the specifications of your

stand or pole to ensure it can support the loudspeaker's weight. Also, observe all safety

precautions specified by the manufacturer.

•Do not mount multiple loudspeakers on the same stand or pole.

•Always verify that the stand or pole is on a flat, level, and stable surface. Also, fully extend

the legs of tripod-style stands, and ensure its legs do not present a trip hazard.

•Inspect the stand (or pole and associated hardware) before each use and do not use

equipment with worn, damaged, or missing parts.

•Always be cautious in windy, outdoor conditions. You may need to place additional weight

(e.g., sandbags) on stand's base to improve stability. Do not attach banners or similar

items to any part of a loudspeaker system. Such attachments could act as a sail and

topple the system.

•Unless you are confident that you can handle the loudspeaker's weight, ask another

person to help you lift it onto the stand or pole.

•Make sure your cables are out of the way of performers, production crew, and audience so

they will not trip over them, pulling the loudspeaker off the stand or pole.

Sound Level

Permanent hearing loss may be caused by exposure to extremely high noise levels. The U.S.

Occupational Safety and Health Administration (OSHA) has specified permissible exposures to

certain noise levels. According to OSHA, exposure to high sound pressure levels (SPL) in

excess of these limits may result in hearing loss. When using equipment capable of generating

high SPL, use hearing protection while such equipment is under operation.

Hours per day SPL (dB) Example

8 90 Small gig

6 92 Train

4 95 Subway train

3 97 High level desktop monitors

2 100 Classical music concert

1.5 102 Riveting machine

1 105 Machine factory

0.50 110 Airport

0.25 or less 115 Rock concert

Quick Start

Setup

Connect cables with all equipment powered off, and ensure that all main volume controls are

turned down. Follow the procedure below to have a signal processed for each channel:

1. Set all channel Level knobs to zero, set the Main Level knob to zero, and set EQ’s flat.

2. Connect your mic and then engage the Phantom Power switch if your mic requires this.

3. Set the Main Level knob to no more than 70% and the Monitor knob at minimum.

4. Adjust the channel Level knob and bring up the Monitor knob slowly to reach the desired

level.

5. Repeat Steps 1 and 2 to set up more channels.

Connection Diagram

Items not listed under Introduction > Box Contents are sold separately.

Guitar

Microphone

Mixpack 10 Loudspeakers

Synthesizer Recorder

Powered

Loudspeaker

Features

To remove the mixer from the

loudspeaker, press in and turn the dial

counter-clockwise. Open the back panel

of the other loudspeaker to access the

speaker and power cables.

To secure the mixer and storage

compartment door back in the speaker

enclosure for transport, push in and turn

the dial clockwise until the knob’s tab is

vertical (see image).

Top Panel

1. Mono Inputs: These XLR and 1/4" inputs are capable

of accepting microphone- or line-level signals. The XLR

inputs can use phantom power allowing you to connect

a condenser microphone. Use the 1/4” input to

connect either a microphone or an instrument such as

synthesizers, drum machines, effect processors, or any

other line-level signals.

Note: When using phantom power with XLR

microphones, only use correctly wired XLR cables.

Using XLR cables with non-standard termination may

damage microphones and other connected equipment.

2. Stereo Line Inputs: Connect stereo line-level devices to these inputs. When

connecting to either or both inputs on Channels 5/6, the signal will come out

both L and R speakers for the Main Out. Monitor Out signals will consist of a

summed mono mix of the L and R Main Out signals.

3. High EQ: Adjusts the high (treble) frequencies of the channel. The

gain can be adjusted from -15dB to +15dB with the center

frequency at 12 kHz.

4. Low EQ: Adjusts the low (bass) frequencies of the channel. The

gain can be adjusted from -15dB to +15dB with the center

frequency at 80 Hz.

5. Reverb Switch: Set this switch to the ON position to apply a reverb

effect to the selected channel.

6. Level Control: Adjusts the signal gain for the channel.

7. Phantom Power Switch: Set this switch to the ON position to

apply +48V to XLR Mono Inputs 1-4. Please note that most

dynamic microphones do not require phantom power, while most

condenser microphones do. Consult your microphone’s documentation to

find out whether it needs phantom power.

8. RCA Line Inputs: Connect the outputs of an external device to these

inputs using standard RCA cables. This can be used to connect to a CD

player or mobile device (laptop, tablet, mobile phone etc.). As most

mobile devices are equipped with stereo 1/8" audio outputs, you will

likely need a stereo 1/8"-to-RCA adapter cable.

9. Record Out: Route the main output signal into a tapedeck, computer

soundcard, or a portable recorder.

10. Monitor Output: Connect this output to your powered monitor speaker

or amplifier system.

11. Main Output: Outputs an amplified speaker-level signal to the included loudspeaker. The

minimum loudspeaker load is 4 ohms.

12. Monitor Level Control: Adjusts the level of the Monitor Output.

13. FX Return (Reverb 1-4): Controls the amount of Reverb effect being sent to the Main

Output and Monitor Output.

14. EQ Contour: Adjusts the contour of the sound. If your application is mainly for speech,

set this switch to the SPEECH position to select the SPEECH response curve.

15. Main Level Control: Adjusts the overall output level.

16. Power LED: This LED lights up when the unit is powered on.

17. Output Level LED: This 4-segment LED meter is used to indicate the output level.

18. AC Input: Connect the included power cable here.

19. Power Switch: Turns the unit’s power on/off.

J.T.

910

Connecting Plate

Here are the two available options to connect

unpowered loudspeakers to Mixpack 10:

1. Input: This receives the power coming

from an external power amplifier

(SPK+1/-1 connected; +2 -2 not

connected).

2. Thru: This is a direct link for connecting

in parallel with a second loudspeaker

cabinet (SPK +1/-1 connected; +2 -2 not

connected).

Installation and Connection

Read this section carefully. Not paying enough attention to the input signal's level, routing, or

proper cabling can result in unwanted distortion, a corrupted signal or no sound at all.

Mixpack 10 has both balanced and unbalanced connections, ensuring compatibility with other

audio processors and mixers.

Please see the following drawings for details:

•For 1/4" Phone jack

•For XLR connector

TS Type

Unbalanced TRS Type Balanced

Tip

Sleeve

Tip

Sleeve

Ring

Pin2

Pin3

(Linked

to Pin1

manually

Pin1

XLR Type Unbalanced XLR Type Balanced

Pin3 Pin2

Pin1

In Line Connection

•Balanced

•Unbalanced

Tip Ring Sleeve

Tip Sleeve

Tip Ring Sleeve

Tip Sleeve

Tip Ring Sleeve

Sleeve Tip

Sleeve Ring Tip

Tip

Ring

Sleeve

Tip

Sleeve

Tip

Sleeve

Tip

Ring

Sleeve

Tip

Sleeve

Tip

Ring

Sleeve

Center

Screen

Tip

Sleeve

Tip

Ring

Sleeve

Center

Screen

Center

Screen

Tip

Ring

Sleeve

Tip

Ring

Sleeve

Tip

Ring

Sleeve

Tip

Ring

Sleeve

Guía del usuario (Español)

Introducción

Contenido de la caja

Mixpack 10

Cable de alimentación

(2) Cables para altavoces de 6,35 mm (1/4 pulg.)

Guía del usuario

Manual sobre la seguridad y garantía

Soporte

Para obtener la información más completa acerca de este product (los requisitos del sistema,

compatibilidad, etc) y registro del producto, visite altoprofessional.com.

Limpieza

Cuando sea necesario, utilice aire comprimido o un trapo seco para mantener al Mixpack 10

limpio y libre de polvo. No utilice solventes tales como benzol o alcohol.

Consejos para la instalación

•Coloque los altavoces en una posición que permita una proyección de sonido sin

obstrucciones. En muchos casos, es beneficioso colocar los altavoces en trípodes a una

altura apropiada a fin de lograr la mayor dispersión y alcance.

•Utilice cables de alta calidad para garantizar el mejor sonido posible.

•Para obtener mejores resultados, utilice los altavoces incluidos con el mezclador

alimentado Mixpack 10. Estos altavoces se diseñaron específicamente para

complementar la salida de potencia y armonización del mezclador alimentado del

Mixpack 10's. Evite apuntar el micrófono directamente al altavoz. Esto puede causar

acople o dañar los componentes del altavoz así como su oído.

Precauciones importantes para la seguridad

Para tener en cuenta: Alto Professional e inMusic no son responsables del uso de sus productos o

el mal uso de esta información para cualquier propósito. Alto Professional e inMusic no son

responsables del mal uso de sus productos causados por la omisión del cumplimiento de los

procedimientos de inspección y mantenimiento. Para más información, consulte también el manual

de seguridad y garantía incluido.

Precaución: Para reducir el riesgo de shock eléctrico, no conecte el Mixpack 10 a una

toma de corriente cuando el mezclador esté abierto.

Montaje en soporte

•Instale siempre los altavoces de acuerdo con los códigos de electricidad y construcción

aplicables.

•Instale el altavoz de acuerdo a su peso máximo. Compruebe las especificaciones de su soporte

o columna para asegurarse de que pueda soportar el peso del altavoz. Asimismo, observe todas

las precauciones para la seguridad especificadas por el fabricante.

•No monte varios altavoces en el mismo soporte o columna.

•Verifique siempre que el soporte o columna esté sobre una superficie plana, nivelada y estable.

Asimismo, extienda totalmente las patas de los soportes tipo trípode y asegúrese de que las

patas no representen un riesgo de tropiezo.

•Inspeccione el soporte (o columna y elementos de fijación asociados) antes de cada uso y no

utilice equipos con piezas desgastadas, dañadas o faltantes.

•Tenga siempre cuidado en condiciones de viento a la intemperie. Es posible que deba colocar

peso adicional (como bolsas de arena) en la base del soporte para mejorar la estabilidad. No fije

pancartas o elementos similares a ninguna parte del sistema de altavoces. Tales agregados

pueden funcionar como velas y hacer volcar el sistema.

•Salvo que tenga confianza de que puede manejar el peso del altavoz, solicite a otra persona que

le ayude a levantarlo para colocarlo en el soporte o columna.

•Asegúrese de que los cables estén fuera del camino de los intérpretes, personal de producción y

audiencia, de modo que no tropiecen con ellos y hagan caer el altavoz del soporte o columna.

Nivel de sonido

La exposición a niveles muy altos de ruido puede causar pérdidas auditivas permanentes. La

Administración de Seguridad y Salud Ocupacional de EE.UU. (OSHA) ha especificado los niveles de

exposición permisibles a ciertos niveles de ruido. Según la OSHA, la exposición a niveles de presión

sonora (SPL) elevados que excedan estos límites puede causar pérdidas auditivas. Cuando utilice

equipos capaces de generar SPL elevados, use protecciones auditivas mientras dichos equipos

están en funcionamiento.

Horas diarias SPL (dB) Ejemplo

8 90 Música de bajo volumen

6 92 Tren

4 95 Tren subterráneo

3 97 Monitores de escritorio de alto nivel

2 100 Concierto de música clásica

1,5 102 Remachadora

1 105 Máquina fabril

0,50 110 Aeropuerto

0,25 o menos 115 Concierto de roc

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