3rd Power DS 1 '62 Brownface Manuel utilisateur
ON
OFF
PLAY
STANDBY
DREAM SOLO
™
4
AMPLIFICATION
VOLUME MIDDLETREBLE BASS
INPUT
‘68 Plexi
PRESENCE
USER’S GUIDE
112 COMBO AMPLIFIERS & HEADS
DREAM SOLO
™
SERIES
™
3
Your 3RD POWER Amplifier is a professional musical instrument amplifier. The information
contained herein is current at the time of publication. However, specifications are subject to
change without prior notice.
PRECAUTIONS & WARNINGS
• READ THESE INSTRUCTIONS.
• KEEP THESE INSTRUCTIONS.
• HEED ALL WARNINGS.
• FOLLOW ALL INSTRUCTIONS.
• YOUR AMPLIFIER IS LOUD!
EXPOSURE TO HIGH SOUND VOLUMES MAY CAUSE PERMANENT HEARING DAMAGE !
Practice “safe listening.”
• No user serviceable parts inside. Refer service to qualified personnel. Always unplug AC
power before removing chassis.
• IF YOU INTEND ON OPERATING THIS EQUIPMENT OUTSIDE OF THE USA: Always insure
that unit is wired for proper voltage. Make certain all connections and grounding con-
forms with local standards. Make certain that you have obtained authorization to operate
prior to connecting to power supply.
• WARNING: Vacuum tube amplifiers generate heat. To insure proper ventilation always
make certain there is at least four inches (100mm) of space behind the rear of the ampli-
fier cabinet.
• Keep away from curtains or any flammable objects.
• WARNING: Do not block any ventilation openings on the rear or top of the amplifier. Do
not impede ventilation by placing objects on top of the amplifier which extend past the
rear edge of its cabinet.
• WARNING: Do not expose the amplifier to rain, moisture, dripping or splashing water. Do
not place objects filled with liquids on or nearby the amplifier.
• WARNING: Always make certain proper load is connected before operating the amplifier.
Failure to do so could pose a shock hazard and may result in damage to the amplifier.
• Do not expose amplifier to direct sunlight or extremely high temperatures.
• Always insure that amplifier is properly grounded. Always unplug AC power cord before
changing fuse or any tubes. When replacing fuse, use only same type and rating.
• Avoid direct contact with heated tubes. Keep amplifier away from children.
• Be sure to connect to an AC power supply that meets the power supply specifications
listed on the rear of the unit. Remove the power plug from the AC mains socket if the unit
is to be stored for an extended period of time. If there is any danger of lightning occurring
nearby, remove the power plug from the wall socket in advance.
• To avoid damaging your speakers and other music equipment, turn off the power of all
related equipment before making the connections.
• Do not use excessive force in handling control buttons, switches and controls. Do not
use solvents such as benzene or paint thinner to clean the unit. Wipe off the exterior with
soft cloth.
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Thank you for choosing 3RD
POWER as an integral compo-
nent of your musical journey.
Music is a thrilling blend of
tone, attitude and technique.
When the right combination
occurs, magic happens and it’s
experienced by everyone.
I’ve had the extraordinary
privilege of performing music for 30 years on stage and in the studio.
As the principal visionary of the company, every product we design re-
flects my energy, attitude and life experiences.
Each amplifier we create is designed to help you tell your musical story
- IN 3D!!!
Rock on!
- James Scott
MOVING FORWARD... IN 3D
™
5
Special Features:
• Hand-built and hand-wired in the USA
• Single Channel All-Tube design
• 22w 6V6 Power Amp section
• ’62 “brownface” Channel with Volume and Tone controls plus Bright
Switch or,
• ’65 “blackface” Channel with Volume, Treble and Bass controls plus
Bright Switch or,
• ’59 “AC” Channel EF86 Preamp Pentode topology with Volume, Bril-
liance and High Cut controls or,
• ’68 “Plexi” Channel 12AX7 Preamp Triode topology with Volume,
Treble, Middle and Bass controls
• Global Presence control
• 112 Combo Version features patent-pending FlexCAB™ speaker enclo-
sure design
Dimensions & Weights:
Subject to change anytime. Please measure your amp carefully if a custom case is
being made. These measurements do not include handle and rubber feet.
Combo Dimensions (WxHxD)
21 x 18.875 x 10 in.
Combo Weight
44 lb.
6
Preparing to Operate your Dream Solo
Make certain that all connections are made prior to operating your Dream Solo
amplifier including power cable, speaker connection, instrument cable and in-
strument connection. Make certain that all tubes are installed.
Power Switch (1)
The POWER switch, when placed in the UP position, provides AC wall power to
the amplifier.
Standby Switch (2)
The STANDBY switch, when placed in the DOWN position, puts the amplifier in
‘standby mode’ allowing the tubes to warm up. When this switch is place in the
UP position, the tube circuitry is fully functional and ready to amplify your guitar
signal.
Presence Control (3)
The global PRESENCE control allows you to adjust the character or ‘forward-
ness’ of your sound. Low settings create ‘warmer’ tones, whereas higher settings
create a ‘brilliant’ or crisp sound.
Front Panel: All Models
1
2
3
ON
OFF
PLAY
STANDBY
DREAM SOLO
™
AMPLIFICATION
PRESENCE
7
Input Jack (4)
The INPUT jack is where you connect instrument level signals.
Bright Switch (5)
The BRIGHT SWITCH allows you to emphasize the higher frequencies of your
sound.
Volume Control (6)
The VOLUME control allows you to adjust the signal level as well as the tem-
perament and overall character of your instrument’s sound. The Brownface chan-
nel has been optimized to provide superb versatility with a particular emphasis on
mid-range frequencies.
Tone Control (7)
The TONE control of the Brownface channel allows you to adjust the tonal em-
phasis of your sound from ‘dark’ to ‘bark’. This control also works in conjunction
with the VOLUME control and will have a subtle yet substantial affect on the
level of perceived instrument gain.
Front Panel: Brownface Channel
5 6
7
4
VOLUME TONE
brownface
INPUT
B
R
I
G
H
T
8
Input Jack (4)
The INPUT jack is where you connect instrument level signals.
Bright Switch (5)
The BRIGHT SWITCH allows you to emphasize the higher frequencies of your
sound.
Volume Control (6)
The VOLUME control allows you to adjust the signal level as well as the tem-
perament and overall character of your instruments sound. The Blackface chan-
nel has been optimized to provide superb versatility with a particular emphasis on
refining the mid-range frequencies to deliver a fuller, or ‘wider’ sounding tone.
Treble Control (7)
The TREBLE control allows you to adjust the character of the higher frequency
range. The TREBLE circuitry has been optimized to deliver excellent high fre-
quency character while retaining a smooth temperament.
Bass Control (8)
The BASS control allows you to adjust the depth of your lower frequencies. The
BASS circuitry has been optimized to provide deep, rich low frequencies.
Front Panel: Blackface Channel
4 5
6 7
8
9
Input Jack (4)
The INPUT jack is where you connect instrument level signals.
Volume Control (5)
The VOLUME control allows you to adjust the signal level as well as the tem-
perament and overall character of your instrument’s sound. The ’59 AC channel
has been optimized to provide superb versatility emphasized to deliver rich low
frequencies, broad mid-range frequencies and chiming high frequencies.
Brilliance Control (6)
The BRILLIANCE control allows you to adjust the tonal emphasis of your sound
from ‘wide’ to ‘narrow’.
•“OFF” Position: Wide and full range of frequencies. Excellent choice for sin-
gle coil and P90 or similarly equipped electric guitars.
•“1” Position: Gentle roll-off of low frequencies. Excellent choice with hum-
bucking equipped electric guitars.
•“2” Position: Dramatic roll-off of low and low mid frequencies. Excellent
choice with all electric guitars to achieve an authentic British Invasion guitar
sound.
Top Cut Control (7)
The TOP CUT control allows you to adjust the tonal emphasis of your high fre-
quencies. This control also works in conjunction with the VOLUME and BRIL-
LIANCE control and will have a subtle yet substantial affect on the level of per-
ceived instrument gain.
Front Panel: ’59 AC Channel
5 6 74
INPUT
OFF
VOLUME BRILLIANCE TOP CUT
‘59 AC
10
Input Jack (4)
The INPUT jack is where you connect instrument level signals.
Volume Control (5)
The VOLUME control allows you to adjust the signal level as well as the tem-
perament and overall character of your instruments sound. The ’68 Plexi channel
has been optimized to provide superb versatility with a particular emphasis on
tight mid-range frequencies to deliver a wide range of clean, crunch to vintage
overdrive and sustain.
Treble Control (6)
The TREBLE control allows you to adjust the character of the higher frequency
range. The TREBLE circuitry has been optimized to deliver excellent high fre-
quency character while retaining a smooth temperament.
Middle Control (7)
The MIDDLE control allows you to adjust the emphasis of the mid-range fre-
quencies. The MIDDLE circuitry has been optimized to deliver excellent ‘in your
face’ character while retaining a vintage, warm or smooth temperament.
Bass Control (8)
The BASS control allows you to adjust the depth of your lower frequencies. The
BASS circuitry has been optimized to provide focussed yet rich low frequencies.
Front Panel: ’68 Plexi Channel
4 5
6
7
8
VOLUME MIDDLETREBLE BASS
INPUT
‘68 Plexi
Ce manuel convient aux modèles suivants
4
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